My First Ballet
Author | : Christelle Galloux |
Publisher | : Auzou |
Total Pages | : 16 |
Release | : 2017-10 |
Genre | : Ballet |
ISBN | : 9782733852453 |
Download My First Ballet Book in PDF, ePub and Kindle
Discover 8 of the world's greatest ballets!
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Author | : Christelle Galloux |
Publisher | : Auzou |
Total Pages | : 16 |
Release | : 2017-10 |
Genre | : Ballet |
ISBN | : 9782733852453 |
Discover 8 of the world's greatest ballets!
Author | : Harriet Cavalli |
Publisher | : |
Total Pages | : 425 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780813018874 |
Harriet Cavalli, internationally recognized as one of the most talented and experienced specialists in the art of music for dancers and dance teachers, presents here the definitive book on accompaniment, as well as her personal - often humorous - look behind the scenes at the world of dance. The text is enhanced by diagrams and 83 complete musical examples, providing a wealth of repertoire choices.
Author | : Christian Cannabich |
Publisher | : A-R Editions, Inc. |
Total Pages | : 98 |
Release | : 2004-01-01 |
Genre | : Ballets |
ISBN | : 0895795639 |
xi + 78 pp. Performance parts available
Author | : Fedor Lopukhov |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 248 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780299182748 |
Although little-known in the West, Fedor Lopukhov was a leading figure in Russia's dance world for more than sixty years and an influence on many who became major figures in Western dance, such as George Balanchine. As a choreographer, he staged the first post-revolutionary productions of traditional ballets like Swan Lake and The Sleeping Beauty as well as avant-garde and experimental works, including Dance Symphony, Bolt, and a highly controversial version of The Nutcracker. This first publication in English of Lopukhov's theoretical writings will give readers a clear understanding of his seminal importance in dance history and illuminate his role in the development of dance as a nonnarrative, musically based form. These writings present the rationale behind Lopukhov's attempt to develop a "symphonic" ballet that would integrate the formal and expressive elements of dance and music. They also show his finely detailed knowledge of the classical heritage and his creative efforts to transmit major works to future generations. This edition explains not only the making of his own controversial Dance Symphony but also the issues he saw at stake in productions of Giselle, The Sleeping Beauty, and other key works by Petipa and Fokine. Lopukhov's writings argue the details of choreographic devices with an unusual degree of precision, and his comments on composers and the musical repertoire used by his predecessors and contemporaries are equally revealing. Stephanie Jordan's introduction deftly situates these writings within the context of Lopukhov's life and career and in relation to the theories, aesthetics, and practices of dance in the twentieth century.
Author | : Christian Cannabich |
Publisher | : A-R Editions, Inc. |
Total Pages | : 247 |
Release | : 2019-05-14 |
Genre | : Music |
ISBN | : 1987201701 |
This volume completes the collection Ballet Music from the Mannheim Court with two ballets by Christian Cannabich: Les Fêtes du sérail (probably based on Jean-Georges Noverres Les Jalousies, ou Les Fêtes du sérail, as described in his Lettres sur la danse, 1760) and Angélique et Médor, ou Roland furieux (based on the characters in Ludovico Ariostos Orlando furioso). The former ballet features several movements with Turkish instruments and the exotic setting of a harem. The latter features detailed annotations in the music regarding the story, which differs in some respects from the scenario for this ballet by Étienne Lauchery that was published for an earlier performance in Kassel.
Author | : Franz Mitler |
Publisher | : Alfred Music Publishing |
Total Pages | : 36 |
Release | : 2003-03 |
Genre | : Music |
ISBN | : 9780757912405 |
Titles: Dance of the Hours * Valse Lente * Scheherazade * The Swan * Valse * Hopak * Petrouchka * Les Sylphides * Ballet Music from Faust * Ballet Music from Aida * Dance of the Russian Sailors * Farandole * Dance of the Reed Pipes * Waltz of the Flowers * Afternoon of a Faun * Swan Lake Ballet * Triumphal March.
Author | : Caroline Randall Williams |
Publisher | : Third Man Books |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Poetry |
ISBN | : 9780997457827 |
Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro, Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging, many-faceted story of the Dark Lady, her Shakespeare, and their real and imagined milieu.
Author | : Sarah Gutsche-Miller |
Publisher | : Boydell & Brewer |
Total Pages | : 385 |
Release | : 2015 |
Genre | : History |
ISBN | : 1580464424 |
This pioneering study of ballets staged in Parisian music halls brings to light a vibrant dance culture central to the renewal of French choreography at the fin de siècle.
Author | : Stephanie Jordan |
Publisher | : |
Total Pages | : 468 |
Release | : 2000 |
Genre | : Music |
ISBN | : |
An in-depth study of the relations between music and dance in the work of George Balanchine, Frederick Ashton and Anthony Tudor. It seeks to offer a depth of focus and to throw light on general connections between music and dance.
Author | : Matthew Naughtin |
Publisher | : Rowman & Littlefield |
Total Pages | : 471 |
Release | : 2014-07-17 |
Genre | : Music |
ISBN | : 081088660X |
Musicians who work professionally with ballet and dance companies sometimes wonder if they haven’t entered a foreign country—a place where the language and customs seem so utterly familiar and so bafflingly strange at the same. To someone without a dance background, phrases and terms--boy’s variation, pas d’action, apothéose—simply don’t fit their standard musical vocabulary. Even a familiar term like adagio means something quite different in the world of dance. Like any working professional, those conductors, composers, rehearsal pianists, instrumentalists and even music librarians working with professional ballet and dance companies must learn what dance professionals talk about when they talk about music. In Ballet Music: A Handbook Matthew Naughtin provides a practical guide for the professional musician who works with ballet companies, whether as a full-time staff member or as an independent contractor. In this comprehensive work, he addresses the daily routine of the modern ballet company, outlines the respective roles of the conductor, company pianist and music librarian and their necessary collaboration with choreographers and ballet masters, and examines the complete process of putting a dance performance on stage, from selection or existing music to commissioning original scores to staging the final production. Because ballet companies routinely revise the great ballets to fit the needs of their staff and stage, audience and orchestra, ballet repertoire is a tangled web for the uninitiated. At the core of Ballet Music: A Handbook lies an extensive listing of classic ballets in the standard repertoire, with information on their history, versions, revisions, instrumentation, score publishers and other sources for tracking down both the original music and subsequent musical additions and adaptations. Ballet Music: A Handbook is an invaluable resource for conductors, pianists and music librarians as well as any student, scholar or fan of the ballet interested in the complex machinery that works backstage before the curtain goes up.