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| Author | : Eric Schaefer |
| Publisher | : Duke University Press |
| Total Pages | : 492 |
| Release | : 1999 |
| Genre | : Performing Arts |
| ISBN | : 9780822323747 |
A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.
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| Release | : 1997 |
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| Author | : Luke Ford |
| Publisher | : Prometheus Books |
| Total Pages | : 252 |
| Release | : 2010-06-03 |
| Genre | : Performing Arts |
| ISBN | : 1615926313 |
. . . he breaks legitimate stories that have a huge impact. Meet Luke Ford, chronicler of the porn world. - Online Journalism ReviewThis first comprehensive and most in-depth history of cinematic pornography details sex in film from 100 years ago to today, concentrating on the quarter-century since Deep Throat, when pornography became a subject of popular culture.Luke Ford is the best-known source on the porn film world today-the only journalist writing about the industry who is not also employed by it. This unique position gives Ford the objectivity to report without bias, and he is often consulted as a trusted news source on the porn industry by many major news publications.Insightful, entertaining, and bold, A History of X takes us from the primitive film studios of the 1900s, where porn got its start as a daring experiment in sexual freedom, to the closed-door, multi-million-dollar porn-film corporations of today. Ford includes exclusive interviews with the stars, the producers, and the distributors as well as detailed data on censorship attempts from the early days to the present. He documents the controversial careers of top porn stars Marilyn Chambers, John Holmes, Linda Lovelace, Harry Reems, Gerard Damiano, Georgina Spelvin, Traci Lords, Max Hardcore, Ginger Lynn, and others, revealing both the great benefits and the tragic consequences that often come from fame and fortune in the porn industry.He also discusses the many controversial aspects to the business, including Mafia influences, the impact of the AIDS epidemic on the industry, and the myths and realities behind child pornography.Extensively researched and documented, A History of X is a fascinating expos? of a business few dare to touch.Luke Ford was educated in Australia and has worked as a radio host as well as a journalist. He now operates a website on the porn industry: www.lukeford.com.
| Author | : Jeffrey Sconce |
| Publisher | : Duke University Press |
| Total Pages | : 356 |
| Release | : 2007-10-24 |
| Genre | : Performing Arts |
| ISBN | : 9780822339649 |
DIVCollection of essays on the impact that non-mainstream and middlebrow film genres have had on popular culture--including sexploitation, horror, cult, XXX, and indie films./div
| Author | : Kevin Allison |
| Publisher | : Hachette Books |
| Total Pages | : 360 |
| Release | : 2018-07-17 |
| Genre | : Humor |
| ISBN | : 031647827X |
A "fascinating" (MetroSource) collection of uncensored, confessional, and at times outrageously funny essays about coming of age, coming out, and the wildest experiences that define us. Collecting the most celebrated stories from the hit podcast RISK!, along with all-new true tales about explosive secrets and off-the-wall adventures, this book paints a spellbinding portrait of the transformational moments we experience in life but rarely talk about. No topics are off-limits in RISK!, no memories too revealing to share. From accidentally harboring a teen fugitive to being poisoned while tripping on LSD in the Mayan ruins, these stories transport readers into uncharted territory and show how your life can change when you take an extraordinary leap. In these jaw-dropping stories, edited and introduced by RISK! host Kevin Allison, writers reveal how they pushed drugs for a Mexican cartel only to end up kidnapped and nearly killed, how they joined a terrifying male-empowerment cult and fought desperately for a way out, how they struggled with pregnancy complications and found a hero where they least expected it, and so much more. A lifelong construction worker shares the intimate details of transitioning to being a woman, a bestselling author discusses how he assumed the identity of his babysitter online in a social experiment gone awry, and a beloved comedian discusses how a blow job from a prostitute changed his life. By turns cautionary and inspiring, RISK! presents an extraordinary panorama of the breadth of human experience and a stunning tribute to the power of the truth to set us free.
| Author | : Kevin Heffernan |
| Publisher | : Duke University Press |
| Total Pages | : 340 |
| Release | : 2004-03-25 |
| Genre | : Business & Economics |
| ISBN | : 9780822332152 |
DIVThe history of horror films and the horror film industry in the 1950s and 1960s./div
| Author | : Eric Schaefer |
| Publisher | : Duke University Press |
| Total Pages | : 517 |
| Release | : 2014-03-21 |
| Genre | : Performing Arts |
| ISBN | : 0822376806 |
Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world. Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams
| Author | : Calum Waddell |
| Publisher | : Traditions in American Cinema |
| Total Pages | : 207 |
| Release | : 2018 |
| Genre | : Blaxploitation films |
| ISBN | : 9781474409254 |
The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations - blaxploitation, horror and sexploitation - indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement.
| Author | : David Andrews |
| Publisher | : University of Texas Press |
| Total Pages | : 310 |
| Release | : 2013-11-15 |
| Genre | : Performing Arts |
| ISBN | : 0292747748 |
The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement. David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.
| Author | : Gene Fernett |
| Publisher | : McFarland |
| Total Pages | : 0 |
| Release | : 2001-12-27 |
| Genre | : Performing Arts |
| ISBN | : 9780786413256 |
The business of filmmaking began with the Thomas Edison Studio in West Orange, New Jersey. Many studios have come and gone since then. From the little guys like feisty Mark Dintenfass and his 1905 "Actophone" unit (an unlicensed Pathe camera furtively grinding out films in defiance of the Motion Picture Patents Company) to heavyweights like Samuel Goldwyn and M-G-M, 66 studios of all sizes and specialties are covered in this book. The culmination of many years of exhaustive research, these detailed histories discuss films, stars, successes, and catastrophes. Numerous rare photographs are included.
