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British Popular Music and National Identity in the 1990s

British Popular Music and National Identity in the 1990s
Author: Anja Thümmler
Publisher: GRIN Verlag
Total Pages: 116
Release: 2012-03-02
Genre: Foreign Language Study
ISBN: 3869436646

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Thesis (M.A.) from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1.3, University of Leipzig, language: English, abstract: This thesis evaluates the relation between British popular music and national identity. It concentrates on developments during the 1990s, bringing together all three popular genres of pop music during that period: indie rock, dance music and black music. Taking into account theoretical considerations on popular music, this thesis applies theories of collective identities in general and national identity in particular to Nineties pop. By analyzing an example of popular music media as well as selected music texts, the discourses within popular music culture are being compared to general discourses on questions of national identity within Great Britain.


Britishness, Popular Music, and National Identity

Britishness, Popular Music, and National Identity
Author: Irene Morra
Publisher: Routledge
Total Pages: 266
Release: 2013-10-30
Genre: Music
ISBN: 1135048959

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This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.


Music in the 90s and the search of identity in the UK

Music in the 90s and the search of identity in the UK
Author: Maximilian Rütters
Publisher: GRIN Verlag
Total Pages: 21
Release: 2017-03-28
Genre: Foreign Language Study
ISBN: 3668422842

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Seminar paper from the year 2012 in the subject Didactics for the subject English - Miscellaneous, grade: 1,7, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), language: English, abstract: People all over the world have been identifying with music for years. Music has a social quality that is across-the-board. But now only one nation is on focus. Every British decade had its own sound. Looking at the 1960s, The Beatles and The Rolling Stones were dominating the music scene. Led Zeppelin and Black Sabbath invented Heavy Metal in the 1970s and also Glam Rock with representatives like Queen and David Bowie started during the 1970s. The 80s as the climax of the Punk Rock movement headed by the Sex Pistols and the upcoming Indie-Rock scene represented by The Cure. Music, now and then, reflects its time, its history and all the changes that passes by. The question of this term paper is, „Does one identity of the British excist? Or are there maybe several identities? Or none?“ And is music the key to find any answers?


Britishness, Popular Music, and National Identity

Britishness, Popular Music, and National Identity
Author: Irene Morra
Publisher: Routledge
Total Pages: 303
Release: 2013-10-30
Genre: Music
ISBN: 1135048940

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This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.


Sounds English

Sounds English
Author: Nabeel Zuberi
Publisher: University of Illinois Press
Total Pages: 296
Release: 2001
Genre: Music
ISBN: 9780252026201

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"Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market." "Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging."--BOOK JACKET.


Ethnic and Cultural Identity in Music and Song Lyrics

Ethnic and Cultural Identity in Music and Song Lyrics
Author: Victor Kennedy
Publisher: Cambridge Scholars Publishing
Total Pages: 270
Release: 2017-06-20
Genre: Music
ISBN: 1443896209

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Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.


National Identity and the British Musical

National Identity and the British Musical
Author: Grace Barnes
Publisher: Bloomsbury Publishing
Total Pages: 273
Release: 2022-07-14
Genre: Performing Arts
ISBN: 135024354X

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National Identity and the British Musical: From Blood Brothers to Cinderella examines the myths associated with national identity which are reproduced by the British musical and asks why the genre continues to uphold, instead of challenging, outdated ideals. All too often, UK musicals reinforce national identity clichés and caricatures, conflate 'England' with 'Britain' and depict a mono-cultural nation viewed through a nostalgic lens. Through case studies and analysis of British musicals such as Blood Brothers, Six, Half a Sixpence and Billy Elliot, this book examines the place of the British musical within a text-based theatrical heritage and asks what, or whose, Britain is being represented by home grown musicals. The sheer number of people engaging with shows bestows enormous power upon the genre and yet critics display a reluctance to analyse the cultural meanings produced by new work, or to hold work to account for production teams and narratives which continue to shun diversity and inclusive practices. The question this book poses is: what kind of industry do we want to see in Britain in the next ten years? And what kind of show do we want representing the nation in the future?


Britpop's Common People

Britpop's Common People
Author: Claudia Lueders
Publisher:
Total Pages:
Release: 2017
Genre:
ISBN:

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Britpop and national identity

Britpop and national identity
Author: Christina Binter
Publisher: GRIN Verlag
Total Pages: 25
Release: 2022-07-13
Genre: Social Science
ISBN: 3346677834

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Seminar paper from the year 2018 in the subject Cultural Studies - Miscellaneous, grade: 2,0, , language: English, abstract: At the beginning of the paper the British music culture, including the historical development, and the term Britpop will be explained. In the next chapter, the definition of National identity will be in the focus before going on with the role of music, in regard to Britpop, as identity markers will be discussed. Moreover, the role of politics during the rise of the Britpop movement, which must be taken into account, will be mentioned. Due to the fact that certain motives are seen as British and play a key role in helping to create a national identity, this seminar paper will be accompanied by an Oasis song and there will be a short examination regarding lyrics and video performance before coming up with a final conclusion.