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Bibliographies of Indian Art

Bibliographies of Indian Art
Author: Museum of Fine Arts, Boston
Publisher:
Total Pages: 68
Release: 1925
Genre: Art
ISBN:

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A Concise History of Indian Art

A Concise History of Indian Art
Author: Roy C. Craven
Publisher:
Total Pages: 0
Release: 1976
Genre: Art
ISBN: 9780275856205

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A Handbook of Indian Art

A Handbook of Indian Art
Author: Ernest Binfield Havell
Publisher:
Total Pages: 390
Release: 1927
Genre: Architecture
ISBN:

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Rembrandt and the Inspiration of India

Rembrandt and the Inspiration of India
Author: Stephanie Schrader
Publisher: Getty Publications
Total Pages: 162
Release: 2018-03-20
Genre: Art
ISBN: 1606065521

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This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.


Art and Archaeology of Ancient India

Art and Archaeology of Ancient India
Author: Naman P. Ahuja
Publisher:
Total Pages: 0
Release: 2018
Genre: Antiquities, Prehistoric
ISBN: 9781910807170

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The Ashmolean Museum wide ranging collection of the art of the Indian subcontinent includes important holdings of archaeological artefacts and a strong representation of early Indian sculpture in terracotta, stone and other materials dating from before AD 600. These works are fully discussed and illustrated in the present catalogue, with the exception of Buddhist sculpture of the Gandhara region.


Trends in Modern Indian Art

Trends in Modern Indian Art
Author: Sunil Kumar Bhattacharya
Publisher: M.D. Publications Pvt. Ltd.
Total Pages: 142
Release: 1994
Genre: Art
ISBN: 9788185880211

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Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.


Myths and Symbols in Indian Art and Civilization

Myths and Symbols in Indian Art and Civilization
Author: Heinrich Robert Zimmer
Publisher: Motilal Banarsidass Publishe
Total Pages: 266
Release: 1990
Genre: Hindu art
ISBN: 9788120807518

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This book interprets for the Western mind the key motifs of India`a legends myth, and folklore, taken directly from the sanskrit, and illustrated with seventy plates of Indian art. It is primarily an introduction to image thinking and picture reading in Indian art and thought and it seeks to make the profound Hindu and Buddhist intuitions of the riddles of life and death recongnizable not merely as Oriental but as universal elements.


The Square and the Circle of the Indian Arts

The Square and the Circle of the Indian Arts
Author: Kapila Vatsyayan
Publisher: Abhinav Publications
Total Pages: 210
Release: 1997
Genre: Art
ISBN: 9788170173625

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The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.