Baroque Art in Latin America
Author | : Damien Bayon |
Publisher | : |
Total Pages | : 176 |
Release | : 2000-01 |
Genre | : |
ISBN | : 9782080135315 |
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Author | : Damien Bayon |
Publisher | : |
Total Pages | : 176 |
Release | : 2000-01 |
Genre | : |
ISBN | : 9782080135315 |
Author | : Elizabeth Armstrong |
Publisher | : |
Total Pages | : 236 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
Contributions by Victor Zamudio Taylor, Elizabeth Armstrong. Text by Paulo Herkenhoff, Serge Gruzinski.
Author | : Pál Kelemen |
Publisher | : |
Total Pages | : 328 |
Release | : 1967 |
Genre | : Art, Baroque |
ISBN | : |
Author | : Pal Kelemen |
Publisher | : |
Total Pages | : |
Release | : 1981-06-01 |
Genre | : |
ISBN | : 9780844655895 |
Author | : Monika Kaup |
Publisher | : University of Virginia Press |
Total Pages | : 434 |
Release | : 2012-11-07 |
Genre | : Literary Criticism |
ISBN | : 0813933145 |
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Author | : Pál Kelemen |
Publisher | : |
Total Pages | : 296 |
Release | : 1967 |
Genre | : Art, Baroque |
ISBN | : |
Author | : Pablo Baler |
Publisher | : Springer |
Total Pages | : 162 |
Release | : 2016-08-31 |
Genre | : Literary Criticism |
ISBN | : 1137591838 |
Pablo Baler studies the ruptures and continuities linking the de-centered dynamics of the 17thcentury to the logic of instability that permeates 20th century visual and literary production in Latin America. Bringing philosophy, literary interpretation, art criticism, and a poetic approach to the history of ideas, Baler offers a new perspective from which to understand the uncanny phenomenon of baroque distortion. This interdisciplinary inquiry not only leads to a more specific formulation regarding the singularity of the reappropriations of the baroque in Spanish America, but also allows for a more comprehensive assessment of its historical reach in the broader context of the representational crisis of modernity.
Author | : Gauvin A. Bailey |
Publisher | : Phaidon Press Limited |
Total Pages | : 452 |
Release | : 2005-02 |
Genre | : Architecture |
ISBN | : |
A lively survey of a critical period of Latin American art.
Author | : Lois Parkinson Zamora |
Publisher | : |
Total Pages | : 456 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
"The Inordinate Eye traces the Baroque from a European colonizing instrument encoding Catholic and monarchical ideologies to a New World instrument of resistance to those same structures. Lois Parkinson Zamora shows that in the early decades of the twentieth century Latin American writers began to recuperate the hybrid forms of New World Baroque art and architecture for the purpose of creating a discourse of "counterconquest" - that is, a discourse of postcolonial self-definition aimed at disrupting entrenched power structures, perceptual categories, and literary forms."--BOOK JACKET.
Author | : |
Publisher | : BRILL |
Total Pages | : 339 |
Release | : 2016-10-18 |
Genre | : Literary Criticism |
ISBN | : 9004324356 |
The Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term ‘Neo-Baroques’. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Fermé; Claire Denis’ French New Extremist film Trouble Every Day; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip. Contributors: Jens Baumgarten, Marjan Colletti, Bolívar Echeverría, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.