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Print Culture and Peripheries in Early Modern Europe

Print Culture and Peripheries in Early Modern Europe
Author: Benito Rial Costas
Publisher: BRILL
Total Pages: 445
Release: 2012-11-09
Genre: History
ISBN: 9004235752

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Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.


Five Hundred Years of Printing

Five Hundred Years of Printing
Author: Sigfrid Henry Steinberg
Publisher:
Total Pages: 280
Release: 1996
Genre: Business & Economics
ISBN:

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This classic work, first published as a Pelican Original in 1955 and maintained in successive editions until 1980 is now available in a finely illustrated larger format book, drawing on the collections and curatorial expertise of The British Library. It has been completely revised and brought up to date, covering topics such as censorship, best-sellers, the invention of lithography and the connection between printing and education. It is of particular use to anyone studying the huge technological changes that the printing industry has experienced during its long timespan.


Pamphlets, Printing, and Political Culture in the Early Dutch Republic

Pamphlets, Printing, and Political Culture in the Early Dutch Republic
Author: C. Harline
Publisher: Springer Science & Business Media
Total Pages: 320
Release: 2012-12-06
Genre: History
ISBN: 940093601X

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This book resulted from a desire to understand the role of pamphlets in the political life of that most curious early modern state, the Dutch Republic. The virtues of abundance and occasional liveliness have made "little blue books," as they were called, a favorite historical source-that is why I came to study them in the first place. I But the more I dug into pamphlets for this fact or that, the more questions I had about their 2 contemporary purpose and role. Who wrote pamphlets and why? For whom were they intended? How and by whom were pamphlets brought to press and distributed, and what does this reveal? Why did their number increase so greatly? Who read them? How were pamphlets different from other media? In short, I began to view pamphlets not as repositories of historical facts but as a historical phenomenon in their own right. 3 I have looked for answers to these questions in governmental and church records, private letters, publishing records and related materials about printers, booksellers, and pamphleteers, and of course in pam phlets themselves. Like so many other students of the early press and its products, I discovered only scattered, incomplete images of actual con ditions, such as the readership or popularity of pamphlets. On the other hand, I found much material which reflected what people believed about "little books.


The Printing Press as an Agent of Change

The Printing Press as an Agent of Change
Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
Total Pages: 814
Release: 1980-09-30
Genre: Design
ISBN: 9780521299558

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A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.


The Author's Due

The Author's Due
Author: Joseph Loewenstein
Publisher: University of Chicago Press
Total Pages: 361
Release: 2010-02-15
Genre: Language Arts & Disciplines
ISBN: 0226490416

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The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books. As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another—guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization. With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.


Fine Print

Fine Print
Author: Joann Johansen Burch
Publisher: Millbrook Press
Total Pages: 68
Release: 2011-01-01
Genre: Juvenile Nonfiction
ISBN: 0822589087

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Although he is credited with changing history through his invention of printing, Johann Gutenberg remains mysterious. In Fine Print, author Joann Johansen Burch pieces together Gutenberg's amazing story. When Johann was a child in the early 1400s, books were rare and sometimes very expensive. Each book had to be copied by hand, letter by letter. Gutenberg loved to read, and he often grew impatient waiting for the time-consuming bookmaking process to be completed. Young Gutenberg dreamed of finding a better way to make books. From his childhood in strife-torn Mainz through the many years of setbacks and bankruptcies, Gutenberg persevered in his belief that books could be made quickly and inexpensively. This is the story of the man who invented movable type and the printing press and gave the world the gift of books.