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| Author | : Gregory D. Booth |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : |
This book is the first study of the men who work in the brass bands that accompany wedding and devotional processions and the tradition that has become a core of Indian popular culture.
| Author | : Suzel Ana Reily |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317172655 |
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.
| Author | : Gregory Booth |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 2017-05-25 |
| Genre | : Brass bands |
| ISBN | : 9780199474905 |
Anyone who has seen a wedding procession in northern India would have heard and seen the band of professional musicians accompanying the procession. Surrounded by bright lamps and dressed in uniforms reminiscent of military finery, these are the men who herald the arrival of the groom. In spite of the singing, dancing, and the ornately clad gathering of family and friends in the procession, it is the band that is often its most noticeable element. This book is a detailed and colourful study of India's wedding bands. It argues that while music performed by the wedding bands helps generate emotions of ecstasy and joy, the bandsmen who play it are in the fringes of the social events they herald. Musically and socially, and by birth and profession, bandsmen at weddings are ascribed low social status. Booth's analysis of bands and bandsmen is rich in symbolism and facts surrounding South Asia's complex and diverse musical history. He explains the band trade as a syncretic component of popular culture constructed during the nineteenth and twentieth centuries in both colonial and independent India. This book tells stories of change witnessed in Indian wedding processions and bands over time. The relationship of musical traditions to the colonial past and India's culture, as also the metaphorical association between musical and cultural changes are also explored.
| Author | : Gavin Holman |
| Publisher | : Gavin Holman |
| Total Pages | : |
| Release | : |
| Genre | : |
| ISBN | : |
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
| Author | : |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 1967-06-03 |
| Genre | : |
| ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
| Author | : Reebee Garofalo |
| Publisher | : Routledge |
| Total Pages | : 380 |
| Release | : 2019-12-06 |
| Genre | : Music |
| ISBN | : 0429670613 |
HONK! A Street Band Renaissance of Music and Activism explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share. In five parts, musicians, activists, and scholars voiced in various local contexts cover a range of themes and topics: History and Scope Repertoire, Pedagogy, and Performance Inclusion and Organization Festival Organization and Politics On the Front Lines of Protest The HONK! Festival of Activist Street Bands began in Somerville, Massachusetts in 2006 as an independent, non-commercial, street festival. It has since spread to four continents. HONK! A Street Band Renaissance of Music and Activism explores the phenomenon that inspires street bands and musicians to change the world and provide musical, social, and political alternatives in contemporary times. Visit the companion webiste: http://www.honkrenaissance.net/
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 382 |
| Release | : 2023-12-04 |
| Genre | : Performing Arts |
| ISBN | : 9004686533 |
This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.
| Author | : Gregory D. Booth |
| Publisher | : Oxford University Press |
| Total Pages | : 379 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 0199928835 |
"This is the first book to tackle the diverse styles and multiple histories of popular music in India. It brings together fourteen of the field's leading scholars to contribute chapters on a range of topics, from the classic songs of Bollywood to contemporary remixes. The chapters in this volume address the impact of media and technology on contemporary music, the variety of industrial developments and contexts for Indian popular music, and historical trends in popular music development both before and after the Indian Independence in 1947. The contributors also address the subcontinent's historical relationships with colonialism, the transnational market economies, local governmental factors, international conventions, and a host of other circumstances that shed light on the development of popular music throughout India. To illustrate each chapter author's points and to make available music otherwise not always easily accessible, the book features a companion website of audio and video tracks." --
| Author | : Tina K. Ramnarine |
| Publisher | : Oxford University Press |
| Total Pages | : 352 |
| Release | : 2017-12-04 |
| Genre | : Music |
| ISBN | : 0199352240 |
Offering innovative approaches to thinking about orchestras, Global Perspectives on Orchestras: Collective Creativity and Social Agency adopts ethnographic, historical and comparative perspectives on a variety of traditions, including symphony, Caribbean steel, Indonesian gamelan, Indian film and Vietnamese court examples. The volume presents compelling analyses of orchestras in their socio-historical, economic, intercultural and postcolonial contexts, while emphasizing the global and historical connections between musical traditions. By drawing on new ethnographic and historical data, the essays describe orchestral creative processes and the politics shaping performance practices. Each essay considers how musicians work together in ensembles, focusing on issues such as training, rehearsal, creative choices, compositional processes, and organizational infrastructures. Testimonies of orchestral musicians highlight practitioners' views into the diverse world of orchestras. As a whole, the volume discusses the creative roles of performers, arrangers, composers and arts agencies, as well as the social environments supporting musical collaborations. With contributions from an international team of researchers, Global Perspectives on Orchestras offers critical insights gained from the study of orchestras, collective creativity and social agency, and the connections between orchestral performances, colonial histories, postcolonial practices, ethnographic writings and comparative theorizations.
| Author | : Davesh Soneji |
| Publisher | : University of Chicago Press |
| Total Pages | : 329 |
| Release | : 2012-01-15 |
| Genre | : Religion |
| ISBN | : 0226768090 |
'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.
