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Blood on the Stage, 1925-1950

Blood on the Stage, 1925-1950
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
Total Pages: 869
Release: 2010
Genre: Literary Criticism
ISBN: 0810869632

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In this volume, Amnon Kabatchnik provides an overview of more than 150 important and memorable theatrical works of crime and detection between 1925 and 1950. Each entry includes a plot synopsis, production data, and the opinions of well known and respected critics and scholars.


Blood on the Stage, 1950-1975

Blood on the Stage, 1950-1975
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
Total Pages: 706
Release: 2011-04-14
Genre: Performing Arts
ISBN: 0810877848

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Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.


Blood on the Stage

Blood on the Stage
Author: Amnon Kabatchnik
Publisher:
Total Pages: 440
Release: 2008
Genre: Literary Criticism
ISBN:

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Acts of crime and criminal minds have always fascinated the world's authors. During 1900-1925, world stages were full of plays in which transgression and lawbreaking were the common denominators. In Blood on the Stage: Milestone Plays of Crime, Mystery, and Detection, An Annotated Repertoire, 1900 - 1925, Amnon Kabatchnik examines the key representations of transgression drama produced in the 20th century's first quarter. This volume covers 80 plays written and produced between 1900-1925 that had at least one public performance in the English language, with an emphasis on New York and London performances. Each of the entries revolves around murder, theft, chicanery, kidnapping, political intrigue, or espionage. Works by Nobel Prize winners Jacinto Benavente, John Galsworthy, and Eugene O'Neill are examined, along with plays by David Belasco, Earl Derr Biggers, George M. Cohan, Arthur Conan Doyle, Elmer Rice, and Mary Roberts Rinehart. The volume includes standards of the genre such as The Bat, The Cat and the Canary, The Last of Mrs. Cheney, Madame X, and The Scarlet Pimpernel. The emphasis is on manuscripts of enduring importance, pioneering contributions, singular innovations, outstanding success, and representative works by prolific playwrights in the genre. The entries are arranged in chronological order, each consisting of plot summary (often including significant dialogue), production and performance data, opinions by critics and scholars, and other features.


Blood on the Stage, 1800 to 1900

Blood on the Stage, 1800 to 1900
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
Total Pages: 738
Release: 2017-09-22
Genre: Performing Arts
ISBN: 1538106183

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This volume examines the key representations of transgression drama produced between 1800 and 1900. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.


Blood on the Stage, 1975-2000

Blood on the Stage, 1975-2000
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
Total Pages: 648
Release: 2012-10-18
Genre: Performing Arts
ISBN: 0810883554

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Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.


Blood on the Stage, 1600 to 1800

Blood on the Stage, 1600 to 1800
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
Total Pages: 830
Release: 2017-08-14
Genre: Performing Arts
ISBN: 1538106167

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This volume examines the key representations of transgression drama produced between 1600 and 1800. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.


Blood on the Stage, 480 B.C. to 1600 A.D.

Blood on the Stage, 480 B.C. to 1600 A.D.
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
Total Pages: 403
Release: 2014-06-20
Genre: Performing Arts
ISBN: 1442235489

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This volume examines the key representations of transgression drama produced between 480 B.C. and 1600. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features. The plays covered in this volume will include the great ancient Greek and Roman tragedies, fifteenth century Passion plays, and dramas by Christopher Marlowe and William Shakespeare.


Blood on the Stage, 1975-2000

Blood on the Stage, 1975-2000
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
Total Pages: 647
Release: 2012
Genre: Literary Criticism
ISBN: 0810883546

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Describes more than 80 full-length plays produced in the last quarter of the 20th century, with an emphasis on New York and London performances.


The London Stage 1950-1959

The London Stage 1950-1959
Author: J. P. Wearing
Publisher: Rowman & Littlefield
Total Pages: 1003
Release: 2014-09-16
Genre: Performing Arts
ISBN: 0810893088

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Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Look Back in Anger, One Way Pendulum, The Birthday Party, A Taste of Honey, Chicken Soup with Barley, Five Finger Exercise, The Hostage, and Waiting for Godot, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1950-1959 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.


The Villainous Stage

The Villainous Stage
Author: Marvin Lachman
Publisher: McFarland
Total Pages: 265
Release: 2014-11-14
Genre: Performing Arts
ISBN: 0786495340

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Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.