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| Author | : Lea Vergine |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : |
Containing Lea Vergine's insight on the 'golden age' of the Body Art movement and writings by the artists featured, this text focuses on the artistic endeavour that uses the body as expressive material.
| Author | : Amelia Jones |
| Publisher | : U of Minnesota Press |
| Total Pages | : 372 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780816627738 |
"With great originality and scholarship, Amelia Jones maps out an extraordinary history of body art over the last three decades and embeds it in the theoretical terrain of postmoderism. The result is a wonderful and permissive space in which the viewer...can wander"...-Moira Roth, Trefethen professor of art history, Mills College.
| Author | : Nathaniel Stern |
| Publisher | : Gylphi Limited |
| Total Pages | : 304 |
| Release | : 2013-08-05 |
| Genre | : Art |
| ISBN | : 1780240112 |
What is interactive art? Is this a genre? A medium? An art movement? Must a work be physically active to be classified as such, or do we interact when we sense and make sense? Is a switch-throw or link-click enough - I do this, and that happens - or must subjects and objects be confused over time? Is interaction multiple in its engagements (relational), or a one-to-one reaction (programmed)? Are interactive designs somehow more democratic and individualized than others, or is that merely a commercial strategy to sell products and ideas? This book argues that interactive art frames moving-thinking-feeling as embodiment; the body is addressed as it is formed, and in relation. Interactive installations amplify how the body's inscriptions, meanings, and matters unfold out, while the world's sensations, concepts, and matters enfold in. Interactive artwork creates situations that enhance, disrupt, and alter experience and action in ways that call attention to our varied relationships with and as both structure and matter. Nathaniel Stern's inspirational book, Interactive Art and Embodiment, outlines how new media has the ability to intervene in, and challenge, not only the construction of bodies and identities, but also the ongoing and emergent processes of embodiment, as they happen. It includes immersive descriptions of a significant number of interactive artworks and over 40 colour images. The theorists, artists, practitioners and curators discussed in this text include Brian Massumi, Christiane Paul, Sarah Cook, Beryl Graham, Kelli Fuery, Theodore Watson, William Kentridge, Char Davies, Stelarc, Janet Cardiff, Carlo Zanni, Tero Saarinen, Karen Barad, Daniel Rozin, Richard Schechner, Nicole Ridgway, Rebecca Schneider, Annie Sprinkle, Karen Finley, VALIE EXPORT, The Guerrilla Girls, Tegan Bristow, Brian Knep, Anna Munster, Zach Lieberman, Golan Levin, Simon Penny, Camille Utterback, Jean-Luc Nancy, The Millefiore Effect, Nick Crossley, Mathieu Briand, Scott Snibbe, David Rokeby, José Gil, Erin Manning, Rafael Lozano-Hemmer, and Norah Zuniga Shaw Contents Acknowledgments Series Foreword Introduction: Art Philosophy Chapter 1: Digital is as Digital Does Chapter 2: The Implicit Body as Performance Chapter 3: A Critical Framework for Interactive Art Chapter 4: Body-Language Chapter 5: Social-Anatomies Chapter 6: Flesh-Space Chapter 7: Implicating Art Works In Production: Companion Chapter Bibliography Index
| Author | : Francesca Granata |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 232 |
| Release | : 2017-02-23 |
| Genre | : Social Science |
| ISBN | : 1786720299 |
Shortlisted for the Millia Davenport Publication Award Experimental Fashion traces the proliferation of the grotesque and carnivalesque within contemporary fashion and the close relation between fashion and performance art, from Lady Gaga's raw meat dress to Leigh Bowery's performance style. The book examines the designers and performance artists at the turn of the twenty-first century whose work challenges established codes of what represents the fashionable body. These innovative people, the book argues, make their challenges through dynamic strategies of parody, humour and inversion. It explores the experimental work of modern designers such as Georgina Godley, Bernhard Willhelm, Rei Kawakubo and fashion designer, performance artist, and club figure Leigh Bowery. It also discusses the increased centrality of experimental fashion through the pop phenomenon, Lady Gaga.
| Author | : Susan Best |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 208 |
| Release | : 2021-06-17 |
| Genre | : Philosophy |
| ISBN | : 1350144150 |
How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best examines how bodies are configured in late modern and contemporary art. She identifies three main ways in which they are used as material and argues that these formulations allow for the exposure of pressing social and psychological issues. In skilfully aligning this new typology for body art and performance with critical theory, she raises questions pertaining to gender, inter-subjectivity, relation and community that continue to dominate both our artistic and cultural conversation.
| Author | : Amelia Jones |
| Publisher | : Routledge |
| Total Pages | : 322 |
| Release | : 2005-08-12 |
| Genre | : Performing Arts |
| ISBN | : 1134655932 |
This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.
| Author | : Pavlína Morganová |
| Publisher | : Karolinum Press, Charles University |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9788024623177 |
This is the first ever in-depth interpretation of Czech Action Art as a vast and very original stream of Czech post-war art within the context of the region's complex socio-political history. Based on the author's more than decade-long research, her interviews with artists and interpretations of many of their performances and other actions, Czech Action Art also features a list of all Czech happenings, events, performances, body-art pieces, land-art related and other actions from the 1960s to 1989."--Page [4] of cover.
| Author | : Rebecca Schneider |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2013-06-17 |
| Genre | : Art |
| ISBN | : 1134876939 |
An in-depth and accessible study of the controversial and often shocking issues which surround the use of the female body in performance art.
| Author | : Patrick Campbell |
| Publisher | : Routledge |
| Total Pages | : 118 |
| Release | : 2014-04-08 |
| Genre | : Performing Arts |
| ISBN | : 1134431783 |
Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area. Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.
| Author | : Jordan Castillo Price |
| Publisher | : JCP Books LLC |
| Total Pages | : 115 |
| Release | : 2011-12-12 |
| Genre | : Fiction |
| ISBN | : 1935540408 |
Does everyone have a certain "type" they end up with...whether they want to or not? If Ray Carlucci's ex is anything to go by, Ray likes his men gorgeous, rebellious, and chock-full of issues. But now that Ray is single again, he has a shot at a fresh start--a very fresh start, since his tattoo shop was gutted by repo men and he can fit all his belongings in the trunk of a cab.Ray's shiny new chauffeur's license lands him a job as a driver for an elderly couple on Red Wing Island. It's a cold fall, and since the Michigan island is the summer home to snowbirds who fly south for the winter, it's practically deserted--save for Ray's new household and a sculptor named Anton Kopec, who works day and night twisting brambles and twine into the distorted shapes of macabre creatures. Compelling, bizarre, and somewhat disturbing...not just the sculptures, but the artist, too. Ray has a feeling Anton is just his "type."Despite their scorching chemistry, when a dead body is unearthed by some workers and a freak ice storm traps them all on the island, Ray can't say for certain that his new flame isn't capable of murder.
