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Friendship Forged in Fire: British Ceramics in America

Friendship Forged in Fire: British Ceramics in America
Author: American Museum of Ceramic Art
Publisher: Lulu.com
Total Pages: 61
Release: 2013-03
Genre: Art
ISBN: 0981672876

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The essays in this book look at the development of British Ceramics and their collection by American collectors. The historic 'special relationship' between Great Britain and the United States spans decades and is deeply valued on both sides of the 'pond.' Emerging from the alliances forged in the world wars in the first half of 20th century, both British and American societies have benefited from the infusion of each other's cultural contributions. Ceramics and ceramic collecting has been no different in this regard. The British ceramic art displayed in this book is largely loaned from the private collections of California connoisseurs. These treasured artifacts testify to the regard and appreciation that American collectors hold for British ceramics. This catalog accompanies the 2013 exhibition by the same name at the American Museum of Ceramic Art in Pomona, CA.


20th Century Ceramic Designers in Britain

20th Century Ceramic Designers in Britain
Author: Andrew Casey
Publisher: Antique Collectors Club Dist
Total Pages: 400
Release: 2001
Genre: Antiques & Collectibles
ISBN:

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The first publication to focus on individual designers in ceramics over the whole 20th century. Covers all the major female designers with up to date findings. Also some male designers previously almost undocumented.


British Art Pottery, 1870-1940

British Art Pottery, 1870-1940
Author: Arthur Wilfred Coysh
Publisher: Tuttle Publishing
Total Pages: 104
Release: 1976
Genre: Antiques & Collectibles
ISBN:

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Contemporary British Ceramics and the Influence of Sculpture

Contemporary British Ceramics and the Influence of Sculpture
Author: Laura Gray
Publisher: Taylor & Francis
Total Pages: 147
Release: 2018-01-02
Genre: Art
ISBN: 1351626418

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This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.