Berlin Quality
Author | : P.B. Yates Machine Company |
Publisher | : |
Total Pages | : 342 |
Release | : 1912 |
Genre | : Woodworking machinery |
ISBN | : |
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Author | : P.B. Yates Machine Company |
Publisher | : |
Total Pages | : 342 |
Release | : 1912 |
Genre | : Woodworking machinery |
ISBN | : |
Author | : Sebastian Möller |
Publisher | : Springer |
Total Pages | : 431 |
Release | : 2014-07-08 |
Genre | : Technology & Engineering |
ISBN | : 331902681X |
This pioneering book develops definitions and concepts related to Quality of Experience in the context of multimedia- and telecommunications-related applications, systems and services and applies these to various fields of communication and media technologies. The editors bring together numerous key-protagonists of the new discipline “Quality of Experience” and combine the state-of-the-art knowledge in one single volume.
Author | : P.B. Yates Machine Company |
Publisher | : |
Total Pages | : 252 |
Release | : 1909 |
Genre | : Woodworking machinery |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1388 |
Release | : 1907 |
Genre | : Stationery trade |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 560 |
Release | : 1922 |
Genre | : Woodworking machinery |
ISBN | : |
Author | : Chiara Orsingher |
Publisher | : Springer Science & Business Media |
Total Pages | : 184 |
Release | : 2006-01-13 |
Genre | : Business & Economics |
ISBN | : 9783790816594 |
Publisher Description
Author | : |
Publisher | : |
Total Pages | : 480 |
Release | : 1913 |
Genre | : Pattern-making |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1060 |
Release | : 1915 |
Genre | : Lumber trade |
ISBN | : |
Author | : |
Publisher | : GRIN Verlag |
Total Pages | : 45 |
Release | : 2023-01-19 |
Genre | : Law |
ISBN | : 3346796965 |
Seminar paper from the year 2022 in the subject Law - IT law, grade: 1,0, Humboldt-University of Berlin, language: English, abstract: This paper is about: Software product liability issues, software quality control and the developer's liability in the European Union as implemented in Germany, discussed on the example of autonomous vehicles. Product liability is the responsibility a producer, as a legal person, has towards another subject, the consumer, with regard to an act. The producer is liable for the act of producing and/or placing a product on the market. The liability obligation in the case of product liability does not result from the contractual obligation between the contracting parties, in the sense of a disposition and executory agreement. Rather, it is a state intervention into the private autonomy, limiting the freedom of contract-design by law. Its purpose is to preventively protect consumers against damage caused by defective products. The legal liability of the producer for defective products is no dispositive law, which could be limited or even waived by agreement between parties. Product liability, together with legally prescribed warranty rights and voluntary guarantees are the foundation of consumer protection in the German legal system.
Author | : Peter JELAVICH |
Publisher | : Harvard University Press |
Total Pages | : 337 |
Release | : 2009-06-30 |
Genre | : History |
ISBN | : 0674039130 |
Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down. Fads and fashions, sexual mores and political ideologies--all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous and optimistic Imperial age, the unstable yet culturally inventive Weimar era, and the repressive years of National Socialism. By situating cabaret within Berlin's rich landscape of popular culture and distinguishing it from vaudeville and variety theaters, spectacular revues, prurient nude dancing, and Communist agitprop, Jelavich revises the prevailing image of this form of entertainment. Neither highly politicized, like postwar German Kabarett, nor sleazy in the way that some American and European films suggest, Berlin cabaret occupied a middle ground that let it cast an ironic eye on the goings-on of Berliners and other Germans. However, it was just this satirical attitude toward serious themes, such as politics and racism, that blinded cabaret to the strength of the radical right-wing forces that ultimately destroyed it. Jelavich concludes with the Berlin cabaret artists' final performances--as prisoners in the concentration camps at Westerbork and Theresienstadt. This book gives us a sense of what the world looked like within the cabarets of Berlin and at the same time lets us see, from a historical distance, these lost performers enacting the political, sexual, and artistic issues that made their city one of the most dynamic in Europe.