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Austrian Painting, 1945-1995

Austrian Painting, 1945-1995
Author: Künstlerhaus Wien
Publisher: Prestel Publishing
Total Pages: 304
Release: 1996
Genre: Art
ISBN:

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Collection is completed by recent artists, including Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, and Hubert Scheibel. In a remarkable collaboration between independent specialist and collector, Wieland Schmied, the renowned contemporary art historian and acknowledged expert on Austrian painting joined Karlheinz and Agnes Essl to form the most important collection of late 20th-century Austrian painting in the world. By continuously buying the.


Austrian Paintings, 1818-1918

Austrian Paintings, 1818-1918
Author: American British Art Center
Publisher:
Total Pages:
Release: 1945
Genre: Painting, Austrian
ISBN:

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German and Austrian Art '95

German and Austrian Art '95
Author: Christie, Manson et Woods Limited
Publisher:
Total Pages: 233
Release: 1995
Genre:
ISBN:

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Austria 1945-95

Austria 1945-95
Author: Kurt Richard Luther
Publisher: Ashgate Publishing
Total Pages: 298
Release: 1998
Genre: History
ISBN:

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This collection of essays looks back at the evolution of Austrian politics from occupation to independence, evaluates the development of Austria's national identity and political institutions, and looks forward to the impact on Austria of the end of the Cold War, and European Union membership.


Art Market Research

Art Market Research
Author: Tom McNulty
Publisher: McFarland
Total Pages: 333
Release: 2013-12-27
Genre: Art
ISBN: 0786466715

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This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.


German and Austrian Art '95

German and Austrian Art '95
Author:
Publisher:
Total Pages: 256
Release: 1995
Genre: Art auctions
ISBN:

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Austria

Austria
Author: Michael Mitchell
Publisher: Oxford, England : Clio Press
Total Pages: 312
Release: 1999
Genre: History
ISBN:

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Offers a selective, annotated bibliography of publications on Austria, with an emphasis, where possible, on works published in English. Covers all areas, from language to sport, including history and political institutions, literature, the media, flora and fauna, finance, and business. Includes an introductory overview of Austria's history. For academic specialists, general readers, business people, and tourists. The author is a literary translator. Annotation copyrighted by Book News, Inc., Portland, OR


Art, Exhibition and Erasure in Nazi Vienna

Art, Exhibition and Erasure in Nazi Vienna
Author: Laura Morowitz
Publisher: Taylor & Francis
Total Pages: 302
Release: 2023-08-11
Genre: Art
ISBN: 100092680X

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This book examines three exhibitions of contemporary art held at the Vienna Künstlerhaus during the period of National Socialist rule and shows how each attempted to culturally erase elements anathema to Nazi ideology: the City, the Jewess and fin-de-siècle Vienna. Each of the exhibits was large scale and ambitious, part of a broader attempt to situate Vienna as the cultural capital of the Reich, and each aimed to reshape cultural memory and rewrite history. Applying illuminating theories on memory studies, collective and public memory, and notions of "memoricide," this is the first book in English to focus on visual culture in the period when Austria was erased as a nation and incorporated into the Third Reich as "Ostmark." The organization, content and publications surrounding these three exhibits are explored in depth and set against the larger political changes and dangerous ideologies they reflect. The book will be of interest to scholars working in art history, museum studies, cultural history, memory studies, art and politics and Holocaust studies.