Avances tecnológicos en representación gráfica
Author | : Raúl Oliva Santos |
Publisher | : |
Total Pages | : 261 |
Release | : 2015 |
Genre | : |
ISBN | : |
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Author | : Raúl Oliva Santos |
Publisher | : |
Total Pages | : 261 |
Release | : 2015 |
Genre | : |
ISBN | : |
Author | : Raúl Oliva Santos |
Publisher | : |
Total Pages | : 266 |
Release | : 2016 |
Genre | : |
ISBN | : |
As occurred with the blue antelope between 1799 and 1800, or the thylacine in 1936, in the year 2050, those who were educated under analogical technical drawing will constitute an extinct species. Throughout the whole of history, grand technological advances in architecture have used new materials or systems of construction. These relieved previous ones but maintained a placid coexistence. The incorporation of computers into the design process is not confined, however, to the mere replacement of a tool. It has completely crushed all prior systems of conception, drawing, development, and communication of architectural proposals. The duality of thought in architecture regarding technical advances is reflected in the dichotomy between the conception and representation of architecture used over centuries and that of today. Between the use historically of mechanical-manual procedures of drawing of the architecture and the new digital tools of representation incorporated. The graphical representation process in a project of architecture or design has always been based on a journey in which the ideas have to travel, from their conception to their communication. A journey that today, is an individual act tied from the very beginning to the essence of the architect; to the scientific and humanistic base in equal parts, and tied to its modus operandi too. It is an act immersed in an analogical and digital world in which our professional activity arises. As a consequence, it is directly influenced not just by these technical advances in graphic instrumentation but also by the circumstances and agents beyond the actual ambit of design. This thesis aims to generate a reflection on the divergence in the habits of graphic representation and visualization in the majority of current architecture studios. Compared to those used, prior to the Digital Revolution. As such, it endeavors to demonstrate at what point the architecture studios pioneering in their use of these new systems of contemporary representation took the leap from the analogical to the digital. This thesis also wants to mark out the different attitudes that the architect takes today, in contrast to those modes where the representation (analogue as much digital), can weave together the processes of composition and communication of our projects. But also how this can be effectively instilled through the teaching imparted in Spanish architecture schools, and avoiding in this way a Decalogue of the grave LOSSES that is generating effects in Architecture. Effects that I will call: The Digital Imprint. The current theory and operative practices in architecture and design along with the unavoidable need for their representation in drawings, text, or images, have led that the appearance of the computer influences the development and liberty that give us the geometry. Also, the 30 computer programs used in representation referenced in this document influence in the assimilation of the use of the image and the graphic results generated during the project; and ultimately the morphological possibilities the architect can propose in their buildings. The relation between technique and processes of graphic communication and thinking in architecture, up until now, has not been considered critically from a historical perspective regarding the value of representation. Consequently, the Theory of Architecture needs to structure a coherent body of knowledge for the profession but also for teaching purposes.
Author | : Patricia Zulueta Pérez |
Publisher | : |
Total Pages | : 386 |
Release | : 2007 |
Genre | : DVD-ROMs |
ISBN | : |
(Incluye CD)El presenta estudio se centra en el análisis de las técnicas de representación gráfica que utilizaron los científicos de la Ilustración para elaborar sus planos y dibujos de ingenios y máquinas, y como objetivos iniciales cabría resaltar la intención de evidenciar la importancia de la época ilustrada en lo referente a su aportación al desarrollo científico y a la introducción de los fundamentos de la ingeniería moderna en España, así como ordenar y clarificar el modo en que los científicos del momento acometían la tarea de desarrollar sus trabajos gráficos.
Author | : |
Publisher | : Soffer Publishing |
Total Pages | : 93 |
Release | : |
Genre | : |
ISBN | : 2010427599 |
Author | : Elia Margarita Hernández Díaz |
Publisher | : |
Total Pages | : 63 |
Release | : 2003 |
Genre | : Graphic methods |
ISBN | : 9789701038963 |
Author | : Jay H. Heizer |
Publisher | : Pearson Educación |
Total Pages | : 710 |
Release | : 2004 |
Genre | : Business & Economics |
ISBN | : 9789702605256 |
In this textbook, Heizer (business administration, Texas Lutheran U.) and Render (operations management, Rollins College) provide a broad introduction to the field of operations management. A sampling of topics includes operations strategy for competitive advantage, forecasting, design of goods and services, human resources, e- commerce, project management, inventory management, and maintenance. The CD-ROM contains video case studies, lecture notes, Excel OM and Extend software, and additional practice problems. Annotation copyrighted by Book News Inc., Portland, OR
Author | : Elia Margarita Hernández Díaz |
Publisher | : |
Total Pages | : 63 |
Release | : 2003 |
Genre | : |
ISBN | : 9789701038987 |
Author | : Begoña Rojí Menchaca |
Publisher | : Editorial UNED |
Total Pages | : 619 |
Release | : 2023-06-09 |
Genre | : Psychology |
ISBN | : 8436279964 |
Introducción a las Psicoterapias Psicodinámicas, Experienciales, Sistémicas, Constructivistas e Integradoras recoge los contenidos teóricos del segundo cuatrimestre de la asignatura Introducción a los Tratamientos Psicodinámicos, Experienciales, Sistémicos, Constructivistas e Integradores, materia opcional de la especialidad de Psicología Clínica del grado en Psicología ofrecido por la UNED. En consecuencia, el libro ha sido elaborado con las pautas metodológicas habituales en los textos básicos de esta universidad, ya que su objetivo no es otro que proporcionar a sus alumnos una formación significativa y rigurosa en los temas que aborda. Por ello, este libro constituye un expositor, contextualizado y crítico, de contenidos que la producción editorial presenta habitualmente de manera desmembrada. En definitiva, este libro constituye un manual para obtener una visión de conjunto de los ámbitos psicoterapéuticos ajenos a la intervención cognitivo-conductual.VÁLIDO A PARTIR CURSO 23/24.
Author | : Carles Sora Domenjó |
Publisher | : Editorial UOC |
Total Pages | : 220 |
Release | : 2016-12-16 |
Genre | : Computers |
ISBN | : 8491166025 |
El uso y la comprensión del tiempo ha sido un tema capital para el estudio de las sociedades, el arte, la ciencia o la filosofía. Y lo es hoy también para la creación audiovisual en la era de los new media e Internet. Temporalidades Digitales analiza las nuevas configuraciones temporales del audiovisual interactivo desde dos perspectivas: por un lado, la de la estructuración narrativa digital, sus usos, componentes y mecanismos de tratamiento temporal; y por el otro, la de su vivencia y percepción subjetiva. El resultado es una aproximación interdisciplinar que cubre ámbitos de estudio tan diversos como la narratología, los media studies o la filosofía a través del análisis de obras del cibertexto, el arte digital, los documentales interactivos o los videojuegos. Se trata de una de la primeras investigaciones que adoptan esta aproximación. Una contribución con análisis y modelos de comprensión para futuros estudios y diseños de obras interactivas
Author | : |
Publisher | : Universidad Autonoma de Chihuahua |
Total Pages | : 364 |
Release | : 2006 |
Genre | : Language Arts & Disciplines |
ISBN | : |