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French Art Deco

French Art Deco
Author: Jared Goss
Publisher: Metropolitan Museum of Art
Total Pages: 282
Release: 2014-09-30
Genre: Art
ISBN: 0300204302

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Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.


Catalogue des beaux meubles de style..., tableaux, aquarelles, dessins, gravures, céramique, sculptures, objets variés, métal, verrerie, vaisselle, glace, bronzes d'art et d'ameublement..., étoffes et tentures...

Catalogue des beaux meubles de style..., tableaux, aquarelles, dessins, gravures, céramique, sculptures, objets variés, métal, verrerie, vaisselle, glace, bronzes d'art et d'ameublement..., étoffes et tentures...
Author: Georges Guillaume
Publisher:
Total Pages: 14
Release: 1925
Genre:
ISBN:

Download Catalogue des beaux meubles de style..., tableaux, aquarelles, dessins, gravures, céramique, sculptures, objets variés, métal, verrerie, vaisselle, glace, bronzes d'art et d'ameublement..., étoffes et tentures... Book in PDF, ePub and Kindle


The Art of French Glass, 1860-1914

The Art of French Glass, 1860-1914
Author: Janine Bloch-Dermant
Publisher:
Total Pages: 212
Release: 1980
Genre: Antiques & Collectibles
ISBN:

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"Sculptors and Design Reform in France, 1848 to 1895 "

Author: Claire Jones
Publisher: Routledge
Total Pages: 245
Release: 2017-07-05
Genre: Art
ISBN: 1351549707

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Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.


The Connoisseur

The Connoisseur
Author:
Publisher:
Total Pages: 482
Release: 1973
Genre: Art
ISBN:

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