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| Author | : Peter Bloom |
| Publisher | : Cambridge University Press |
| Total Pages | : 304 |
| Release | : 2006-11-02 |
| Genre | : Music |
| ISBN | : 9780521028561 |
This book contains essays by leading Berlioz scholars on various aspects of the great musician's life and work.
| Author | : Hector Berlioz |
| Publisher | : |
| Total Pages | : 412 |
| Release | : 1973 |
| Genre | : Music |
| ISBN | : |
During the performances of fashionable operas in an unidentified but "civilized" town in northern Europe, the musicians (with the exception of the conscientious bass drummer) tell tales, read stories, and exchange gossip to relieve the tedium of the bad music they are paid to perform. In this delightful and now classic narrative written by the brilliant composer and critic Hector Berlioz, we are privy to twenty-five highly entertaining evenings with a fascinating group of distracted performers. As we near the two-hundredth anniversary of Berlioz's birth, Jacques Barzun's pitch-perfect translation of Evenings with the Orchestra --with a new foreword by Berlioz scholar Peter Bloom--testifies to the enduring pleasure found in this most witty and amusing book. "[F]ull of knowledge, penetration, good sense, individual wit, stock humor, justifiable exasperation, understanding exaggeration, emotion and rhetoric of every kind."--Randall Jarrell, New York Times Book Review "To succeed in [writing these tales], as Berlioz most brilliantly does, requires a combination of qualities which is very rare, the many-faceted curiosity of the dramatist with the aggressively personal vision of the lyric poet."--W. H. Auden, The Griffin
| Author | : Peter Bloom |
| Publisher | : Cambridge University Press |
| Total Pages | : 304 |
| Release | : 1992-09-10 |
| Genre | : Music |
| ISBN | : 0521412862 |
This book contains essays by leading Berlioz scholars on various aspects of the great musician's life and work.
| Author | : Peter Bloom |
| Publisher | : University Rochester Press |
| Total Pages | : 272 |
| Release | : 2008 |
| Genre | : Literary Collections |
| ISBN | : 9781580462099 |
Presented in six contrasting and complementary pairs, the essays treat such matters as Berlioz's aesthetics and what it means to write about the meaning of his music; the political implications of his fiction and the affinities of his projects as composer and as critic; what the Germans thought of his work before his travels in Germany and what the English made of him when he visited their capital city. We learn in explicit detail how Berlioz deployed the mezzo-soprano voice, what he seems to have written immediately after encountering Shakespeare's Romeo and Juliet (a surprise), and where he benefited from Beethoven in what later became Romeo et Juliette.
| Author | : Julian Rushton |
| Publisher | : Cambridge University Press |
| Total Pages | : 132 |
| Release | : 1994-08-26 |
| Genre | : Music |
| ISBN | : 9780521377676 |
Berlioz's 'dramatic symphony' Roméo et Juliette is regarded by many as his finest work; it is certainly among the most original. It is played less often than his earlier symphonies, because it requires solo voices and chorus; yet at its heart is some of the most inspired orchestral music of the nineteenth century. This book summarises the complex genesis of the work before examining the music closely and always with a view to understanding its dramatic implications. The early and later critical reception is quoted and discussed and Julian Rushton concludes by suggesting a way of hearing the work which recognises the value of its mixed genre. The complete libretto is provided in both English and French.
| Author | : D. Kern Holoman |
| Publisher | : Harvard University Press |
| Total Pages | : 710 |
| Release | : 1989 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780674067783 |
A captivating and sumptuously illustrated biography, Berlioz is not only a complete account of the Romantic era composer, but also an acute analysis of his compositions and a description of his work as a conductor and critic. 139 halftones, 3 maps, 160 musical examples.
| Author | : Hector Berlioz |
| Publisher | : |
| Total Pages | : 32 |
| Release | : 1902 |
| Genre | : Music |
| ISBN | : |
| Author | : Julian Rushton |
| Publisher | : Cambridge University Press |
| Total Pages | : 332 |
| Release | : 1983-11-24 |
| Genre | : Music |
| ISBN | : 9780521242790 |
This book is an analytical and critical study of Berlioz's unique musical style. It does not undertake to analyse all his works, but rather to separate characteristic elements and observe them in action. Berlioz's writings and those of his critics are called upon to help focus the discussion. Part I includes material on the sources of Berlioz's idiosyncrasy and a discussion of fundamental pitch elements. Part II pursues this discussion into textural, contrapuntal and orchestral features, and considers melody and rhythm. Part III deals with whole musical forms, vocal and instrumental. The book includes copious musical illustration, much of it analytical reduction, and the expressive purpose of the features analysed is fully considered. The conclusion is that Berlioz's musical language is inescapably peculiar, though not necessarily inept; features which seem inexplicable in the light of compositional theory nearly always contribute to the musical and expressive exactness of communication.
| Author | : Peter Bloom |
| Publisher | : Cambridge University Press |
| Total Pages | : 332 |
| Release | : 2000-08-24 |
| Genre | : Music |
| ISBN | : 9780521596381 |
Provides a comprehensive view of Berlioz the man, the composer, the critic and the writer.
| Author | : Peter Bloom |
| Publisher | : Cambridge University Press |
| Total Pages | : 228 |
| Release | : 1998-11-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521485487 |
The Life of Berlioz situates the celebrated French musician in the vibrant and highly politicized musical culture of the periods of the Bourbon Restoration, July Monarchy, Second Republic, and Second Empire in which he lived and worked as composer, conductor, concert manager, and writer. The author of the Symphonie fantastique was indeed possessed of a fertile and fantastical imagination; but the common image of Berlioz as a misunderstood and mistreated genius obscures both the solidity of his work as a musical architect and the reality of his position as one sometimes favored by those in power. Berlioz is the quintessential romantic composer by dint of the conspicuous intermingling of art and life that marks his musical and literary output. Studying this away from the subjective sentimentality that can still mar studies of the composer in France, serves only to enhance the uncommon radiance of his music and uncommon esprit of his art.
