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| Author | : Robert Maiorano |
| Publisher | : New York : Freundlich Books : Distributed to the trade by Scribner |
| Total Pages | : 244 |
| Release | : 1985 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : James Steichen |
| Publisher | : Oxford University Press |
| Total Pages | : 400 |
| Release | : 2018-10-04 |
| Genre | : Performing Arts |
| ISBN | : 0190607424 |
In 1933 choreographer George Balanchine and impresario Lincoln Kirstein embarked on an elusive quest to found a ballet company and school in the United States. Though their efforts would eventually result in the creation of the New York City Ballet and the School of American Ballet, the first decade of their collaborative efforts was anything but assured. Tracing the tangled histories of two of the most important figures in twentieth-century dance, Balanchine and Kirstein's American Enterprise offers a fresh perspective on a pivotal period in cultural history. Deeply researched using sources only made available in recent years, the book challenges the mythologies surrounding the early years of the Balanchine-Kirstein enterprise. It also reveals the full extent of Kirstein's essential role and offers reconstructive analysis of lost works, as well as new and surprising details regarding some of Balanchine's most iconic ballets, including Serenade, Apollo, and Concerto Barocco. This history involved artists including Richard Rodgers, Martha Graham, George Gershwin, Katherine Dunham, Vera Zorina, and Igor Stravinsky, as well as dozens of lesser known players whose contributions have yet to be fully acknowledged. Capturing the full sweep of Balanchine and Kirstein's collaborative work across multiple genres and institutions, this book reveals their partnership in all of its exciting and ungainly complexity, showing how the 1930s Balanchine was not the artist that he would eventually become, and how the same was true of the institutions that he and Kirstein jointly created.
| Author | : John Clifford |
| Publisher | : University Press of Florida |
| Total Pages | : 289 |
| Release | : 2021-09-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813072018 |
A talented young dancer and his brilliant teacher In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford—an exceptionally talented artist—and the guiding inspiration for his life’s work in dance. Growing up in Hollywood with parents in show business, Clifford acted in television productions such as The Danny Kaye Show, The Dinah Shore Show, and Death Valley Days. He recalls the beginning of his obsession with ballet: At age 11 he was cast as the Prince in a touring production of The Nutcracker. The director was none other than the legendary Balanchine, who would eventually invite Clifford to New York City and shape his career as both a mentor and artistic example. During his dazzling tenure with the New York City Ballet, Clifford danced the lead in 47 works, several created for him by Balanchine, Jerome Robbins, and others. He partnered famous ballerinas including Gelsey Kirkland and Allegra Kent. He choreographed eight ballets for the company, his first at age 20. He performed in Russia, Germany, France, and Canada. Afterward, he returned to the West Coast to found the Los Angeles Ballet, where he continued to innovate based on the Balanchine technique. In this book, Clifford provides firsthand insight into Balanchine’s relationships with his dancers, including Suzanne Farrell. Examining his own attachment to his charismatic teacher, Clifford explores questions of creative influence and integrity. His memoir is a portrait of a young dancer who learned and worked at lightning speed, who pursued the calls of art and genius on both coasts of America and around the world.
| Author | : Elizabeth Kendall |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2013-07-08 |
| Genre | : Music |
| ISBN | : 0199959358 |
Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova. Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, Elizabeth Kendall's Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come. Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.
| Author | : George Balanchine |
| Publisher | : Viking Adult |
| Total Pages | : 438 |
| Release | : 1984 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Eric Zafran |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
History of dance performers and dance related art in Wadsworth Atheneum from Balanchine's first public performance in America in 1934. Ashton's four saints in 1934
| Author | : James Neufeld |
| Publisher | : Dundurn |
| Total Pages | : 498 |
| Release | : 2011-10-23 |
| Genre | : Performing Arts |
| ISBN | : 1459701232 |
This is the story of the National Ballet of Canada – the people, the determination, and how at sixty it is still creating new work while still representing the classics. Passion to Dance is the story of the National Ballet of Canada – the people who dreamt the company into existence, the determination needed to keep it afloat, the bumps on the road to its success, and above all, its passion for dance as a living, evolving art form. From catch-as-catch-can beginnings – borrowed quarters, tiny stages, enormous dreams the National Ballet has emerged as one of North America’s foremost dance troupes. The company at sixty is a company of its time, engaged in creating challenging new work, yet committed to maintaining the classics of the past, favourites like Swan Lake, The Nutcracker,and The Sleeping Beauty. One hundred and fifty photographs from the company’s archives illustrate this definitive history, filled with eyewitness accounts, backstage glimpses, and fascinating detail. This is a record of one of Canada’s boldest cultural experiments, a book to enjoy now and keep forever.
