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| Author | : John White |
| Publisher | : EUP |
| Total Pages | : 0 |
| Release | : 2023-08-31 |
| Genre | : |
| ISBN | : 9781474481038 |
Offers contemporary context of Britain as a deeply divided society as reflected in film.
| Author | : Sarah Street |
| Publisher | : Routledge |
| Total Pages | : 295 |
| Release | : 2009-06-02 |
| Genre | : Performing Arts |
| ISBN | : 113525334X |
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
| Author | : Justine Ashby |
| Publisher | : Routledge |
| Total Pages | : 410 |
| Release | : 2013-05-13 |
| Genre | : Performing Arts |
| ISBN | : 1135125155 |
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
| Author | : Jeffrey Richards |
| Publisher | : Manchester University Press |
| Total Pages | : 404 |
| Release | : 1997-09-15 |
| Genre | : History |
| ISBN | : 9780719047435 |
This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).
| Author | : Neil Archer |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 304 |
| Release | : 2020-09-03 |
| Genre | : Performing Arts |
| ISBN | : 1350104493 |
Neil Archer's original study makes a timely and politically-engaged intervention in debates about national cinema and national identity. Structured around key examples of 'culturally English cinema' in the years up to and following the UK's 2016 vote to leave the European Union, Cinema and Brexit looks to make sense of the peculiarities and paradoxes marking this era of filmmaking. At the same time as providing a contextual and analytical reading of 21st century filmmaking in Britain, Archer raises critical questions about popular national cinema, and how Brexit has cast both light and shadow over this body of films. Central to Archer's argument is the idea that Brexit represents not just a critical moment in how we will understand future film production, but also in how we will understand production of the recent past. Using as a point of departure the London Olympics opening ceremony of 2012, Cinema and Brexit considers the tensions inherent in a wide range of films, including Skyfall (2012), Dunkirk (2017), Their Finest (2017), Darkest Hour (2017), The Crown (Netflix, 2016), Paddington (2014), Paddington 2 (2017), Never Let Me Go (2011), Absolutely Fabulous: The Movie (2016), The Trip (2010), The Inbetweeners Movie (2011), Mr. Bean's Holiday (2007), The World's End (2013), Sightseers (2012), One Day (2011), Attack the Block (2011), King Arthur: Legend of the Sword (2017) and The Kid Who Would be King (2019). Archer examines the complex national narratives and representations these films expound, situating his analyses within the broader commercial contexts of film production beyond Hollywood, highlighting the negotiations or contradictions at play between the industrial imperatives of contemporary films and the varied circumstances in which they are made. Considering some of the ways a popular and globally-minded English cinema is finding means to work alongside and through the contexts of Brexit, he questions what are the stakes for, and possibilities of, a global 'culturally English cinema' in 2019 and beyond.
| Author | : Pam Cook |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 1996 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
No Marketing Blurb
| Author | : P. Taylor |
| Publisher | : Springer |
| Total Pages | : 220 |
| Release | : 1988-07-15 |
| Genre | : History |
| ISBN | : 1349193178 |
The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the Second World War held in London in May 1985.
| Author | : Kenton Bamford |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 1999 |
| Genre | : Motion picture industry |
| ISBN | : |
| Author | : Homer B. Pettey |
| Publisher | : State University of New York Press |
| Total Pages | : 366 |
| Release | : 2018-10-09 |
| Genre | : Performing Arts |
| ISBN | : 1438471130 |
Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Winner of the 2019 SAMLA Studies Book Award for Edited Collections presented by the South Atlantic Modern Language Association Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre’s only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona. His books include Film Noir and International Noir, both coedited with Palmer. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University. His books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein); Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd); and Hitchcock’s Moral Gaze (coedited with Pettey and Steven M. Sanders), all published by SUNY Press.
| Author | : Andrew Higson |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : |
What does it mean to speak of 'national' cinema? Challenging conventional viewpoints, Waving the Flag combines detailed analyses of film text with studies of industrial and cultural contexts, to offer a history of British cinema.
