Briefs and Other Records in the Action of Robert C. Motherwell, Jr
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Total Pages | : 410 |
Release | : 1900 |
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Author | : |
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Total Pages | : 410 |
Release | : 1900 |
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Author | : Gerald P. Koocher |
Publisher | : Oxford University Press |
Total Pages | : 673 |
Release | : 2016 |
Genre | : Business & Economics |
ISBN | : 019995769X |
Revised edition of the authors' Ethics in psychology and the mental health professions, 2008.
Author | : Henry Miller |
Publisher | : HarperCollins UK |
Total Pages | : 338 |
Release | : 2012-01-30 |
Genre | : Fiction |
ISBN | : 0007389469 |
Miller’s groundbreaking first novel, banned in Britain for almost thirty years.
Author | : Gerald P. Koocher |
Publisher | : Oxford University Press, USA |
Total Pages | : 542 |
Release | : 1998 |
Genre | : Business & Economics |
ISBN | : 9780195092011 |
"Written in a highly readable and accessible style, this new edition retains the key features that have contributed to its popularity, including hundreds of case studies that provide illustrative guidance on a wide variety of topics, including fee setting, advertising for clients, research ethics, sexual attraction, how to confront observed unethical conduct in others, and confidentiality. Ethics in Psychology and the Mental Health Professions will be important reading for practitioners and students in training."--BOOK JACKET.
Author | : Frances Stonor Saunders |
Publisher | : New Press, The |
Total Pages | : 458 |
Release | : 2013-11-05 |
Genre | : History |
ISBN | : 1595589147 |
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Author | : Giorgio Bertellini |
Publisher | : University of California Press |
Total Pages | : 328 |
Release | : 2019-01-15 |
Genre | : Performing Arts |
ISBN | : 0520301366 |
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.
Author | : Sharon Zukin |
Publisher | : Rutgers University Press |
Total Pages | : 256 |
Release | : 1989 |
Genre | : Architecture |
ISBN | : 9780813513898 |
Behind the dirty, cast-iron facades of nineteenth-century loft buildings, an elegant style of life developed during the 1960s and 1970s. This style of life -- of using the city as a consumption mode -- was tied to the presence of artists, whose "happenings," performances, and studio spaces shaped a public perception of the good life at the center of the city.
Author | : Gwen Allen |
Publisher | : MIT Press |
Total Pages | : 377 |
Release | : 2015-08-21 |
Genre | : Art |
ISBN | : 026252841X |
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Author | : Air Corps. War Department |
Publisher | : |
Total Pages | : 626 |
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Author | : Steven C. Dubin |
Publisher | : Routledge |
Total Pages | : 403 |
Release | : 2013-10-18 |
Genre | : Political Science |
ISBN | : 1135214603 |
Although contemporary art may sometimes shock us, more alarming are recent attempts to regulate its display. Drawing upon extensive interviews, a broad sampling of media accounts, legal documents and his own observations of important events, sociologist Steven Dubin surveys the recent trend in censorship of the visual arts, photography and film, as well as artistic upstarts such as video and performance art. He examines the dual meaning of arresting images--both the nature of art work which disarms its viewers and the social reaction to it. Arresting Images examines the battles which erupt when artists address such controversial issues as racial polarization, AIDS, gay-bashing and sexual inequality in their work.