| Author | : Edwin Denby |
| Publisher | : Yale University Press |
| Total Pages | : 340 |
| Release | : 1998-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780300069853 |
Edwin Denby, who died in 1983, was the most important and influential American dance critic of this century. His reviews and essays, which he wrote for almost thirty years, were possessed of a voice, vision, and passion as compelling and inspiring as his subject. He was also a poet of distinction -- a friend to Frank O'Hara, James Schuyler, and John Ashbery. This book presents a sampling of his reviews, essays, and poems, an exemplary collection that exhibits the elegance, lucidity, and timelessness of Denby's writings.The volume includes Denby's reactions to choreography ranging from Martha Graham to George Balanchine to the Rockettes, as well as his reflections on such general topics as dance in film, dance criticism, and meaning in dance. Denby's writings are presented chronologically, and they not only provide a picture of how his dance theories and reviewing methods evolved but also give an informal history of dance in New York from the late 1930s to the early 1960s. The book -- the Only collection of Denby's writings currently in print -- is an essential resource for students and lover of dance.
| Author | : Solomon Volkov |
| Publisher | : Simon and Schuster |
| Total Pages | : 654 |
| Release | : 2010-06-15 |
| Genre | : History |
| ISBN | : 1451603150 |
The definitive cultural biography of the “Venice of the North” and its transcendent artistic and spiritual legacy, written by Russian emerge and acclaimed cultural historian, Solomon Volkov. Long considered to be the mad dream of an imperious autocrat—the "Venice of the North," conceived in a setting of malarial swamps—St. Petersburg was built in 1703 by Peter the Great as Russia's gateway to the West. For almost 300 years this splendid city has survived the most extreme attempts of man and nature to extinguish it, from flood, famine, and disease to civil war, Stalinist purges, and the epic 900-day siege by Hitler's armies. It has even been renamed twice, and became St. Petersburg again only in 1991. Yet not only has it retained its special, almost mystical identity as the schizophrenic soul of modern Russia, but it remains one of the most beautiful and alluring cities in the world. Now Solomon Volkov, a Russian emigre and acclaimed cultural historian, has written the definitive cultural biography of this city and its transcendent artistic and spiritual legacy. For Pushkin, Gogol, and Dostoyevsky, Petersburg was a spectral city that symbolized the near-apocalyptic conflicts of imperial Russia. As the monarchy declined, allowing intellectuals and artists to flourish, Petersburg became a center of avant-garde experiment and flamboyant bohemian challenge to the dominating power of the state, first czarist and then communist. The names of the Russian modern masters who found expression in St. Petersburg still resonate powerfully in every field of art: in music, Stravinsky, Prokofiev, and Shostakovich; in literature, Akhmatova, Blok, Mandelstam, Nabokov, and Brodsky; in dance, Diaghilev, Nijinsky, and Balanchine; in theater, Meyerhold; in painting, Chagall and Malevich; and many others, whose works are now part of the permanent fabric of Western civilization. Yet no comprehensive portrait of this thriving distinctive, and highly influential cosmopolitan culture, and the city that inspired it, has previously been attempted.
| Author | : Соломон Волков |
| Publisher | : New York : Simon and Schuster |
| Total Pages | : 260 |
| Release | : 1985 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780671498757 |
There is a special value to this book which none other has, namely the opportunity for two Russians with a specialized knowledge of Tchaikovsky to speak to each other on the same ground. Balanchine, as always when speaking his native tongue, expresses himself more freely here than in English. As a result, he touches upon many points that are of particular interest to his ballet public.
