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| Author | : David Leafe |
| Publisher | : British Film Institute |
| Total Pages | : 308 |
| Release | : 1990-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9780851702773 |
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| Author | : Nicholas Thomas |
| Publisher | : British Film Institute |
| Total Pages | : 332 |
| Release | : 1994-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9780851704920 |
The 1995 guide brings together a range of statistics on the cinema, television and video. Produced in consultation with leading trade publications and organizations, it includes coverage of producers, distributors, cinema, feature film releases, awards, press contacts and film workshops.
| Author | : David Leafe |
| Publisher | : British Film Institute |
| Total Pages | : 332 |
| Release | : 1992-12-01 |
| Genre | : Performing Arts |
| ISBN | : 9780851703442 |
No Marketing Blurb
| Author | : Robert Murphy |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838714774 |
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
| Author | : Eddie Dyja |
| Publisher | : British Film Institute |
| Total Pages | : 452 |
| Release | : 2003-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9780851709901 |
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| Author | : David Leafe |
| Publisher | : British Film Institute |
| Total Pages | : 328 |
| Release | : 1993-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9780851704111 |
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| Author | : Stuart Hanson |
| Publisher | : Manchester University Press |
| Total Pages | : 225 |
| Release | : 2019-01-04 |
| Genre | : History |
| ISBN | : 1526141442 |
Detailed and comprehensive, this book is the first survey of cinema exhibition in Britain from its inception until the present. Charting the development of cinema exhibition and cinema-going in Britain from the first public film screening by the Lumière Brothers’ at London’s Regent Street Polytechnic in February 1896, through to the development of the multiplex and giant megaplex cinemas, the history of cinema exhibition is placed in its wider social, cultural and economic contexts. Adopting a chronological structure, this book takes into account how changes in the structure of the film industry, especially regarding the exhibition sector, impacted upon the cinema-going experience. From silent screen to multi-screen will be valuable for social historians as well as scholars and students in film studies, media studies and cultural history.
| Author | : Andrew Beck |
| Publisher | : Routledge |
| Total Pages | : 212 |
| Release | : 2005-08-10 |
| Genre | : Social Science |
| ISBN | : 1134439563 |
Cultural Work examines the conditions of the production of culture. It maps the changed character of work within the cultural and creative industries, examines the increasing diversity of cultural work and offers new methods for analysing and thinking about cultural workplaces. Studying television, popular music, performance art, radio, film production and live performance it offers occupational biographies, cultural histories, practitioners' evidence, considerations of the economic environment as well as new ways of observing and studying the cultural industries.
| Author | : Nigel Mather |
| Publisher | : Manchester University Press |
| Total Pages | : 222 |
| Release | : 2019-01-04 |
| Genre | : Performing Arts |
| ISBN | : 1526141795 |
Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts.
| Author | : Eddie Dyja |
| Publisher | : British Film Institute |
| Total Pages | : 0 |
| Release | : 1997-12-01 |
| Genre | : Performing Arts |
| ISBN | : 9780851706528 |
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