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British Theatre in the 1890s

British Theatre in the 1890s
Author: Richard Foulkes
Publisher: Cambridge University Press
Total Pages: 0
Release: 2008-12-11
Genre: Drama
ISBN: 9780521103947

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The final decade of the nineteenth century was one of the most exciting and productive in the history of the British theatre. In this fascinating collection, twelve leading scholars examine the playwrights, actors, designers and theatrical environment of the period. As well as shedding light on such familiar figures as Pinero, H.A. Jones, Beerbohm Tree and Mrs Patrick Campbell, much of the hitherto neglected activity of the period is explored including toga plays, painting and the theatre, theatre architecture and travelling theatres. The volatile issue of indecency and the music hall is also explored and the question of the immorality of the stage is analysed as a recurring theme of the decade. The volume contains numerous illustrations from the period and will be of interest to students and specialists of drama, theatre and social history and British literature.


The Cambridge Companion to Victorian and Edwardian Theatre

The Cambridge Companion to Victorian and Edwardian Theatre
Author: Kerry Powell
Publisher: Cambridge University Press
Total Pages: 517
Release: 2004-02-19
Genre: Drama
ISBN: 1139826425

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This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.


British Drama, 1890 to 1950

British Drama, 1890 to 1950
Author: Richard F. Dietrich
Publisher: Macmillan Reference USA
Total Pages: 334
Release: 1989
Genre: Drama
ISBN:

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The Irish, with George Bernard Show leading the charge, rescue British drama from the clutches of the Victorians. Includes interesting biographical material, photographs, and a chronology. Annotation copyrighted by Book News, Inc., Portland, OR


Moving Performance

Moving Performance
Author: Linda Fitzsimmons
Publisher:
Total Pages: 204
Release: 2000
Genre: English drama
ISBN:

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Identifies performance as a central focus point in the relationship between theatrical modes and the emergence of cinematic forms in British theatre and film.


Cultural Identity in British Musical Theatre, 1890–1939

Cultural Identity in British Musical Theatre, 1890–1939
Author: Ben Macpherson
Publisher: Springer
Total Pages: 245
Release: 2018-05-15
Genre: Performing Arts
ISBN: 1137598077

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This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.


Victorian Theatricals

Victorian Theatricals
Author: Sara Hudston
Publisher:
Total Pages: 431
Release:
Genre: English drama
ISBN: 9781408164099

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Sara Hudston collects a range of plays, literature and writings about private and public theatrical spectacles during the Victorian era to show how British theatre had, by the 1890s, reached out to the widest audience possible.


The London Stage 1890-1899

The London Stage 1890-1899
Author: J. P. Wearing
Publisher: Scarecrow Press
Total Pages: 630
Release: 2013-11-21
Genre: Performing Arts
ISBN: 0810892820

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Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1890–1899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Alice in Wonderland, Arms and the Man, Cyrano de Bergerac, An Ideal Husband, The Prisoner of Zenda, and The Second Mrs. Tanqueray, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1890–1899 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.


English Drama of the Early Modern Period 1890-1940

English Drama of the Early Modern Period 1890-1940
Author: Jean Chothia
Publisher: Routledge
Total Pages: 351
Release: 2016-07-01
Genre: Literary Criticism
ISBN: 1315504200

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The period 1890-1940 was a particularly rich and influential phase in the development of modern English theatre: the age of Wilde and Shaw and a generation of influential actors and managers from Irving and Terry to Guilgud and Olivier. Jean Chothia's study is in two parts beginning with a portrait of the period, setting the narrative context and considering the dramatic social and cultural changes at work during this time. It then focuses on some of the main themes in the theatre, from Shaw and comedy, to the rise of political and radio drama, providing an interpretative framework for the period. This volume will be of great benefit to students and academics of English literature and drama, as it covers the work of the major dramatists of the period as well as considering the dramatic output of literary figures, such as James, Eliot and Lawrence.


English Drama of the Early Modern Period 1890-1940

English Drama of the Early Modern Period 1890-1940
Author: Jean Chothia
Publisher: Routledge
Total Pages: 239
Release: 2016-07-01
Genre: Literary Criticism
ISBN: 1315504197

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The period 1890-1940 was a particularly rich and influential phase in the development of modern English theatre: the age of Wilde and Shaw and a generation of influential actors and managers from Irving and Terry to Guilgud and Olivier. Jean Chothia's study is in two parts beginning with a portrait of the period, setting the narrative context and considering the dramatic social and cultural changes at work during this time. It then focuses on some of the main themes in the theatre, from Shaw and comedy, to the rise of political and radio drama, providing an interpretative framework for the period. This volume will be of great benefit to students and academics of English literature and drama, as it covers the work of the major dramatists of the period as well as considering the dramatic output of literary figures, such as James, Eliot and Lawrence.