Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Bobbi Lee Indian Rebel Foreword By Jeannette Armstrong PDF full book. Access full book title Bobbi Lee Indian Rebel Foreword By Jeannette Armstrong.
| Author | : Lee Maracle |
| Publisher | : |
| Total Pages | : 241 |
| Release | : 1990 |
| Genre | : Indians, Treatment of |
| ISBN | : |
| Author | : Lee Maracle |
| Publisher | : Canadian Scholars’ Press |
| Total Pages | : 214 |
| Release | : 2017-05-15 |
| Genre | : Social Science |
| ISBN | : 0889615942 |
Bobbi Lee Indian Rebel is a gritty portrait of a turbulent home life and harrowing adventures on the road, from the mud flats of North Vancouver to the farm fields of California and the fringes of the hippie subculture in Toronto. Renowned author Lee Maracle’s groundbreaking biographical novel captures the spirit of Indigenous resistance during the Red Power movement of the 60s and 70s, chronicling a journey towards political consciousness in the movement for self-determination. A fearless portrayal of one woman’s struggle to make sense of the world as she fights to change it, Bobbi Lee is a powerful, unforgettable story that marks a significant beginning in the modern history of Indigenous people.
| Author | : Ricia A. Chansky |
| Publisher | : Routledge |
| Total Pages | : 268 |
| Release | : 2016-08-05 |
| Genre | : Literary Criticism |
| ISBN | : 1317337190 |
Auto/biographical narratives of the Americas are marked by the underlying themes of movement and belonging. This collection proposes that the impact of the historic or contemporary movement of peoples to, in, and from the Americas—whether chosen or forced—motivates the ways in which identities are constructed in this contested space. Such movement results in a cyclical quest to belong, and to understand belonging, that reverberates through narratives of the Americas. The volume brings together essays written from diverse national, cultural, linguistic, and disciplinary perspectives to trace these transnational motifs in life writing across the Americas. Drawing on international scholars from the seemingly disparate regions of the Americas—North America, the Caribbean, and Latin America—this book extends critical theories of life writing beyond limiting national boundaries. The scholarship included approaches narrative inquiry from the fields of literature, linguistics, history, art history, sociology, anthropology, political science, pedagogy, gender studies, critical race studies, and indigenous studies. As a whole, this volume advances discourse in auto/biography studies, life writing, and identity studies by locating transnational themes in narratives of the Americas and placing them in international and interdisciplinary conversations.
| Author | : Laura J. Beard |
| Publisher | : University of Virginia Press |
| Total Pages | : 216 |
| Release | : 2009-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 081393057X |
This exploration of women's autobiographical writings in the Americas focuses on three specific genres: testimonio, metafiction, and the family saga as the story of a nation. What makes Laura J. Beard’s work distinctive is her pairing of readings of life narratives by women from different countries and traditions. Her section on metafiction focuses on works by Helena Parente Cunha, of Brazil, and Luisa Futoranksy, of Argentina; the family sagas explored are by Ana María Shua and Nélida Piñon, of Argentina and Brazil, respectively; and the section on testimonio highlights narratives by Lee Maracle and Shirley Sterling, from different Indigenous nations in British Columbia. In these texts Beard terms "genres of resistance," women resist the cultural definitions imposed upon them in an effort to speak and name their own experiences. The author situates her work in the context of not only other feminist studies of women's autobiographies but also the continuing study of inter-American literature that is demanding more comparative and cross-cultural approaches. Acts of Narrative Resistance addresses prominent issues in the fields of autobiography, comparative literature, and women's studies, and in inter-American, Latin American, and Native American studies.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 325 |
| Release | : 2022-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 9004454810 |
Studies of literary reflections on ethnicity are essential to the ever-renewed definition of Canadian literature. The essays in this collection explore the diverse ways of negotiating identity and the articulation of space in Canada, taking ethnicity as a driving force with ideological and cultural implications that lend public and literary discourse an urgent dynamism. While theorizing ethnicity is a valuable critical enterprise, these essays centre on the concrete realization of the problematics of ethnicity in creative writing, covering a wide range of Canada's mosaic. The creative inscription of ethnicity stimulates the evolution and expansion of Canada's literary heritage, the complexity of this cultural experience being the focus of the present collection. Fourteen essays, including a personal account by the Ukrainian-Canadian Janice Kulyk Keefer on the merging of private and public history, and two interviews - with the Chinese-Canadian writer Wayson Choy and the critic Linda Hutcheon - analyze the manifestations of the pluralism that has always characterized Canadian writers' consciousness of themselves, their engagement with the notion of the ‘multicultural' and its significance in contemporary society and, in particular, its effect on creativity.
| Author | : Peter Read |
| Publisher | : ANU E Press |
| Total Pages | : 190 |
| Release | : 2008-12-01 |
| Genre | : Social Science |
| ISBN | : 1921536357 |
In this absorbing collection of papers Aboriginal, Maori, Dalit and western scholars discuss and analyse the difficulties they have faced in writing Indigenous biographies and autobiographies. The issues range from balancing the demands of western and non-western scholarship, through writing about a family that refuses to acknowledge its identity, to considering a community demand not to write anything at all. The collection also presents some state-of-the-art issues in teaching Indigenous Studies based on auto/biography in Austria, Spain and Italy.
| Author | : Rocío G. Davis |
| Publisher | : Rodopi |
| Total Pages | : 326 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9789042012134 |
Studies of literary reflections on ethnicity are essential to the ever-renewed definition of Canadian literature. The essays in this collection explore the diverse ways of negotiating identity and the articulation of space in Canada, taking ethnicity as a driving force with ideological and cultural implications that lend public and literary discourse an urgent dynamism. While theorizing ethnicity is a valuable critical enterprise, these essays centre on the concrete realization of the problematics of ethnicity in creative writing, covering a wide range of Canada's mosaic. The creative inscription of ethnicity stimulates the evolution and expansion of Canada's literary heritage, the complexity of this cultural experience being the focus of the present collection. Fourteen essays, including a personal account by the Ukrainian-Canadian Janice Kulyk Keefer on the merging of private and public history, and two interviews - with the Chinese-Canadian writer Wayson Choy and the critic Linda Hutcheon - analyze the manifestations of the pluralism that has always characterized Canadian writers' consciousness of themselves, their engagement with the notion of the 'multicultural' and its significance in contemporary society and, in particular, its effect on creativity.
| Author | : Alan R. Velie |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 377 |
| Release | : 2013-11-11 |
| Genre | : History |
| ISBN | : 0806151315 |
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
| Author | : |
| Publisher | : |
| Total Pages | : 332 |
| Release | : 2000 |
| Genre | : Women |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1990 |
| Genre | : |
| ISBN | : |
