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Brewster and Wheatstone on Vision

Brewster and Wheatstone on Vision
Author: David Brewster
Publisher: Academic Press
Total Pages: 384
Release: 1983
Genre: Medical
ISBN:

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The Stereoscope

The Stereoscope
Author: David Brewster
Publisher: Franklin Classics
Total Pages: 298
Release: 2018-10-09
Genre:
ISBN: 9780341874843

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Seeing Sight

Seeing Sight
Author: Terra Eggink
Publisher:
Total Pages: 82
Release: 2006
Genre:
ISBN:

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Instruments and the Imagination

Instruments and the Imagination
Author: Thomas L. Hankins
Publisher: Princeton University Press
Total Pages: 352
Release: 2014-07-14
Genre: Science
ISBN: 1400864119

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Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


STEREOSCOPY

STEREOSCOPY
Author: Denis Pellerin
Publisher:
Total Pages: 192
Release: 2021-05
Genre:
ISBN: 9781838164508

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The Nineteenth-century Visual Culture Reader

The Nineteenth-century Visual Culture Reader
Author: Vanessa R. Schwartz
Publisher: Psychology Press
Total Pages: 436
Release: 2004
Genre: Art
ISBN: 9780415308663

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The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.


Techniques of the Observer

Techniques of the Observer
Author: Jonathan Crary
Publisher: MIT Press
Total Pages: 190
Release: 1992-02-25
Genre: Design
ISBN: 9780262531078

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Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.


Purkinje's Vision

Purkinje's Vision
Author: Nicholas J. Wade
Publisher: Psychology Press
Total Pages: 276
Release: 2001-04-01
Genre: Psychology
ISBN: 1135656401

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The life of Jan Evangelista Purkinje (1787-1869) has fascinated students from many disciplines. Histologists marvel at his early descriptions of cells; physiologists admire his attempts to relate structure to function; pharmacologists view in awe his heroic experiments on self-administered drugs; forensic scientists acknowledge his role in the use of fingerprints for identification; and Czech patriots salute his awakening of pride in their nation. Yet all these achievements followed his initial enquiries into vision. It is this psychological dimension that fostered this collaboration. As the title suggests, the present volume is bifocal. In the narrow sense it refers to Purkinje's studies of vision, but in its broader view it concerns Purkinje's anticipation of neuroscience. Purkinje provided evidence to support both its cellular and its conceptual base. At the cellular level his acute vision is immortalized within our bodies. At the conceptual level, he sought to relate subjective phenomena to their objective underpinnings--to link psychology to physiology. Vision provides a bond that unites psychology and physiology, and it is this bond that was strengthened by Purkinje's enquiries. The authors have tried to provide a context in which Purkinje's descriptions of visual phenomena can be placed. In some cases this exposes clear precursors of research for which Purkinje has been credited. In others, there was nothing to suggest the phenomena that he exposed. The book translates Purkinje's initial masterpiece on subjective vision and places it in the context of emerging views of neuroscience.


A Treatise on the Kaleidoscope

A Treatise on the Kaleidoscope
Author: David Brewster
Publisher:
Total Pages: 202
Release: 1819
Genre: Science
ISBN:

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