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Malay Literature of the 19th Century

Malay Literature of the 19th Century
Author: Siti Hawa Hj. Salleh
Publisher: ITBM
Total Pages: 398
Release: 2010
Genre: Malay literature
ISBN: 9830685179

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A History of Classical Malay Literature

A History of Classical Malay Literature
Author: Yock Fang Liaw
Publisher: Institute of Southeast Asian
Total Pages: 515
Release: 2013
Genre: History
ISBN: 9814459887

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Provides a detailed, narrative-based history of classical Malay Literature. It covers a wide range of Malay texts, including folk literature; the influence of the Indian epics and shadow theatre literature; Panji tales; the transition from Hindu to Muslim literary models; Muslim literature; framed tales; theological literature; historical literature; legal codes; and the dominant forms of poetry, the pantun and syair.


In Search of Modernity

In Search of Modernity
Author: Hadijah Rahmat
Publisher:
Total Pages: 420
Release: 2001
Genre: Malay literature
ISBN:

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The Heritage of Traditional Malay Literature

The Heritage of Traditional Malay Literature
Author: V.I. Braginsky
Publisher: BRILL
Total Pages: 906
Release: 2022-06-20
Genre: Literary Criticism
ISBN: 9004489878

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Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.


The Homeric Simile in Comparative Perspectives

The Homeric Simile in Comparative Perspectives
Author: Jonathan L. Ready
Publisher: Oxford University Press
Total Pages: 332
Release: 2018
Genre: Foreign Language Study
ISBN: 0198802552

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Presenting a new take on what made the Homeric epics such successful examples of verbal artistry, this volume explores the construction of the Homeric simile and the performance of Homeric poetry from the neglected comparative perspectives offered by the study of modern-day oral traditions.


Discourses, Agency and Identity in Malaysia

Discourses, Agency and Identity in Malaysia
Author: Zawawi Ibrahim
Publisher: Springer Nature
Total Pages: 568
Release: 2021-10-23
Genre: Social Science
ISBN: 9813345683

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This book seeks to break new ground, both empirically and conceptually, in examining discourses of identity formation and the agency of critical social practices in Malaysia. Taking an inclusive cultural studies perspective, it questions the ideological narrative of ‘race’ and ‘ethnicity’ that dominates explanations of conflicts and cleavages in the Malaysian context. The contributions are organised in three broad themes. ‘Identities in Contestation: Borders, Complexities and Hybridities’ takes a range of empirical studies—literary translation, religion, gender, ethnicity, indigeneity and sexual orientation—to break down preconceived notions of fixed identities. This then opens up an examination of ‘Identities and Movements: Agency and Alternative Discourses’, in which contributors deal with counter-hegemonic social movements—of anti-racism, young people, environmentalism and independent publishing—that explicitly seek to open up greater critical, democratic space within the Malaysian polity. The third section, ‘Identities and Narratives: Culture and the Media’, then provides a close textual reading of some exemplars of new cultural and media practices found in oral testimonies, popular music, film, radio programming and storytelling who have consciously created bodies of work that question the dominant national narrative. This book is a valuable interdisciplinary work for advanced students and researchers interested in representations of identity and nationhood in Malaysia, and for those with wider interests in the fields of critical cultural studies and discourse analysis. “Here is a fresh, startling book to aid the task of unbinding the straitjackets of ‘Malay’, ‘Chinese’ and ‘Indian’, with which colonialism bound Malaysia’s plural inheritance, and on which the postcolonial state continues to rely. In it, a panoply of unlikely identities—Bajau liminality, Kelabit philosophy, Islamic feminism, refugee hybridity and more—finds expression and offers hope for liberation”. Rachel Leow, University of Cambridge “This book shakes the foundations of race thinking in Malaysian studies by expanding the range of cases, perspectives and outcomes of identity. It offers students of Malaysia an examination of identity and agency that is expansive, critical and engaging, and its interdisciplinary depth brings Malaysian studies into conversation with scholarship across the world”. Sumit Mandal, University of Nottingham Malaysia “This is a much-needed work that helps us to take apart the colonial inherited categories of race which informed the notion of the plural society, the idea of plurality without multiculturalism. It complicates the picture of identity by bringing in religion, gender, indigeneity and sexual orientation, and helps us to imagine what a truly multiculturalist Malaysia might look like”. Syed Farid Alatas, National University of Singapore


Making Blood White

Making Blood White
Author: William Cummings
Publisher: University of Hawaii Press
Total Pages: 273
Release: 2002-03-31
Genre: History
ISBN: 0824863445

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In this study of early modern Makassar in the sixteenth and seventeenth centuries, William Cummings traces the social, cultural, and political significance of the transition from oral to literate culture in one region of Indonesia. He examines "history-making"--the ways in which the past is perceived, interpreted, and used--at a crucial moment in early modern Makassar when conceptions of history are being transformed by the advent of literacy. Central to his argument is the notion that histories are not just records or representations of the past but are themselves forces or agents capable of transforming the worlds in which humans live. Not simply structured by the prevailing social, cultural, and ideological contexts in which they are made, they also shape these contexts. Making Blood White bears in important ways on the historiography of Southeast Asia in general and will be read by students of the region's history and anthropology as well as by those interested in the relationships of history, literacy, and politics in premodern Asia.


Boundaries of the Text

Boundaries of the Text
Author: Joyce Flueckiger
Publisher: University of Michigan Press
Total Pages: 173
Release: 2020-08-06
Genre: Social Science
ISBN: 0472901710

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When the Mahabharata and Ramayana are performed in South and Southeast Asia, audiences may witness a variety of styles. A single performer may deliver a two-hour recitation, women may meet in informal singing groups, shaddow puppets may host an all-night play, or professional theaters may put on productions lasting thirty nights. Performances often celebrate ritual passages: births, deaths, marriages, and religious observances. The stories live and are transmitted through performance; their characters are well known and well loved. Yet written versions of the Mahabharata and Ramayana have existed in both South and Southeast Asia for hundreds of years. Rarely have these texts been intended for private reading. What is the relationship between written text and oral performance? What do performers and audiences mean when they identify something as “Ramayana” or “Mahabharata”? How do they conceive of texts? What are the boundaries of the texts? By analyzing specific performance traditions, Boundaries of the Text addresses questions of what happens to written texts when they are preformed and how performance traditions are affected when they interact with written texts. The dynamics of this interaction are of particular interest in South and Southeast Asia where oral performance and written traditions share a long, interwoven history. The contributors to Boundaries of the Text show the difficulty of maintaining sharp distinctions between oral and written patterns, as the traditions they consider defy a unidirectional movement from oral to written. The boundaries of epic traditions are in a state of flux, contracting or expanding as South and Southeast Asian societies respond to increasing access to modern education, print technology, and electronic media.