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Beyond Brokeback

Beyond Brokeback
Author: Ultimate Brokeback Forum
Publisher: WingSpan Press
Total Pages: 264
Release: 2007
Genre: Performing Arts
ISBN:

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Selected from among the most compelling writing on The Ultimate Brokeback Forum, the stories in this book convey the remarkable power of the film Brokeback Mountain to affect the lives of all sorts of people - straight and gay, old and young, male and female - on six continents. Ranging from the amusing to the emotionally devastating, the pieces collected here crystallize the deep, frequently life-changing reactions of its often-unsuspecting viewers.


Gay Identity, New Storytelling and The Media

Gay Identity, New Storytelling and The Media
Author: P. Demory
Publisher: Springer
Total Pages: 284
Release: 2016-04-30
Genre: Social Science
ISBN: 1349668419

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This critical introduction to gay and lesbian identity within the media explores the concept of 'new storytelling'. The case studies look at film, television and online media, focusing on the narrative potential of individual storytellers who, as producers, writers and performers, challenge identity concerns and offer new expressions of liberty.


Brokeback Mountain

Brokeback Mountain
Author: Annie Proulx
Publisher: Simon and Schuster
Total Pages: 72
Release: 2005
Genre: Cowboys
ISBN: 0743275306

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"Ennis del Mar and Jack Twist, two ranch hands, come together when they're working a sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer." "Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it."--BOOK JACKET.


Beyond Twisted Sorrow

Beyond Twisted Sorrow
Author: Jay A. Gertzman
Publisher: Down & Out Books
Total Pages: 166
Release: 2022-10-17
Genre: Literary Criticism
ISBN:

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Twentieth-century mass produced pulp crime usually ends with the protagonists unable to rid themselves of the presence of forces that inhibit professional or emotional growth. Stoic perseverance is often their acknowledgement of the power of fate. The diverse, still-emerging genre of Country (or Redneck, Ridgerunner, or Ozark) noir is marked by protagonists who have an instinct for community as a coherent territory and recreate the possibly self-destructive but stubbornly self-assertive traits that characterized what Greil Marcus called “the old, weird America.” Rural fiction’s protagonists struggle to replace a set of convictions which no longer sustain community or family. Often enough, their struggles produce a generational survival of perseverance, family and clan mutuality, the need for passing tough tests, and spirituality. They often wind up “far from the twisted reach of crazy sorrow” (Dylan’s “Tambourine Man”).


The Brokeback Book

The Brokeback Book
Author: William R. Handley
Publisher: U of Nebraska Press
Total Pages: 400
Release: 2011-05-01
Genre: Performing Arts
ISBN: 0803226640

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An American Western made by a Taiwanese director and filmed in Canada, Brokeback Mountain was a global cultural phenomenon even before it became the highest grossing gay-themed drama in film history.øFew films have inspired as much passion and debate, or produced as many contradictory responses, from online homage to late-night parody. In this wide-ranging and incisive collection, writers, journalists, scholars, and ordinary viewers explore the film and Annie Proulx?s original story as well asøtheir ongoing cultural and political significance. The contributors situate Brokeback Mountain in relation to gay civil rights, the cinematic and literary Western, the Chinese value of forbearance, male melodrama, and urban and rural working lives across generations and genders. ø The Brokeback Book builds on earlier debates by novelist David Leavitt, critic Daniel Mendelsohn, producer James Schamus, and film reviewer Kenneth Turan with new and noteworthy interpretations of the Brokeback phenomenon, the film, and its legacy. Also appearing in print for the first time is Michael Silverblatt?s interview with Annie Proulx about the story she wrote and the film it became.


The Geographical Imagination of Annie Proulx

The Geographical Imagination of Annie Proulx
Author: Alex Hunt
Publisher: Lexington Books
Total Pages: 231
Release: 2010-11-23
Genre: Literary Criticism
ISBN: 1461634334

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This highly readable edited collection focuses on the work of Pulitzer Prize-winning author Annie Proulx. Each contributor to this volume explores a different facet of Proulx's striking attention to geography, place, landscape, regional environments, and local economies in her writing. Covering all of her novels and short story collections, scholars from the United States, Canada, and abroad engage in critical analyses of Proulx's new regionalism, use of geographical settings, and themes of displacement and immigration. Taken together, these essays demonstrate Annie Proulx's contribution to new regionalist understandings of place on local, national, and global scales. Readers will come away with a better understanding of Proulx's particular landscapes_particularly those of Wyoming, New England, Texas, and Newfoundland_and the issues surrounding the significance of these regions in contemporary American culture and literature.


On Brokeback Mountain

On Brokeback Mountain
Author: Eric Patterson
Publisher: Lexington Books
Total Pages: 376
Release: 2008
Genre: Literary Criticism
ISBN: 9780739121658

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It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story."--BOOK JACKET.


Queer Representation, Visibility, and Race in American Film and Television

Queer Representation, Visibility, and Race in American Film and Television
Author: Melanie Kohnen
Publisher: Routledge
Total Pages: 212
Release: 2015-11-06
Genre: Social Science
ISBN: 1136519890

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This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.


Beyond Blurred Lines

Beyond Blurred Lines
Author: Nickie D. Phillips
Publisher: Rowman & Littlefield
Total Pages: 307
Release: 2016-10-19
Genre: Social Science
ISBN: 1442246286

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From its origins in academic discourse in the 1970s to our collective imagination today, the concept of “rape culture” has resonated in a variety of spheres, including television, gaming, comic book culture, and college campuses. Beyond Blurred Lines traces ways that sexual violence is collectively processed, mediated, negotiated, and contested by exploring public reactions to high-profile incidents and rape narratives in popular culture. The concept of rape culture was initially embraced in popular media – mass media, social media, and popular culture – and contributed to a social understanding of sexual violence that mirrored feminist concerns about the persistence of rape myths and victim-blaming. However, it was later challenged by skeptics who framed the concept as a moral panic. Nickie D. Phillips documents how the conversation shifted from substantiating claims of a rape culture toward growing scrutiny of the prevalence of sexual assault on college campuses. This, in turn, renewed attention toward false allegations, and away from how college enforcement policies fail victims to how they endanger accused young men. Ultimately, she successfully lends insight into how the debates around rape culture, including microaggressions, gendered harassment and so-called political correctness, inform our collective imaginations and shape our attitudes toward criminal justice and policy responses to sexual violence.