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| Author | : Erik N. Jensen |
| Publisher | : Oxford University Press |
| Total Pages | : 197 |
| Release | : 2013-06-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 0199311242 |
Body by Weimar argues that male and female athletes fundamentally recast gender roles during Germany's turbulent post-World War I years and established the basis for a modern body and modern sensibility that remain with us to this day.
| Author | : Cornelie Usborne |
| Publisher | : Springer |
| Total Pages | : 339 |
| Release | : 1992-04-08 |
| Genre | : Psychology |
| ISBN | : 1349122440 |
This book analyses how the Weimar Republic put Germany in the forefront of social reform and women's emancipation with wide-ranging maternal welfare programmes and labour protection laws. Its enlightened policy of family planning and liberalised abortion laws offered women a new measure of control over their lives. But the new politics of the body also increased state intervention, the power of the medical profession and the tendency to sacrifice women's rights to national interests whenever the Volk seemed in danger of 'racial decline'.
| Author | : Robert Heynen |
| Publisher | : BRILL |
| Total Pages | : 692 |
| Release | : 2015-03-31 |
| Genre | : Political Science |
| ISBN | : 9004276270 |
In Degeneration and Revolution: Radical Cultural Politics and the Body in Weimar Germany Robert Heynen explores the impact of conceptions of degeneration, exemplified by eugenics and social hygiene, on the social, cultural, and political history of the left in Germany, 1914–33. Hygienic practices of bodily regulation were integral to the extension of modern capitalist social relations, and profoundly shaped Weimar culture. Heynen’s innovative interdisciplinary approach draws on Marxist and other critical traditions to examine the politics of degeneration and socialist, communist, and anarchist responses. Drawing on key Weimar theorists and addressing artistic and cultural movements ranging from Dada to worker-produced media, this book challenges us to rethink conventional understandings of left culture and politics, and of Weimar culture more generally.
| Author | : Katie Sutton |
| Publisher | : Berghahn Books |
| Total Pages | : 212 |
| Release | : 2011-04-01 |
| Genre | : History |
| ISBN | : 0857451219 |
Throughout the Weimar period the so-called “masculinization of woman” was much more than merely an outsider or subcultural phenomenon; it was central to representations of the changing female ideal, and fed into wider debates concerning the health and fertility of the German “race” following the rupture of war. Drawing on recent developments within the history of sexuality, this book sheds new light on representations and discussions of the masculine woman within the Weimar print media from 1918–1933. It traces the connotations and controversies surrounding this figure from her rise to media prominence in the early 1920s until the beginning of the Nazi period, considering questions of race, class, sexuality, and geography. By focusing on styles, bodies and identities that did not conform to societal norms of binary gender or heterosexuality, this book contributes to our understanding of gendered lives and experiences at this pivotal juncture in German history.
| Author | : Janet Ward |
| Publisher | : Univ of California Press |
| Total Pages | : 380 |
| Release | : 2001-04-04 |
| Genre | : Architecture |
| ISBN | : 9780520924734 |
Germany of the 1920s offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual culture, analyzing the power that 1920s Germany holds for today's visual codes of consumerism.
| Author | : Anton Kaes |
| Publisher | : Univ of California Press |
| Total Pages | : 830 |
| Release | : 2023-11-10 |
| Genre | : History |
| ISBN | : 0520909607 |
A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.
| Author | : Eric D. Weitz |
| Publisher | : Princeton University Press |
| Total Pages | : 512 |
| Release | : 2018-09-25 |
| Genre | : History |
| ISBN | : 0691184356 |
The definitive history of Weimar politics, culture, and society A New York Times Book Review Editor’s Choice A Financial Times Best Book of the Year Thoroughly up-to-date, skillfully written, and strikingly illustrated, Weimar Germany brings to life an era of unmatched creativity in the twentieth century—one whose influence and inspiration still resonate today. Eric Weitz has written the authoritative history that this fascinating and complex period deserves, and he illuminates the uniquely progressive achievements and even greater promise of the Weimar Republic. Weitz reveals how Germans rose from the turbulence and defeat of World War I and revolution to forge democratic institutions and make Berlin a world capital of avant-garde art. He explores the period’s groundbreaking cultural creativity, from architecture and theater, to the new field of "sexology"—and presents richly detailed portraits of some of the Weimar’s greatest figures. Weimar Germany also shows that beneath this glossy veneer lay political turmoil that ultimately led to the demise of the republic and the rise of the radical Right. Yet for decades after, the Weimar period continued to powerfully influence contemporary art, urban design, and intellectual life—from Tokyo to Ankara, and Brasilia to New York. Featuring a new preface, this comprehensive and compelling book demonstrates why Weimar is an example of all that is liberating and all that can go wrong in a democracy.
| Author | : Paul Dobryden |
| Publisher | : Northwestern University Press |
| Total Pages | : 297 |
| Release | : 2022-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810144980 |
This study traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.
| Author | : Karl Eric Toepfer |
| Publisher | : Univ of California Press |
| Total Pages | : 422 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : 9780520206632 |
"A massive achievement. . . . Toepfer respects the body, wants to understand movement as the primary medium of ideas, and gives women the central role they actually played in this aesthetic and intellectual discourse."Marcia B. Siegel, author of The Shapes of Change"
| Author | : Cornelie Usborne |
| Publisher | : Berghahn Books |
| Total Pages | : 296 |
| Release | : 2007-12-01 |
| Genre | : History |
| ISBN | : 0857453629 |
Abortion in the Weimar Republic is a compelling subject since it provoked public debates and campaigns of an intensity rarely matched elsewhere. It proved so explosive because populationist, ecclesiastical and political concerns were heightened by cultural anxieties of a modernity in crisis. Based on an exceptionally rich source material (e.g., criminal court cases, doctors’ case books, personal diaries, feature films, plays and literary works), this study explores different attitudes and experiences of those women who sought to terminate an unwanted pregnancy and those who helped or hindered them. It analyzes the dichotomy between medical theory and practice, and questions common assumptions, i.e. that abortion was “a necessary evil,” which needed strict regulation and medical control; or that all back-street abortions were dangerous and bad. Above all, the book reveals women’s own voices, frequently contradictory and ambiguous: having internalized medical ideas they often also adhered to older notions of reproduction which opposed scientific approaches.
