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| Author | : Stephanie D. Sears |
| Publisher | : State University of New York Press |
| Total Pages | : 211 |
| Release | : 2010-09-01 |
| Genre | : Social Science |
| ISBN | : 143843328X |
Examines how Black girls and women negotiate and resist dominant stereotypes in the context of an Afrocentric youth organization for at-risk girls in the Bay Area.
| Author | : Jessie Carney Smith |
| Publisher | : VNR AG |
| Total Pages | : 842 |
| Release | : 1992 |
| Genre | : African American women |
| ISBN | : 9780810391772 |
Arranged alphabetically from "Alice of Dunk's Ferry" to "Jean Childs Young," this volume profiles 312 Black American women who have achieved national or international prominence.
| Author | : Timeka N. Tounsel |
| Publisher | : Rutgers University Press |
| Total Pages | : 183 |
| Release | : 2022-06-17 |
| Genre | : BUSINESS & ECONOMICS |
| ISBN | : 1978829906 |
CaShawn Thompson crafted Black Girls Are Magic as a proclamation of Black women’s resilience in 2013. Less than five years later, it had been repurposed as a gateway to an attractive niche market. Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic examines the commercial infrastructure that absorbed Thompson’s mantra. While the terminology may have changed over the years, mainstream brands and mass media companies have consistently sought to acknowledge Black women’s possession of a distinct magic or power when it suits their profit agendas. Beginning with the inception of the Essence brand in the late 1960s, Timeka N. Tounsel examines the individuals and institutions that have reconfigured Black women’s empowerment as a business enterprise. Ultimately, these commercial gatekeepers have constructed an image economy that operates as both a sacred space for Black women and an easy hunting ground for their dollars.
| Author | : Ashley D. Farmer |
| Publisher | : UNC Press Books |
| Total Pages | : 287 |
| Release | : 2017-10-10 |
| Genre | : Social Science |
| ISBN | : 1469634384 |
In this comprehensive history, Ashley D. Farmer examines black women's political, social, and cultural engagement with Black Power ideals and organizations. Complicating the assumption that sexism relegated black women to the margins of the movement, Farmer demonstrates how female activists fought for more inclusive understandings of Black Power and social justice by developing new ideas about black womanhood. This compelling book shows how the new tropes of womanhood that they created--the "Militant Black Domestic," the "Revolutionary Black Woman," and the "Third World Woman," for instance--spurred debate among activists over the importance of women and gender to Black Power organizing, causing many of the era's organizations and leaders to critique patriarchy and support gender equality. Making use of a vast and untapped array of black women's artwork, political cartoons, manifestos, and political essays that they produced as members of groups such as the Black Panther Party and the Congress of African People, Farmer reveals how black women activists reimagined black womanhood, challenged sexism, and redefined the meaning of race, gender, and identity in American life.
| Author | : Marquita Marie Gammage |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2015-10-16 |
| Genre | : Social Science |
| ISBN | : 1317370481 |
In 1920 W.E.B. Du Bois cited the damnation of women as linked to the devaluation of motherhood. This dilemma, he argues, had a crushing blow on Black women as they were forced into slavery. Black womanhood, portrayed as hypersexual by nature, became an enduring stereotype which did not coincide with the dignity of mother and wife. This portrayal continues to reinforce negative stereotypes of Black women in the media today. This book highlights how Black women have been negatively portrayed in the media, focusing on the export nature of media and its ability to convey notions of Blackness to the public. It argues that media such as rap music videos, television dramas, reality television shows, and newscasts create and affect expectations of Black women. Exploring the role that racism, misogyny and media play in the representation of Black womanhood, it provides a foundation for challenging contemporary media’s portrayal of Black women.
| Author | : Martha S. Jones |
| Publisher | : Basic Books |
| Total Pages | : 352 |
| Release | : 2020-09-08 |
| Genre | : History |
| ISBN | : 1541618602 |
The epic history of African American women's pursuit of political power -- and how it transformed America. In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women -- Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more -- who were the vanguard of women's rights, calling on America to realize its best ideals.
| Author | : Treva B. Lindsey |
| Publisher | : University of Illinois Press |
| Total Pages | : 208 |
| Release | : 2017-03-29 |
| Genre | : Social Science |
| ISBN | : 0252099575 |
Home to established African American institutions and communities, Washington, D.C., offered women in the New Negro movement a unique setting for the fight against racial and gender oppression. Colored No More traces how African American women of the late-nineteenth and early twentieth century made significant strides toward making the nation's capital a more equal and dynamic urban center. Treva B. Lindsey presents New Negro womanhood as a multidimensional space that included race women, blues women, mothers, white collar professionals, beauticians, fortune tellers, sex workers, same-gender couples, artists, activists, and innovators. Drawing from these differing but interconnected African American women's spaces, Lindsey excavates a multifaceted urban and cultural history of struggle toward a vision of equality that could emerge and sustain itself. Upward mobility to equal citizenship for African American women encompassed challenging racial, gender, class, and sexuality status quos. Lindsey maps the intersection of these challenges and their place at the core of New Negro womanhood.
| Author | : Melissa V. Harris-Perry |
| Publisher | : Yale University Press |
| Total Pages | : 394 |
| Release | : 2011-09-20 |
| Genre | : Political Science |
| ISBN | : 0300165412 |
DIVFrom a highly respected thinker on race, gender, and American politics, a new consideration of black women and how distorted stereotypes affect their political beliefs/div
| Author | : Deborah Willis |
| Publisher | : |
| Total Pages | : 228 |
| Release | : 2002-01-01 |
| Genre | : Social Science |
| ISBN | : 9781566399289 |
Showcases an array of both familiar and unknown photographic works of black women, citing the cultural and sociological histories of the past 300 years reflected in them, from images of South African studies to the Harlem Renaissance and the civil rights movement.
| Author | : Shauntae Brown White |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 213 |
| Release | : 2019-07-01 |
| Genre | : Social Science |
| ISBN | : 1498592678 |
Being Mara Brock Akil: Representations of Black Womanhood on Television examines the body of work of Mara Brock Akil, the showrunner who produced Girlfriends, The Game, Being Mary Jane, and Love Is__. The contributions to this volume are theoretically anchored in Patricia Hill Collin’s Black Feminist Thought, with a focus on how Brock Akil’s shows intentionally address Black humanity and specifically provide context for Black women’s lived experiences and empathy for Black womanhood by featuring woman-centered characters with flaws, strength, and complexity. Shauntae Brown White and Kandace L. Harris have compiled a volume that analyzes themes that define Black womanhood and examines audience reception of and social media interaction with Brock Akil’s work.
