Beckett & la psychanalyse
Author | : Sjef Houppermans |
Publisher | : Rodopi |
Total Pages | : 194 |
Release | : 1996 |
Genre | : Literature |
ISBN | : 9789042000667 |
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Author | : Sjef Houppermans |
Publisher | : Rodopi |
Total Pages | : 194 |
Release | : 1996 |
Genre | : Literature |
ISBN | : 9789042000667 |
Author | : Sjef Houppermans |
Publisher | : |
Total Pages | : 175 |
Release | : 1996 |
Genre | : Psychoanalysis and literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 175 |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Sjef Houppermans |
Publisher | : |
Total Pages | : 175 |
Release | : 1996 |
Genre | : Psychoanalysis and literature |
ISBN | : |
Author | : Didier Anzieu |
Publisher | : |
Total Pages | : 276 |
Release | : 1992 |
Genre | : Literature |
ISBN | : |
Author | : Llewellyn Brown |
Publisher | : BoD – Books on Demand |
Total Pages | : 472 |
Release | : 2016-03-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 3838208196 |
The voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language. In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice's multiple and fundamentally paradoxical facets with regards to language that founds the subject's vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett's work, and to outline a potentially vast field of investigation
Author | : Jennifer Birkett |
Publisher | : Routledge |
Total Pages | : 287 |
Release | : 2014-06-11 |
Genre | : Literary Criticism |
ISBN | : 1317885821 |
Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.
Author | : Anthony Uhlmann |
Publisher | : Rodopi |
Total Pages | : 628 |
Release | : 2004 |
Genre | : |
ISBN | : 9789042019720 |
This volume constitutes a collection of over 40 articles selected from contributions to the Sydney Symposium of January 2003 that - as a part of an International Sydney Festival - was one of the major events related to Samuel Beckett of the last decade. The three sections of the book reflect the most vibrant fields of research in Beckett studies today: Intertextuality and Theory, Philosophy and Theory and Textual Genesis, Contextual Genesis and Language. Scholars from all over the world participating in this collection testify to the durable and universal nature of interest in Beckett's work.
Author | : Marius Buning |
Publisher | : Rodopi |
Total Pages | : 344 |
Release | : 2000 |
Genre | : Politics in literature |
ISBN | : 9789042014046 |
Author | : |
Publisher | : BRILL |
Total Pages | : 303 |
Release | : 2007-01-01 |
Genre | : Literary Criticism |
ISBN | : 9401205043 |
This collection of essays – the first volume in the Dialogue series – brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett’s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett’s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.