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Blockbusters of Victorian Theater, 1850-1910

Blockbusters of Victorian Theater, 1850-1910
Author: Paul Fryer
Publisher: McFarland
Total Pages: 220
Release: 2023-11-23
Genre: Performing Arts
ISBN: 147668166X

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This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time


Blockbusters of Victorian Theater, 1850-1910

Blockbusters of Victorian Theater, 1850-1910
Author: Paul Fryer
Publisher: McFarland
Total Pages: 220
Release: 2023-11-15
Genre: Performing Arts
ISBN: 1476649421

Download Blockbusters of Victorian Theater, 1850-1910 Book in PDF, ePub and Kindle

This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time


Victorian Spectacular Theatre 1850-1910

Victorian Spectacular Theatre 1850-1910
Author: Michael R. Booth
Publisher: Routledge
Total Pages: 218
Release: 2015-07-24
Genre: Literary Criticism
ISBN: 1317389468

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Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.


“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties

“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties
Author: Tony Lidington
Publisher: Taylor & Francis
Total Pages: 380
Release: 2022-09-30
Genre: Performing Arts
ISBN: 1000686191

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• The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell’arte roots. • Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. • There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence – the only ones that do exist on the specific topic are written as reminiscence and anecdote.


Victorian Theatrical Trades

Victorian Theatrical Trades
Author: Michael R. Booth
Publisher: London : Society for Theatre Research
Total Pages: 76
Release: 1981
Genre: Art
ISBN:

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Nineteenth-century Studies

Nineteenth-century Studies
Author:
Publisher:
Total Pages: 240
Release: 1999
Genre: English literature
ISBN:

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Book Review Digest

Book Review Digest
Author:
Publisher:
Total Pages: 1688
Release: 1982
Genre: Bibliography
ISBN:

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The Victorian Theatre

The Victorian Theatre
Author: Richard Southern
Publisher: Newton Abbot : David & Charles
Total Pages: 120
Release: 1970
Genre: Performing Arts
ISBN:

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The Five Continents of Theatre

The Five Continents of Theatre
Author: Eugenio Barba
Publisher: BRILL
Total Pages: 420
Release: 2019-02-11
Genre: Drama
ISBN: 9004392939

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The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part.


Voice Studies

Voice Studies
Author: Konstantinos Thomaidis
Publisher: Routledge
Total Pages: 409
Release: 2015-05-22
Genre: Music
ISBN: 1317611020

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Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including: voice training from the Alexander Technique to practice-as-research; operatic and extended voices in early baroque and contemporary underwater singing; voices across cultures, from site-specific choral performance in Kentish mines and Australian sound art, to the laments of Kraho Indians, Korean pansori and Javanese wayang; voice, embodiment and gender in Robertson’s 1798 production of Phantasmagoria, Cathy Berberian radio show, and Romeo Castellucci’s theatre; perceiving voice as a composer, listener, or as eavesdropper; voice, technology and mobile apps. With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?