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| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 278 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : 9780521624077 |
This volume initiates a long-overdue reassessment of mid-twentieth-century British theatre cultures.
| Author | : Rebecca D'Monte |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 353 |
| Release | : 2015-02-26 |
| Genre | : Performing Arts |
| ISBN | : 1408166011 |
British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.
| Author | : Jane Milling |
| Publisher | : Cambridge University Press |
| Total Pages | : 597 |
| Release | : 2004-12-09 |
| Genre | : Drama |
| ISBN | : 0521651328 |
Publisher Description
| Author | : Ben Macpherson |
| Publisher | : Springer |
| Total Pages | : 245 |
| Release | : 2018-05-15 |
| Genre | : Performing Arts |
| ISBN | : 1137598077 |
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
| Author | : Andrew Maunder |
| Publisher | : Springer |
| Total Pages | : 303 |
| Release | : 2015-08-22 |
| Genre | : Performing Arts |
| ISBN | : 1137402008 |
British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.
| Author | : Helen E. M. Brooks |
| Publisher | : Cambridge University Press |
| Total Pages | : 299 |
| Release | : 2023-09-30 |
| Genre | : Drama |
| ISBN | : 1108754325 |
The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.
| Author | : Robert Leach |
| Publisher | : Routledge |
| Total Pages | : 848 |
| Release | : 2018-12-10 |
| Genre | : Performing Arts |
| ISBN | : 0429873336 |
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
| Author | : Robert Sawyer |
| Publisher | : Springer |
| Total Pages | : 314 |
| Release | : 2019-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 1137582189 |
Shakespeare Between the World Wars draws parallels between Shakespearean scholarship, criticism, and production from 1920 to 1940 and the chaotic years of the Interwar era. The book begins with the scene in Hamlet where the Prince confronts his mother, Gertrude. Just as the closet scene can be read as a productive period bounded by devastation and determination on both sides, Robert Sawyer shows that the years between the World Wars were equally positioned. Examining performance and offering detailed textual analyses, Sawyer considers the re-evaluation of Shakespeare in the Anglo-American sphere after the First World War. Instead of the dried, barren earth depicted by T. S. Eliot and others in the 1920s and 1930s, this book argues that the literary landscape resembled a paradoxically fertile wasteland, for just below the arid plain of the time lay the seeds for artistic renewal and rejuvenation which would finally flourish in the later twentieth century.
| Author | : L. Platt |
| Publisher | : Springer |
| Total Pages | : 207 |
| Release | : 2004-03-09 |
| Genre | : Literary Criticism |
| ISBN | : 0230512682 |
This book offers the first full historical treatment of a music theatre that was once at the centre of London's West End. From the late Victorian period to the early 1920s, musical comedy was the single most popular form of 'legitimate' theatre entertainment. This lively account establishes musical comedy as one of the first industrial cultures and offers fascinating insights into how it functioned ideologically as a celebrated embracing of the modern condition.
| Author | : Michael Patterson |
| Publisher | : Cambridge University Press |
| Total Pages | : 252 |
| Release | : 2003-05-22 |
| Genre | : Drama |
| ISBN | : 1139434993 |
This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.
