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Beholding Christ and Christianity in African American Art

Beholding Christ and Christianity in African American Art
Author: James Romaine
Publisher: Penn State University Press
Total Pages: 0
Release: 2018-11
Genre: African American art
ISBN: 9780271077758

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A collection of essays exploring prominent African American artists' engagement with Christian themes. Essays examine the ways in which an artist's engagement with religious symbols can be an expression of concerns related to racial, political, and socio-economic identity.


Painting the Gospel

Painting the Gospel
Author: Kymberly N Pinder
Publisher: University of Illinois Press
Total Pages: 221
Release: 2016-01-30
Genre: Social Science
ISBN: 0252098080

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Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.


Painting the Gospel

Painting the Gospel
Author: Kymberly N Pinder
Publisher: University of Illinois Press
Total Pages: 0
Release: 2016-03-01
Genre: Social Science
ISBN: 9780252081439

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Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.


The Color of Christ

The Color of Christ
Author: Edward J. Blum
Publisher: Univ of North Carolina Press
Total Pages: 354
Release: 2012
Genre: Religion
ISBN: 0807835722

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Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured.


"Jesus is Black"

Author: Jennifer L. Strychasz
Publisher:
Total Pages: 772
Release: 1996
Genre: African Americans
ISBN:

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"Jesus is Black"

Author: Jennifer Lynn Strychasz
Publisher:
Total Pages: 772
Release: 2003
Genre: African Americans
ISBN:

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Jewish Artists and the Bible in Twentieth-century America

Jewish Artists and the Bible in Twentieth-century America
Author: Samantha Baskind
Publisher: Penn State University Press
Total Pages: 0
Release: 2014
Genre: Art, American
ISBN: 9780271059839

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Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.


We Are Made of Stories

We Are Made of Stories
Author: Leslie Umberger
Publisher: Princeton University Press
Total Pages: 288
Release: 2022-10-04
Genre: Art
ISBN: 0691243840

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A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers. Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability. Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC July 1, 2022–March 26, 2023


The Routledge Companion to African American Art History

The Routledge Companion to African American Art History
Author: Eddie Chambers
Publisher: Routledge
Total Pages: 467
Release: 2019-11-12
Genre: Art
ISBN: 1351045172

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This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art. This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.


Archibald Motley Jr. and Racial Reinvention

Archibald Motley Jr. and Racial Reinvention
Author: Phoebe Wolfskill
Publisher: University of Illinois Press
Total Pages: 360
Release: 2017-08-10
Genre: Social Science
ISBN: 0252099702

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An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.