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| Author | : Dmitriĭ Dmitrievich Shostakovich |
| Publisher | : Zen-On |
| Total Pages | : 188 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : |
(Score). Miniature (5-3/4 x 8-1/4 ) full scores of these pieces with an introductory article.
| Author | : Dmitriĭ Dmitrievich Shostakovich |
| Publisher | : |
| Total Pages | : |
| Release | : 1989 |
| Genre | : |
| ISBN | : |
| Author | : Laurel E. Fay |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 494 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780195182514 |
"Shostakovich's life is a fascinating example of the paradoxes of living as an artist under totalitarian rule. Alone among his artistic peers, he survived successive Stalinist cultural purges and won the Stalin Prize five times, yet in 1948 he was dismissed from his conservatory teaching positions, and many of his works were banned from performance. He prudently censored himself, in one case putting aside a work based on Jewish folk poems. Under later regimes he balanced a career as a model Soviet - holding government positions and acting as an international ambassador - with his unflagging artistic ambitions."--Jacket.
| Author | : Dmitrij D. Šostakovič |
| Publisher | : |
| Total Pages | : |
| Release | : 2001 |
| Genre | : |
| ISBN | : |
| Author | : Lucy Manning |
| Publisher | : Scarecrow Press |
| Total Pages | : 472 |
| Release | : 2013-10-10 |
| Genre | : Music |
| ISBN | : 0810884232 |
In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.
| Author | : Elizabeth Wilson |
| Publisher | : Faber & Faber |
| Total Pages | : 612 |
| Release | : 2011-03-03 |
| Genre | : Music |
| ISBN | : 0571261159 |
Shostakovich: A Life Remembered is a unique study of the great composer, drawn from the reminiscences and reflections of his contemporaries. Elizabeth Wilson sheds light on the composer's creative process and his working life in music, and examines the enormous and enduring influence that Shostakovich has had on Soviet musical life.'The one indispensable book about the composer.' New York Times
| Author | : Derek C. Hulme |
| Publisher | : Scarecrow Press |
| Total Pages | : 824 |
| Release | : 2010-02-18 |
| Genre | : Music |
| ISBN | : 081087265X |
Dmitri Shostakovich (1906-75) was one of the greatest composers of the 20th century, as well as the first major Soviet composer. In the fourth edition of Dmitri Shostakovich Catalogue: The First Hundred Years and Beyond, Derek C. Hulme names and describes all known musical compositions of the Russian composer. More than 175 major works are annotated and discussed, including such comprehensive details as titles and subtitles, dates of composition, instrumentation, and duration; information on dedications and premieres; arrangements by the composer and others; publication details; notes on bibliographical references and the location of the autograph score; and comprehensive chronological lists of vinyl, compact disc, and visual recordings. The entries are presented chronologically and by opus number, while indexes of names and compositions provide full accessibility. Several appendixes supplement the volume, guiding readers to further information in published sources and providing information on the composer's film, radio, television, and theatre productions; his abandoned projects and obscure works; and his recordings, including box sets and special USSR recordings. An appendix also discusses the monogram DSCH, a musical motif based on his name that permeates his compositions. This new edition also includes a comprehensive chronological chart of Shostakovich's works and historical events and several plates of memorabilia.
| Author | : Ivan March |
| Publisher | : Penguin Group |
| Total Pages | : 1584 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : |
This new completely revised edition of the Penguin Guidesurveys the major classical recordings issued and reissued over the past five decades, many of which have dominated the catalogue because of their sheer excellence, irrespective of their recording dates. More thorough than ever before, it indicates key recordings on CD, as well as on DVD, with their extra video dimension, and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and acutely assessed in these pages. THE PENGUIN GUIDE TO RECORDED CLASSICAL MUSIC OFFERS- The pick of the latest releases, as well as all key established recordings The greatest historic recordings, many in outstanding new transfers (including the very first recording of Beethoven's Fifth Symphony) An in-depth survey of the best of the budget-priced CDs, including countless new issues A comprehensive new collection of 'Portraits' of the major artists - singers, conductors and instrumentalists
| Author | : |
| Publisher | : Warner (CA) |
| Total Pages | : 232 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : |
This ultimate reference on the works of Dmitri Shostakovich presents a chronological list of works, annotated with commentary and citing available publications. There is also a systematic index of works, grouping like compositions by format (stage works, orchestral works, piano solo, etc.), an index of opus numbers, an alphabetical index of works, and an alphabetical index of key names of librettists, arrangers, translators, performers, conductors and others associated with the music of Shostakovich.
| Author | : Sofia Moshevich |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 256 |
| Release | : 2004 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780773525818 |
Dmitri Shoshtakovich (1906–1975) is recognized as one of the greatest composers of the twentieth century yet few people know that he was also an outstanding concert pianist who maintained a hectic performing schedule. In Dmitri Shostakovich, Pianist Sofia Moshevich offers the first detailed examination of Shoshtakovich the pianist within the context of his life and work as a composer. She traces his musical roots, piano studies, repertoire, and concert career through his correspondence with family and friends and his own and his contemporaries' memoirs, using material never before available in English. This biographical narrative is interwoven with analyses of Shoshtakovich's piano and chamber works, demonstrating how he interpreted his own music. For the first time, Shoshtakovich's own recordings are used as primary sources to discover what made his playing unique and to dispel commonly held myths about his style of interpretation. His recorded performances are analysed in detail, specifically his tempos, phrasing, dynamics, pedal, and tonal production. Some unpublished variants of musical texts are included and examples of his interpretations are provided and compared to various editions of his published scores.
