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Blue Fasa

Blue Fasa
Author: Nathaniel Mackey
Publisher: New Directions Publishing
Total Pages: 165
Release: 2015-05-05
Genre: Poetry
ISBN: 0811224465

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A stellar new collection of poems by “the Balanchine of the architecture dance” (The New York Times), and winner of the National Book Award in poetry. Nathaniel Mackey’s sixth collection of poems, Blue Fasa, carries forward what the New Yorker has described as the “mythological conception” and “descriptive daring” of his two intertwined serial poems. A long song that's one and more than one, this collection takes its title from two related black musical traditions, a West African griot epic as told by the Fasa, a clan in ancient Ghana, and trumpeter Kenny Dorham’s hard bop classic “Blue Bossa,” influenced by the emergence of Brazilian bossa nova. The book opens with the catch of the heart and the call of romance, as it follows a band of travelers, refugees from history, on their incessant migrations through time, place, and polity toward a truer sense of being and belonging.


Splay Anthem

Splay Anthem
Author: Nathaniel Mackey
Publisher: New Directions Publishing
Total Pages: 150
Release: 2006
Genre: Literary Criticism
ISBN: 9780811216524

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In a stunning new collection of poems of transport and transcendence, African-American poet Nathaniel Mackey's "asthmatic song of aspiration" scuttles across cultures and histories--from America to Andalucía, from Ethiopia to Vienna--in a sexy, beautiful adaptive dance.


Late Arcade

Late Arcade
Author: Nathaniel Mackey
Publisher: New Directions Publishing
Total Pages: 203
Release: 2017-02-28
Genre: Poetry
ISBN: 0811226611

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A new volume of the singular, ongoing, great American jazz novel Nathaniel Mackey’s Late Arcade opens in Los Angeles. A musician known only as N. writes the first of a series of letters to the enigmatic Angel of Dust. N.’s jazz sextet, Molimo m’Atet, has just rehearsed a new tune: the horn players read from The Egyptian Book of the Dead with lips clothespinned shut, while the rest of the band struts and saunters in a cosmic hymn to the sun god Ra. N. ends this breathless session by sending the Angel of Dust a cassette tape of their rehearsal. Over the next nine months, N.’s epistolary narration follows the musical goings-on of the ensemble. N. suffers from what he calls “cowrie shell at- tacks”—oil spills, N.’s memory of his mother’s melancholy musical Sundays— which all becomes the source of fresh artistic invention. Here is the newest installment of the National Book Award-winner Nathaniel Mackey’s From a Broken Bottle Traces of Perfume Still Emanate, the great American jazz novel of “exquisite rhythmic lyricism” (Bookforum).


Bass Cathedral

Bass Cathedral
Author: Nathaniel Mackey
Publisher: New Directions Publishing
Total Pages: 210
Release: 2008
Genre: Fiction
ISBN: 9780811217200

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Mackey, winner of the 2006 National Book Award, presents his fourth volume in his ongoing great American jazz novel with no beginning or end.


A Long Essay on the Long Poem

A Long Essay on the Long Poem
Author: Rachel Blau DuPlessis
Publisher: University of Alabama Press
Total Pages: 308
Release: 2023-03-21
Genre: Literary Criticism
ISBN: 0817360689

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"In A Long Essay on the Long Poem, DuPlessis invokes a quote from Ronald Johnson: "Americans like to write big poems, even if people don't read them." It's a joke, in part, but also a telling indication of the difficulty of the subject. Long poems are elusive, particularly in the slippery forms that have emerged in the postmodern mode. DuPlessis quotes both Nathaniel Mackey and Anne Waldman in metaphorizing the poem as a Box: both in the sense of a vessel that contains, and as a machine that processes, an instrument on which language is played. To reckon with a particularly noncompliant variant of a notoriously slippery form, DuPlessis works in a polyvalent mode, a hybrid of critical analysis and speculative essay. She resists a single-focus approach to the long poem and does not venture a bravura, one-size-all thesis. Yet there is an arc of argument here, even as the book ranges across five chapters and a host of disparate writers. DuPlessis roughly divides the long poem and the long poets into three genres: epics, quests, and something she terms "assemblages." The poets surveyed will be familiar for most readers of twentieth-century American and English poetry: T. S. Eliot, Ezra Pound, Louis Zukofsky, Charles Olson, Alice Notley, Anne Waldman, Nathaniel Mackey, Ron Silliman, and Robert Duncan. But rather than attempting a definitive treatment of such a long roster, DuPlessis assumes a certain familiarity in order to focus on key works. A standout example comes in the third chapter, in which DuPlessis reads Dante by way of the modern long poem to generate surprising insights. But she also carefully avoids the self-confirming search for genealogical patterns (e.g., Eliot to Pound to Williams to Zukofsky). Instead she deliberately seeks to see different but intersecting patterns of connection between poems, a nexus rather than a lineage. In doing so she works around the metatextual challenge of the long poem and of her own attempt to "essay" it: how to encompass "everything." The end result is a fascinating and generous work that defies neat categorization as anything other than essential"--


