British Galleries of Art
Author | : Peter George Patmore |
Publisher | : |
Total Pages | : 320 |
Release | : 1824 |
Genre | : Art |
ISBN | : |
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Author | : Peter George Patmore |
Publisher | : |
Total Pages | : 320 |
Release | : 1824 |
Genre | : Art |
ISBN | : |
Author | : Peter George Patmore |
Publisher | : |
Total Pages | : 316 |
Release | : 1824 |
Genre | : Art |
ISBN | : |
Author | : Wolf Burchard |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 52 |
Release | : 2020 |
Genre | : Art |
ISBN | : 1588397114 |
Celebrating the reopening of the British Galleries, this Bulletin documents years of renovation and rethinking that formed these majestic spaces, which represent more than four hundred years of British decorative arts from the sixteenth through the nineteenth century. Featuring artwork in an extraordinary range of styles and materials, this publication and the redesigned galleries it documents highlight a panoply of Britain’s artistic and economic aspirations. The texts place these works—from masterpieces commissioned by rulers Elizabeth I and George III to luxury goods imported from abroad, including small boxes, scent bottles, and miniature vanity cases—in a uniquely British context while also acknowledging and addressing their global significance. Stunning photography captures highlights from the more than seven hundred works of art in the collection as well as installation views, both past and present.
Author | : Charles Molloy Westmacott |
Publisher | : |
Total Pages | : 264 |
Release | : 1824 |
Genre | : Art |
ISBN | : |
Author | : Maryam Ohadi-Hamadani |
Publisher | : |
Total Pages | : |
Release | : 2022-03-03 |
Genre | : |
ISBN | : 9780692306383 |
Bridget Riley: Perceptual Abstraction explores Bridget Riley's longstanding relationship with the United States, beginning in 1965 with the inclusion of her works in the pivotal exhibition, The Responsive Eye, at the Museum of Modern Art in New York. Accompanying the exhibition catalogue are essays by Maryam Ohadi-Hamadani and Rachel Stratton, along with an original reflection by the artist.
Author | : |
Publisher | : |
Total Pages | : 295 |
Release | : 1884 |
Genre | : Art museums |
ISBN | : |
Author | : Matthew C. Potter |
Publisher | : Routledge |
Total Pages | : 262 |
Release | : 2018-12-21 |
Genre | : Art |
ISBN | : 0429752679 |
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author | : BRITISH GALLERIES. |
Publisher | : |
Total Pages | : 295 |
Release | : 1824 |
Genre | : |
ISBN | : |
Author | : Peter George Patmore |
Publisher | : Forgotten Books |
Total Pages | : 308 |
Release | : 2017-05-05 |
Genre | : Art |
ISBN | : 9780259586074 |
Excerpt from British Galleries of Art As the Public are in some degree con cerned in the circumstances here alluded to, it may be not improper to mention them more particularly. Since the commence ment of these Papers in the New Monthly Magazine, under their present title, no less than three or four difi'erent works have been assiduously announced, on the very same subject; and one of those works has been advertised under the identical title, verbatim. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Patricia Ellis |
Publisher | : |
Total Pages | : 232 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
On 17 April, 2003 Charles Saatchi will open the new Saatchi Gallery in a spectacular renovated County Hall across the river from Westminster. The enterprise will be the focus for Saatchi's vision of radical, ground-breaking British art in a venue that is accessible to the widest public.100 is the book that will mark the occasion with one hundred works that Saatchi believes made a difference to the perception of British art. The work of twenty-seven artists has been chosen from Saatchi's collection and of course the selection includes the shark and the sheep in formaldehyde, the head made of blood and Tracey's bed. It will be a landmark publication for a landmark occasion. After the provocation of the famous Sensation show at the Royal Academy in 1997, a generation of young artists have become household names. What was once so provocative has now entered the visual vocabulary of a wider public. What was once so daring is now demonstrated to be more than ephemeral. Saatchi's vision is defined in 100.