A Heritage of Horror
Author | : David Pirie |
Publisher | : London : Gordon Fraser |
Total Pages | : 208 |
Release | : 1973 |
Genre | : Performing Arts |
ISBN | : |
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Author | : David Pirie |
Publisher | : London : Gordon Fraser |
Total Pages | : 208 |
Release | : 1973 |
Genre | : Performing Arts |
ISBN | : |
Author | : Jonathan Rigby |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Horror films |
ISBN | : 9781905287369 |
The British horror film is almost as old as cinema itself. 'English Gothic' traces the rise and fall of the genre from its 19th century beginnings, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930s, the lurid Hammer classics, and the explicit shockers of the 1970s.
Author | : B. Forshaw |
Publisher | : Springer |
Total Pages | : 216 |
Release | : 2013-10-17 |
Genre | : Performing Arts |
ISBN | : 1137300329 |
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.
Author | : B. Forshaw |
Publisher | : Springer |
Total Pages | : 233 |
Release | : 2013-10-17 |
Genre | : Performing Arts |
ISBN | : 1137300329 |
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.
Author | : Jonathan Rigby |
Publisher | : |
Total Pages | : 336 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : |
Traces the rise and fall of the horror genre from its nineteenth century beginnings to the present day, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930's, the lurid classics from Hammer's house of horror and the explicit shockers of the 1970's.
Author | : David Pirie |
Publisher | : I.B. Tauris |
Total Pages | : 280 |
Release | : 2008-01-15 |
Genre | : Performing Arts |
ISBN | : |
A book on the British horror movie to detect and analyse the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' It has revised author's original work, bringing the story into the 21st century.
Author | : Steve Chibnall |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2001-11-15 |
Genre | : Performing Arts |
ISBN | : 1134582579 |
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
Author | : Steve Chibnall |
Publisher | : Psychology Press |
Total Pages | : 264 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9780415230032 |
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
Author | : Jonathan Rigby |
Publisher | : |
Total Pages | : 364 |
Release | : 2007 |
Genre | : Performing Arts |
ISBN | : |
From the author of the acclaimed English Gothic: A Century of Horror Cinema, American Gothic presents an in-depth survey of the early years of the American horror film--ranging from the birth of cinema and the silent era to the mid-1950s. Jonathan Rigby examines a great many of the seminal films, including Cat People, Creature from the Black Lagoon, Dracula, The Fly, Frankenstein, Freaks, House of Wax, The Invisible Man, and She. He also looks at the actors and directors--Lon Chaney, Boris Karloff, Bela Lugosi, and Vincent Price, to name but a few. For fans and students of the horror classics, American Gothic is an essential work. This is the genre as it flourished from Univeral's early-thirties cycle and which culminated in Alfred Hitchcock's 1960 masterpiece Psycho, a film which forever changed and expanded the possibilities of horror cinema.
Author | : Lindsey Decker |
Publisher | : University of Wales Press |
Total Pages | : 266 |
Release | : 2021-03-01 |
Genre | : Fiction |
ISBN | : 1786837005 |
As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.