Autograph Letters Signed And Initialled From Joseph Hatton To Various Recipients PDF Download

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Autograph Letters Signed from Joseph Hatton, London and New York, to Various People

Autograph Letters Signed from Joseph Hatton, London and New York, to Various People
Author:
Publisher:
Total Pages:
Release: 1883
Genre:
ISBN:

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Correspondents: Burnside, Aaron Watson and William Winter. Also, a newspaper obituary on Hatton, August 1, 1907. Letter (6) mentions Winter's criticism of his play, "John Needham's Double."


The History of "Punch"

The History of
Author: Marion Harry Spielmann
Publisher: London, Cassell, 1895- .
Total Pages: 620
Release: 1895
Genre: Caricatures and cartoons
ISBN:

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Daughters of Queen Victoria

Daughters of Queen Victoria
Author: E. F. Benson
Publisher:
Total Pages: 320
Release: 2014-04-16
Genre: History
ISBN: 9781473314962

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This book's pages contains the classic account of Queen Victoria's daughters by E. F. Benson. Using sources such letters and other writings Benson provides an immensely interesting insight into each of Victoria's daughters and their relationships with their mother and their royalty. Ben was a prolific writer of his time producing over 90 works. Queen Victoria's Daughters was first published in 1938 and is here republished with an introductory biography of the author.


English Book Collectors

English Book Collectors
Author: William Younger Fletcher
Publisher:
Total Pages: 544
Release: 1902
Genre: Book collectors
ISBN:

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Arthur Conan Doyle Collection

Arthur Conan Doyle Collection
Author: Arthur Conan Doyle
Publisher: FilRougeViceversa
Total Pages: 1539
Release: 2021-05-19
Genre: Fiction
ISBN: 3985510563

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The Adventures of Sherlock Holmes A Study in Scarlet The Hound of the Baskervilles The Return of Sherlock Holmes The Sign of the Four "To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his."


Musical Creativity in Restoration England

Musical Creativity in Restoration England
Author: Rebecca Herissone
Publisher: Cambridge University Press
Total Pages: 568
Release: 2013
Genre: Composition (Music)
ISBN: 1107289556

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Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.