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| Author | : Richard Fotheringham |
| Publisher | : Univ. of Queensland Press |
| Total Pages | : 852 |
| Release | : 2006 |
| Genre | : Drama |
| ISBN | : 9780702234880 |
Contains the scripts of nine colonial plays, each script has been carefully edited or reconstructed from unique manuscripts or rare colonial printed editions.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 240 |
| Release | : 2021-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 9004485872 |
Playing Australia explores the insights and challenges that Australian theatre can offer the international theatre community. Collectively, the essays in this book ask what Australian drama is, has been, and might be, both to Australians and non-Australians, when it is performed in national and international arenas. Playing Australia ranges widely in its discussions and includes analysis of Australian practitioners playing away from home; playing with Australian stereotypes; and the relationship between play, culture, politics and national identity. Topics addressed in this diverse collection include: whiteness, otherness and negotiations of Aboriginal and Asian identities; Australian school and college drama; the discourse of Australian professional theatre magazines: Aboriginal Shakespeare; Australian drama and Australian cricket; the marketing of Australianness in Germany; the international successes of Tap Dogs and Cloudstreet. New histories of Australian theatre are offered and practitioners whose careers are reconsidered in detail include high wire-walker Ella Zuila, playwright May Holt, suffrage worker and playwright Inez Bensusan, classicist Gilbert Murray, and commercial playwright Haddon Chambers. With contributions from authors as diverse as Guardian theatre critic Michael Billington and leading post-colonial critic Helen Gilbert, and interview discussion with Cate Blanchett and Tap Dogs producer Wayne Harrison, Playing Australia seeks to pay tribute to the complexities of Australian theatre experiences, to reassess Australian theatre as a significant force in the international arena and to challenge traditional thinking on what Australian theatre can be.
| Author | : Andrew James Couzens |
| Publisher | : Anthem Press |
| Total Pages | : 258 |
| Release | : 2019-01-31 |
| Genre | : Performing Arts |
| ISBN | : 1783088923 |
‘Outlaw Nation’ is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in ‘Outlaw Nation’ provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production.
| Author | : Peter Pierce |
| Publisher | : Cambridge University Press |
| Total Pages | : 623 |
| Release | : 2009-09-17 |
| Genre | : Literary Criticism |
| ISBN | : 052188165X |
Draws on scholarship from leading figures in the field and spans Australian literary history from colonial origins, indigenous and migrant literatures, as well as representations of Asia and the Pacific and the role of literary culture in modern Australian society.
| Author | : Helen L. Oppenheim |
| Publisher | : |
| Total Pages | : |
| Release | : 1960 |
| Genre | : Theater |
| ISBN | : |
Deals with the early theatre in Sydney and Melbourne from 1824 to about 1850.
| Author | : Helen Gilbert |
| Publisher | : Virago Press |
| Total Pages | : 292 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Elizabeth Webby |
| Publisher | : Cambridge University Press |
| Total Pages | : 323 |
| Release | : 2000-08-21 |
| Genre | : Literary Criticism |
| ISBN | : 1139825992 |
This book introduces in a lively and succinct way the major writers, literary movements, styles and genres that, at the beginning of a new century, are seen as constituting the field of 'Australian literature'. The book consciously takes a perspective that sees literary works not as aesthetic objects created in isolation by unique individuals, but as cultural products influenced and constrained by the social, political and economic circumstances of their times, as well as by geographical and environmental factors. It covers indigenous texts, colonial writing and reading, poetry, fiction and theatre throughout two centuries, biography and autobiography, and literary criticism in Australia. Other features of the companion are a chronology listing significant historical and literary events, and suggestions for further reading.
| Author | : James Gatheral |
| Publisher | : Routledge |
| Total Pages | : 304 |
| Release | : 2020-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 1000226573 |
In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.
| Author | : Janice Norwood |
| Publisher | : Manchester University Press |
| Total Pages | : 183 |
| Release | : 2020-05-09 |
| Genre | : Performing Arts |
| ISBN | : 1526133342 |
Victorian touring actresses brings new attention to women’s experience of working in nineteenth-century theatre by focusing on a diverse group of largely forgotten ‘mid-tier’ performers, rather than the usual celebrity figures. It examines how actresses responded to changing political, economic and social circumstances and how the women were themselves agents of change. Their histories reveal dynamic patterns of activity within the theatrical industry and expose its relationship to wider Victorian culture. With an innovative organisation mimicking the stages of an actress’s life and career, the volume draws on new archival research and plentiful illustrations to examine the challenges and opportunities facing the women as they toured both within the UK and further afield in North America and Australasia. It will appeal to students and researchers in theatre and performance history, Victorian studies, gender studies and transatlantic studies.
| Author | : Ken Gelder |
| Publisher | : Sydney University Press |
| Total Pages | : 164 |
| Release | : 2017-04-07 |
| Genre | : Literary Criticism |
| ISBN | : 1743324618 |
Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the “currency lass”, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies. In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, colonial detective stories, the swagman’s yarn, the Australian girl’s romance. Authors as diverse as Catherine Helen Spence, Rosa Praed, Henry Kingsley, Anthony Trollope, Henry Lawson, Miles Franklin, Barbara Baynton, Rolf Boldrewood, Mary Fortune and Marcus Clarke were fascinated by colonial character types, and brought them vibrantly to life. As this book shows, colonial Australian character types are fluid, contradictory and often unpredictable. When we look closely, they have the potential to challenge our assumptions about fiction, genre and national identity. The preliminary pages and introduction to this work are available free to download at the Sydney eScholarship Repository: https://hdl.handle.net/2123/16435 Contents Introduction: The Colonial Economy and the Production of Colonial Character Types 1 The Reign of the Squatter 2 Bushrangers 3 Colonial Australian Detectives 4 Bush Types and Metropolitan Types 5 The Australian Girl Works Cited Index About the series The Sydney Studies in Australian Literature series publishes original, peer-reviewed research in the field of Australian literature. The series comprises monographs devoted to the works of major authors and themed collections of essays about current issues in the field of Australian literary studies. The series offers well-researched and engagingly written re-evaluations of the nature and importance of Australian literature, and aims to reinvigorate its study both in Australia and internationally.
