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Darker Blues

Darker Blues
Author: Asie Payton
Publisher:
Total Pages: 105
Release: 2002
Genre: Blues
ISBN: 9780972435208

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2 compact disc one is compilation of all fat possum artist. the other compact disc is of r.l. burnside


Bitten by the Blues

Bitten by the Blues
Author: Bruce Iglauer
Publisher: University of Chicago Press
Total Pages: 346
Release: 2018-10-19
Genre: Music
ISBN: 022612990X

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It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.


Blues Records, 1943-1970

Blues Records, 1943-1970
Author: Mike Leadbitter
Publisher:
Total Pages: 812
Release: 1987
Genre: Blues (Music)
ISBN:

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Encyclopedia of the Blues: K-Z, index

Encyclopedia of the Blues: K-Z, index
Author: Edward M. Komara
Publisher: Taylor & Francis US
Total Pages: 746
Release: 2006
Genre: Biography & Autobiography
ISBN: 9780415927017

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First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.


The New Paramount Book of Blues

The New Paramount Book of Blues
Author: Alex van der Tuuk
Publisher:
Total Pages: 418
Release: 2017
Genre: Blues musicians
ISBN: 9789082657012

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Fifty-eight biographies of Paramount blues artists with sensational new information based on years of research: Lovie Austin, Charles Avery, Viola Bartlette, Ed Bell, Eloise Bennett, Arthur "Blind" Blake, Lucille Bogan, Ardell Bragg, Henry Brown, Willie Brown, Hattie Burleson, Bob Call, Ben Covington, Ben Curry, Teddy Darby, Emmett Dickenson, Aletha Dickerson, Mattie Dorsey, Sally Duffie, Amos Easton, Bernice Edwards, Kid Edwards, Will Ezell, Leroy Roscoe Garnett, Clifford Gibson, Roosevelt Graves, Lee Green, George Hannah, Walter Hawkins, Bertha Henderson, Edna Hicks, Eddie House, James Jackson, Charlie Jackson, Louise Johnson, Tommy Johnson, Moses Mason, Hattie McDaniel, Charles McFadden, Sodarisa Miller, Marshall Owens, Charley Patton, Joe Reynolds, Elzadie Robinson, Isadore Rodgers, J.D. Short, Henry Sims, Danny Small, Bessie Mae Smith, Charlie Spand, Freddie Spruell, Frank Stokes, Joel Taggart, Elvie Thomas and Geeshie Wiley, Willard Thomas, Wesley Wallace, Nolan Welsh, "Jabo" Williams.


All Music Guide to the Blues

All Music Guide to the Blues
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
Total Pages: 772
Release: 2003
Genre: Music
ISBN: 9780879307363

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Reviews and rates the best recordings of 8,900 blues artists in all styles.


Blues

Blues
Author: Dick Weissman
Publisher: Infobase Publishing
Total Pages: 337
Release: 2005
Genre: Biography & Autobiography
ISBN: 0816069751

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Presents brief entries covering the history, significant artists, styles and influence of blues music.


Barrelhouse Blues

Barrelhouse Blues
Author: Paul Oliver
Publisher: Basic Books
Total Pages: 238
Release: 2009-08-25
Genre: Music
ISBN: 0465019897

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In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't't been captured on location by these performers and recorders. Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.


The Voice of the Blues

The Voice of the Blues
Author: Jim O'Neal
Publisher: Routledge
Total Pages: 448
Release: 2013-09-05
Genre: Music
ISBN: 1136707417

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The Voice of the Blues brings together interviews with many pioneering blues men including Muddy Waters, Howlin' Wolf, Little Walter, Jimmy Reed, B.B. King, and many others.


Whose Blues?

Whose Blues?
Author: Adam Gussow
Publisher: UNC Press Books
Total Pages: 333
Release: 2020-09-28
Genre: Music
ISBN: 1469660377

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Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.