British Music And Modernism 1895960 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download British Music And Modernism 1895960 PDF full book. Access full book title British Music And Modernism 1895960.
Author | : Matthew Riley |
Publisher | : Routledge |
Total Pages | : 463 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351573004 |
Download "British Music and Modernism, 1895?960 " Book in PDF, ePub and Kindle
Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
Author | : Matthew Riley |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 350 |
Release | : 2010 |
Genre | : Music |
ISBN | : 9780754665854 |
Download British Music and Modernism, 1895-1960 Book in PDF, ePub and Kindle
Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization