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Becoming Pablo O'Higgins

Becoming Pablo O'Higgins
Author: Susan Vogel
Publisher: Pince Nez Press
Total Pages: 328
Release: 2010-04-01
Genre: Biography & Autobiography
ISBN: 9781930074217

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Becoming Pablo O'Higgins tells the intriguing story of how a blond-haired, blue-eyed Presbyterian from Utah became a celebrated Mexican muralist and Chicano artist. Born Paul Higgins in 1904, O'Higgins boldly traveled to Mexico at age 20 and became an assistant to Diego Rivera. He co-founded the world-famous graphic art workshop, the Taller de Grfica Popular. O'Higgins produced more than a dozen murals in Mexico and two in the U.S. (Seattle and Hawaii) and taught at the California Labor School in San Francisco. Upon his death, the Mexican government gave him a state funeral. OHigginss life was as stormy as Mexico's revolutionary politics of the last century. He was a member of the Communist Party and blacklisted by the U.S. during the McCarthy era. Today O'Higgins is an inspiration to artists in the U.S., especially those seeking to produce socially-conscious, community-based art. He is admired not only for his art but for his love of Mexico and his determination to bridge the two countries through art. Book jacket.


AskART.com: Pablo O'Higgins

AskART.com: Pablo O'Higgins
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AskART.com presents information concerning American artist Pablo O'Higgins (1904-1983). Additional information for O'Higgins includes a bibliography of publications about the artist, museum holdings, current exhibits, images of the artist's work, etc. Auction records, including highest prices, are available only to AskART members.


A Companion to Mexican History and Culture

A Companion to Mexican History and Culture
Author: William H. Beezley
Publisher: John Wiley & Sons
Total Pages: 701
Release: 2011-03-16
Genre: History
ISBN: 1444340581

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A Companion to Mexican History and Culture features 40 essays contributed by international scholars that incorporate ethnic, gender, environmental, and cultural studies to reveal a richer portrait of the Mexican experience, from the earliest peoples to the present. Features the latest scholarship on Mexican history and culture by an array of international scholars Essays are separated into sections on the four major chronological eras Discusses recent historical interpretations with critical historiographical sources, and is enriched by cultural analysis, ethnic and gender studies, and visual evidence The first volume to incorporate a discussion of popular music in political analysis This book is the receipient of the 2013 Michael C. Meyer Special Recognition Award from the Rocky Mountain Conference on Latin American Studies.


The Power and Politics of Art in Postrevolutionary Mexico

The Power and Politics of Art in Postrevolutionary Mexico
Author: Stephanie J. Smith
Publisher: UNC Press Books
Total Pages: 293
Release: 2017-11-14
Genre: History
ISBN: 1469635690

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Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.


Rancho de Amor

Rancho de Amor
Author: Dan Harder
Publisher: Graphic Arts Books
Total Pages: 249
Release: 2020-09-15
Genre: Fiction
ISBN: 151326432X

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A modern Western romance for fans of Jane Austen and Zane Grey, Rancho de Amor brings city sensibilities and country values together in a tale rich with wit, irony, and self-discovery. In a last-ditch effort to save a New York publishing house facing imminent closure, editor Catherine Doyle travels across the country to the small town of Sisquoc, California, in search of the famous Loretta de Bonnair, an elderly recluse and breakout author of the bestselling romance novel that has the nation in a fervor. Despite her own disappointment with love and misgivings about the novel, Catherine’s determined to beat out the competition to offer Ms. de Bonnair a book deal she can’t refuse. But as Catherine wanders the town interviewing the locals, she slowly realizes something: no one has ever seen the mysterious author. Not even the post office has her address. The only clue to Ms. de Bonnair seems to come in the form of a certain handsome blue-eyed cowboy with a penchant for bar fights. But if Catherine wants to save her job and the publishing house, she’ll have to get closer to this stranger, even if it means trusting him.


Seattle's El Centro de la Raza

Seattle's El Centro de la Raza
Author: Bruce E. Johansen
Publisher: Rowman & Littlefield
Total Pages: 277
Release: 2019-12-30
Genre: Language Arts & Disciplines
ISBN: 1498569641

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From its beginnings in Seattle nearly fifty years ago, El Centro de la Raza has been translated as “The Center for People of All Races.” In Seattle’s El Centro de la Raza: Dr. King’s Living Laboratory, Bruce E. Johansen, with valuable aid from Estela Ortega, executive director, and Miguel Maestas, Housing and Development director at El Centro, explores how the center has become part of a nationally significant work in progress on human rights and relations based on Dr. Martin Luther King Jr.’s concept of a “Beloved Community” that crosses all ethnic, racial, and other social boundaries. Johansen’s examination of the history of the center highlights its mission to consciously provide intercultural communication and cooperation as an interracial bridge, uniting people on both a small and a large scale, from neighborhood communities to international relations. Scholars of Latin American studies, race studies, international relations, sociology, and communication will find this book especially useful.


Pablo O'Higgins

Pablo O'Higgins
Author:
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Total Pages: 8
Release: 1989*
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Weston and Charlot

Weston and Charlot
Author: Lew Andrews
Publisher: U of Nebraska Press
Total Pages: 469
Release: 2011-12-01
Genre: Art
ISBN: 0803235135

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Edward Weston (1886–1958) was one of the most celebrated photographers of the twentieth century. Jean Charlot (1898–1979), a classically trained French artist best known for his murals, woodcuts, and paintings celebrating Mexican culture, played a key role as a participant and chronicler of the Mexican Renaissance. This book, based on letters that Weston and Charlot exchanged from the early 1920s until Weston’s death in 1958, documents a friendship that says as much about art—about photography and fresco, practice, criticism, and history—as it does about the intersection of a number of fascinating characters, the ups and downs of the correspondents’ daily lives, the pursuit of their dreams and aspirations, and the support and encouragement they gave each other. Lew Andrews crafts a multivalent narrative that reconfigures our understanding of Weston, Charlot, and their era, shedding new light on specific events and artwork. While giving us rare insight into the everyday life of these artists, this work also supplies an important chapter in the history of twentieth-century art and photography, seen close up and from the inside.


The Mexican Revolution on the World Stage

The Mexican Revolution on the World Stage
Author: Adela Pineda Franco
Publisher: State University of New York Press
Total Pages: 288
Release: 2019-07-23
Genre: History
ISBN: 1438475624

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Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. Adela Pineda Franco is Professor of Latin American Literature and Film at Boston University. She is the coeditor (with Jaime Marroquin Arredondo and Magdalena Mieri) of Open Borders to a Revolution: Culture, Politics, and Migration.


How a Revolutionary Art Became Official Culture

How a Revolutionary Art Became Official Culture
Author: Mary K. Coffey
Publisher: Duke University Press
Total Pages: 249
Release: 2012-04-17
Genre: Art
ISBN: 0822350378

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This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.