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British and Irish Women Dramatists Since 1958

British and Irish Women Dramatists Since 1958
Author: Trevor R. Griffiths
Publisher:
Total Pages: 193
Release: 1993-01-01
Genre: Literary Criticism
ISBN: 9780335096022

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This is a critical reference guide to the important contribution made by women-writers to the renaissance of British drama since the late 1950s. The coverage ranges from collective work, women's companies and cabaret through to traditional single author plays. The book chronicles low-budget, short-running fringe shows as well as London productions of big name authors. It explores writing by lesbians and by black women, and examines in detail women's theatre in Wales, Scotland and Ireland (as well as England). It draws on both theoretical issues in feminist criticism, and political developments in the women's movement.


Irish Women Dramatists

Irish Women Dramatists
Author: Eileen Kearney
Publisher: Syracuse University Press
Total Pages: 362
Release: 2014-11-12
Genre: Drama
ISBN: 0815652925

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Irish women dramatists have long faced an uphill challenge in getting the recognition and audience of their male counterparts. There are more female playwrights now than ever before, but they are often ignored by mainstream theatres. Kearney and Headrick strive to shift the spotlight with Irish Women Dramatists. The plays collected in this volume represent a cross-section of the excellent dramatic output of Irish women writing in the twentieth century. In addition to the scripts and biographical introductions, the anthology includes a detailed, critical, annotated essay addressing the development of the Irish theatre throughout this time period, and the place women have artistically carved out for themselves in a traditionally male-dominated theatre industry and dramatic canon. One of the few collections of plays by Irish women, this volume contextualizes the political and sociological climate in which these playwrights developed. As theatre practitioners—actors and directors—as well as scholars, Kearney and Headrick have devoted years of research to discovering and rediscovering the contributions these women have made—and continue to make—in the Irish and world theatre scenes.


Women in Irish Drama

Women in Irish Drama
Author: M. Sihra
Publisher: Springer
Total Pages: 261
Release: 2007-03-14
Genre: Performing Arts
ISBN: 0230801455

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Featuring original essays by leading scholars in the field, this book explores the immense legacy of women playwrights in Irish theatre since the beginning of theTwentieth century. Chapters consider the intersecting contexts of gender, sexuality and the body in order to investigate the broader cultural, political and historical implications of representing 'woman' on the stage. In addition, a number of essays engage with representations of women by a selection of male playwrights in order to re-evaluate familiar contexts and traditions in Irish drama. Features a Foreword by Marina Carr and a useful appendix of Irish women playwrights and their works.


Women Playwrights in England, Ireland, and Scotland

Women Playwrights in England, Ireland, and Scotland
Author: Susan G. Mann
Publisher:
Total Pages: 432
Release: 1996-10
Genre:
ISBN: 9780253330871

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Features an encyclopedia of British and Irish women dramatists and their works. This work introduces women writers who composed a single play or closet drama, with authors who established themselves as professional playwrights, including Aphra Behn. It introduces more than 150 women playwrights, their plays, and performances of these dramas.


British and Irish Drama since 1960

British and Irish Drama since 1960
Author: James Acheson
Publisher: Springer
Total Pages: 241
Release: 2015-12-24
Genre: Literary Criticism
ISBN: 1349227625

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The fifteen essays in this collection, published here for the first time, survey the work of some of the major British and Irish dramatists since 1960. Included are four dramatists - Samuel Beckett, Harold Pinter, Peter Shaffer and Peter Nichols - who began writing plays before 1960, and whose work since then has continued to develop interestingly. Most of the dramatists considered here, however, are those who have begun writing more recently, and who illustrate some of the distinctive characteristics of British and Irish drama of our time.


Irish Women Playwrights, 1900-1939

Irish Women Playwrights, 1900-1939
Author: Cathy Leeney
Publisher: Peter Lang
Total Pages: 282
Release: 2010
Genre: English drama
ISBN: 9781433103322

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Irish Women Playwrights 1900-1939 is the first book to examine the plays of five fascinating and creative women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day. How these playwrights dramatize violence and its impacts in political, social, and personal life is a central concern of this book. Augusta Gregory, Eva Gore-Booth, Dorothy Macardle, Mary Manning, and Teresa Deevy re-model theatrical form, re-structuring action and narrative, and exploring closure as a way of disrupting audience expectation. Their plays create stage spaces and images that expose relationships of power and authority, and invite the audience to see the performance not as illusion, but as framed by the conventions and limits of theatrical representation. Irish Women Playwrights 1900-1939 is suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century as well as for those interested in women's work in theatre and in Irish theatre in the twentieth century.


The Golden Thread

The Golden Thread
Author: David Clare
Publisher: Oxford University Press
Total Pages: 344
Release: 2021
Genre: History
ISBN: 1800859465

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This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume One covers plays by Irish women playwrights written between 1716 to 1992, and seeks to address and redress the historic absence of Irish female playwrights in theatre histories. Highlighting the work of nine women playwrights from the eighteenth and nineteenth centuries, as well as thirteen of the twentieth century's key writers, the chapters in this volume explore such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.


A Companion to Modern British and Irish Drama, 1880 - 2005

A Companion to Modern British and Irish Drama, 1880 - 2005
Author: Mary Luckhurst
Publisher: John Wiley & Sons
Total Pages: 608
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470751479

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This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.


The History of British Women's Writing, 1945-1975

The History of British Women's Writing, 1945-1975
Author: Clare Hanson
Publisher: Springer
Total Pages: 322
Release: 2017-09-14
Genre: Literary Criticism
ISBN: 1137477369

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This volume reshapes our understanding of British literary culture from 1945-1975 by exploring the richness and diversity of women’s writing of this period. Essays by leading scholars reveal the range and intensity of women writers’ engagement with post-war transformations including the founding of the Welfare State, the gradual liberalization of attitudes to gender and sexuality and the reconfiguration of Britain and the empire in the context of the Cold War. Attending closely to the politics of form, the sixteen essays range across ‘literary’, ‘middlebrow’ and ‘popular’ genres, including espionage thrillers and historical fiction, children’s literature and science fiction, as well as poetry, drama and journalism. They examine issues including realism and experimentalism, education, class and politics, the emergence of ‘second-wave’ feminism, responses to the Holocaust and mass migration and diaspora. The volume offers an exciting reassessment of women’s writing at a time of radical social change and rapid cultural expansion.