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| Author | : William F. Naufftus |
| Publisher | : Dictionary of Literary Biograp |
| Total Pages | : 528 |
| Release | : 1996 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Information on the lives and works of some of the outstanding British writers who published short fiction in the romantic tradition during the years 1880-1914.
| Author | : Dean Baldwin |
| Publisher | : Routledge |
| Total Pages | : 240 |
| Release | : 2015-10-06 |
| Genre | : Literary Criticism |
| ISBN | : 1317321944 |
The short story was a commercial phenomenon which took off in the late nineteenth century and lasted through to the rise of television and film. Baldwin uses a wide variety of sources to show how economic factors helped to dictate how and what a wide variety of authors wrote.
| Author | : William B. Thesing |
| Publisher | : Detroit : Gale Research |
| Total Pages | : 472 |
| Release | : 1994 |
| Genre | : Authors, English |
| ISBN | : |
Focuses on British short-story writers whose works recorded the truth as they saw it, responding to such topics as marriage and relationships, slum conditions, working-class endeavors, and women's issues.
| Author | : Emma Liggins |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 320 |
| Release | : 2017-09-16 |
| Genre | : Literary Criticism |
| ISBN | : 0230300804 |
The short story remains a crucial - if neglected - part of British literary heritage. This accessible and up-to-date critical overview maps out the main strands and figures that shaped the British short story and novella from the 1850s to the present. It offers new readings of both classic and forgotten texts in a clear, jargon-free way.
| Author | : Sharon W. Propas |
| Publisher | : Routledge |
| Total Pages | : 317 |
| Release | : 2016-06-17 |
| Genre | : History |
| ISBN | : 1317216474 |
First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.
| Author | : Andrew Maunder |
| Publisher | : Infobase Learning |
| Total Pages | : 2069 |
| Release | : 2015-04-22 |
| Genre | : Short stories, English |
| ISBN | : 1438140703 |
Provides a comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth, featuring some of the most popular writers and works.
| Author | : Elke D'hoker |
| Publisher | : Springer |
| Total Pages | : 231 |
| Release | : 2016-07-28 |
| Genre | : Literary Criticism |
| ISBN | : 3319302884 |
This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.
| Author | : Andrew Maunder |
| Publisher | : Routledge |
| Total Pages | : 292 |
| Release | : 2017-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 1351222287 |
Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.
| Author | : William Greenslade |
| Publisher | : MHRA |
| Total Pages | : 425 |
| Release | : 2020-10-19 |
| Genre | : Fiction |
| ISBN | : 178188966X |
Hubert Crackanthorpe (1870-1896) made a critically significant contribution to the evolution of the modernist short story in Britain. His unexplained death in Paris at the age of 26 cut short a highly promising literary career. The striking realism of Crackanthorpe's first collection of short stories, Wreckage (1893), followed by the psychologically complex Sentimental Studies and posthumous Last Studies (1896), together with the prose poems of Vignettes (1896), were much admired by Henry James and his contemporaries, Dowson, Johnson and Symons, as the work of a leading, innovative writer of critical Decadence. Indeed his stories combine an unrelenting realism with a conscious aestheticizing of their often troubling, bleak subject matter. As co-editor of the short-lived periodical, The Albermarle and campaigning literary journalist, Crackanthorpe was a key critical participant in central literary and artistic debates of the early 1890s: 'facts' versus 'effects' in literature; the efficacy of realism/naturalism; questions of taste, 'reticence' and the handling of controversial subject matter. This fully annotated, critical text comprises the most extensive collection to date of Crackanthorpe's writing. As well as uncollected stories, the volume includes a short story never previously published in book form. This edition also contains a selection of Crackanthorpe's critical writings and a bibliographical survey of his work.
| Author | : Ann L. Ardis |
| Publisher | : Cambridge University Press |
| Total Pages | : 199 |
| Release | : 2002-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 113943604X |
In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices.
