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| Author | : James H. Stubblebine |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 140 |
| Release | : 1985 |
| Genre | : Christian saints in art |
| ISBN | : 9780064385565 |
| Author | : James H. Stubblebine |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 168 |
| Release | : 1985 |
| Genre | : Architecture |
| ISBN | : |
| Author | : William Robert Cook |
| Publisher | : BRILL |
| Total Pages | : 423 |
| Release | : 2005 |
| Genre | : Religion |
| ISBN | : 9004131671 |
New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included.
| Author | : NiritBen-Aryeh Debby |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 135154523X |
Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.
| Author | : Roger D. Sorrell |
| Publisher | : Oxford University Press |
| Total Pages | : 217 |
| Release | : 1988-12-08 |
| Genre | : Religion |
| ISBN | : 0199878897 |
One of the best-loved saints of all time, Francis of Assisi is often depicted today as a kind of proto-hippie or early environmentalist. This book, the most comprehensive study in English of Francis's view of nature in the context of medieval tradition, debunks modern anachronistic interpretations, arguing convincingly that Francis's ideas can only be understood in their 13th-century context. Through close analysis of Francis's writings, particularly the Canticle of the Sun, Sorrell shows that many of Francis's beliefs concerning the proper relation of humanity to the natural world have their antecedents in scripture and the medieval monastic orders, while other ideas and practices--his nature mysticism, his concept of familial relationships with created things, and his extension of chivalric conceptions to interactions with creatures--are entirely his own. Sorrell insists, however, that only by seeing Francis in terms of the Western traditions from which he arose can we appreciate the true originality of this extraordinary figure and the relevance of his thought to modern religious and environmental concerns.
| Author | : Colum Hourihane |
| Publisher | : |
| Total Pages | : 4064 |
| Release | : 2012 |
| Genre | : Architecture, Medieval |
| ISBN | : 0195395360 |
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
| Author | : Cather Cather Studies |
| Publisher | : U of Nebraska Press |
| Total Pages | : 265 |
| Release | : 2020-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1496219228 |
Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather's correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather's use of "racialized vernacular" in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather's fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather's use of ancient philosophy in The Professor's House. Together the essays reassess Cather's lifelong encounter with, and interpretation and reimagining of, the arts.
| Author | : Sara Ritchey |
| Publisher | : Cornell University Press |
| Total Pages | : 248 |
| Release | : 2014-03-29 |
| Genre | : History |
| ISBN | : 0801470943 |
A magnificent proliferation of new Christ-centered devotional practices—including affective meditation, imitative suffering, crusade, Eucharistic cults and miracles, passion drama, and liturgical performance—reveals profound changes in the Western Christian temperament of the twelfth century and beyond. This change has often been attributed by scholars to an increasing emphasis on God’s embodiment in the incarnation and crucifixion of Christ. In Holy Matter, Sara Ritchey offers a fresh narrative explaining theological and devotional change by journeying beyond the human body to ask how religious men and women understood the effects of God’s incarnation on the natural, material world. She finds a remarkable willingness on the part of medieval Christians to embrace the material world—its trees, flowers, vines, its worms and wolves—as a locus for divine encounter. Early signs that perceptions of the material world were shifting can be seen in reformed communities of religious women in the twelfth-century Rhineland. Here Ritchey finds that, in response to the constraints of gendered regulations and spiritual ideals, women created new identities as virgins who, like the mother of Christ, impelled the world’s re-creation—their notion of the world’s re-creation held that God created the world a second time when Christ was born. In this second act of creation God was seen to be present in the physical world, thus making matter holy. Ritchey then traces the diffusion of this new religious doctrine beyond the Rhineland, showing the profound impact it had on both women and men in professed religious life, especially Franciscans in Italy and Carthusians in England. Drawing on a wide range of sources including art, liturgy, prayer, poetry, meditative guides, and treatises of spiritual instruction, Holy Matter reveals an important transformation in late medieval devotional practice—a shift from metaphor to material, from gazing on images of a God made visible in the splendor of natural beauty to looking at the natural world itself, and finding there God’s presence and promise of salvation.
| Author | : N. R. Havely |
| Publisher | : Cambridge University Press |
| Total Pages | : 238 |
| Release | : 2004-08-12 |
| Genre | : Literary Criticism |
| ISBN | : 9780521833059 |
Nicholas Havely examines the connections between Dante, the Franciscans and the Papacy as they appear in the Commedia, and presents the poem as one concerned with an often dramatic confrontation between authority and idealism in the church. Havely draws on a wide range of literary, historical and art historical sources relating to the controversy about Franciscan poverty during the late thirteenth and early fourteenth centuries. He argues that the Spiritual Franciscans' strict interpretations of evangelical poverty provided the poet with a means of addressing the state of the contemporary Papacy and of imagining the renewal of the church. He also explores the origins and afterlife of the debate about this form of poverty and Dante's contribution to it. This study will appeal to scholars interested in medieval religious and intellectual history, as well as to readers of Dante's poem and other medieval visionary and political writing.
| Author | : Anne Davenport |
| Publisher | : BRILL |
| Total Pages | : 458 |
| Release | : 2021-10-11 |
| Genre | : Philosophy |
| ISBN | : 9004452877 |
This volume examines a selection of late medieval works devoted to the intensive infinite in order to draw a comprehensive picture of the context, character and importance of scholastic efforts to reason philosophically about divine infinity. As Dominican masters face Franciscan 'spirituals' and as university-trained theologians face evangelical laymen, the purpose and meaning of divine infinity shift, reflecting a basic tension between the Church's Petrine vocation for geopolitical orthodoxy and its more Pauline mission to promote Christian orthopraxis. The first part of the book traces the scholastic defense of divine infinity from the holocaust of Montségur up to John Duns Scotus. The second part examines the semiotic breakthrough initiated by William of Ockham and the subsequent penetration of infinist theory into a wide variety of disciplines.