A Cabinet of Curiosity

A Cabinet of Curiosity
Author: Bradford Morrow
Publisher: Open Road Media
Total Pages: 418
Release: 2019-03-12
Genre: Fiction
ISBN: 1504057759

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Joyce Carol Oates, Ann Beattie, Diane Ackerman, and more explore the double-edged sword of curiosity . . . Curiosity is as central to life as breathing. And like breath itself, when it ceases, the vibrancy of life fades and disappears. Curiosity leads to discoveries both beneficent and, at times, destructive. It often occasions wonderment, but also terror. It prompts the precise scientist, but also the nosy gadfly. A double-edged sword, curiosity has forever held a crucial role in myth, literature, science, philosophy, history—nearly every field of human endeavor. While most of us know the old saying about curiosity killing the cat, we must also remember that “satisfaction brought it back.” Curiosity incites and compels, taketh away and giveth. In this issue, curiosity impels a personal assistant to learn hidden truths about her deceased employer—a famed playwright—and his relationship with the woman who directs an Italian arts foundation to which he donated his priceless library of first editions. A novelist, inspired by a different kind of curiosity, studies the traditional teachings of his Cherokee forebears after reading the notebook his beloved grandfather possessed when he died. Elsewhere, a young boy removes his clothes and, driven by dangerous curiosity, crawls into the gaping darkness of a sewer pipe, where he mysteriously vanishes, altering the lives of everyone who knew him. While most of the stories, poems, and memoirs here investigate the places where curiosity transports us—from forgotten burial grounds to natural history museums, from alluring lakes to postapocalyptic seaside shanties—A Cabinet of Curiosity also features a singular visit to an archetypal curiosity cabinet in Amsterdam with its treasury of specimens, of oddities in jars and on shelves, of things pinned and things afloat. Curiosity in all its guises is the wellspring of revelation. It is a prime mover behind our deeds, good or evil, simple or complicated. While the thirty-one writers gathered here individually explore many of the ways in which curiosity drives and defines us, together they propose that the realms of curiosity are, finally, inexhaustible. A Cabinet of Curiosity includes contributions from Laura van den Berg, Ann Beattie, Brandon Hobson, Eleni Sikelianos, Greg Jackson, Julianna Baggott, Jeffrey Ford, Joyce Carol Oates, William Lychack, Joanna Scott, Catherine Imbriglio, Dave King, Lauren Green, Can Xue (Translated by Karen Gernant, Chen Zeping), Nathaniel Mackey, A. D. Jameson, Quintan Ana Wikswo, Lynn Schmeidler, Samuel R. Delany, Kelsey Peterson, Sarah Blackman, Gerard Malanga, Martine Bellen, Maud Casey, Gregory Norman Bossert, Stephen O’Connor, Matt Bell, Madeline Kearin, Bin Ramke, Diane Ackerman, Elizabeth Hand.


To Go Into the Words

To Go Into the Words
Author: Norman Finkelstein
Publisher: University of Michigan Press
Total Pages: 223
Release: 2023-10-03
Genre: Literary Collections
ISBN: 0472039415

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A critical look at transcendence and a radical delight with language


Epistrophies

Epistrophies
Author: Brent Hayes Edwards
Publisher: Harvard University Press
Total Pages: 333
Release: 2017-06-05
Genre: Education
ISBN: 0674055438

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Hearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.


Radical Formalisms

Radical Formalisms
Author: Sarah Nooter
Publisher: Bloomsbury Publishing
Total Pages: 313
Release: 2023-12-14
Genre: Literary Criticism
ISBN: 1350377449

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The term "radical formalism" refers to strategies aimed at defamiliarising and revitalising conventional modes of formalistic reading and theorising form. These strategies disrupt and unsettle established norms while incorporating a metadiscursive awareness of their broader political implications. This volume presents a radical reconceptualisation of literary works from Greek and Roman antiquity. Engaging in an ongoing dialogue with critical theory and postcritique, as well as drawing inspiration from traditions rooted in Black art, poetry and philosophy-both directly and indirectly connected to the classical tradition-the essays in this collection explore subversions of canonical norms and resistances to the hegemony of textual order. This collection not only provides new, provocative insights into a corpus of texts that has exerted a lasting impact on modern literature and philosophy, but also challenges current interpretive methods, recasting the very practice of reading in relation to form, poetics, language, sound, temporalities and textuality.