Aspects of Otherness in Japanese Culture
Author | : Jacob Raz |
Publisher | : |
Total Pages | : 145 |
Release | : 1992 |
Genre | : Folklore |
ISBN | : |
Download Aspects of Otherness in Japanese Culture Book in PDF, ePub and Kindle
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Aspects Of Otherness In Japanese Culture PDF full book. Access full book title Aspects Of Otherness In Japanese Culture.
Author | : Jacob Raz |
Publisher | : |
Total Pages | : 145 |
Release | : 1992 |
Genre | : Folklore |
ISBN | : |
Author | : Rachael Hutchinson |
Publisher | : Routledge |
Total Pages | : 363 |
Release | : 2006-09-27 |
Genre | : History |
ISBN | : 1134233914 |
Representing the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity. Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan. Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.
Author | : Betsy Forero Montoya |
Publisher | : Universidad de los Andes |
Total Pages | : 242 |
Release | : 2021-07-01 |
Genre | : Fiction |
ISBN | : 9587980565 |
Betsy Forero-Montoya is an Associate Professor in the School of Arts and Humanities at Universidad de los Andes (Colombia). She received a PhD in Japa-nese Studies from Tsukuba University and a Master's of Arts from Sophia University. She has been teach-ing and conducting research on Japan for almost two decades. She has authored articles and book chap-ters on media portrayal of gender and ethnicity, and on popular culture.
Author | : Michal Daliot-Bul |
Publisher | : University of Hawaii Press |
Total Pages | : 226 |
Release | : 2014-10-31 |
Genre | : Social Science |
ISBN | : 0824847881 |
Play is one of the most powerful cultural forces in contemporary Japan and in other late modern societies. In this notable contribution to our understanding of play, Michal Daliot-Bul explores the intricate and dynamic transformations of culture and play (asobi) in Japan. Along the way, she takes readers on a theoretically informed journey to better comprehend what makes play a significant cultural function, asking such questions as “How can we explain the dialectics between play as a biological instinct and play as a culturally specific activity? What defines the best player? How is creativity related to play? What is the difference between play and playfulness? Are some cultures more play-oriented than others, and if so, why?” Daliot-Bul argues that the cultural meaning of play and its influence on sociocultural life are not inherent properties of a fixed, universal behavior called play but rather are conditioned by changing cultural contexts and competing social ideologies. Spanning Japan’s premodern period to the twenty-first century, the extent and expressions of play described in this book become thought-provoking lenses through which to view Japanese social dynamics and cultural complexities. As she approaches the post-industrialized 1970s in Japan, Daliot-Bul’s narrative also explores urban consumer culture as a system for organizing daily life, the tension between institutional and contemporary popular cultures, the production of new gender identities, and the cultural construction of urban space. License to Play is an insightful and engaging work that will appeal widely to scholars and students specializing in cultural studies, cultural anthropology, and Japanese studies. Given the global fascination with Japanese popular culture and with play-like pleasures in late consumer cultures, the book will also find a readership among those interested in Japan in general and the universal phenomenon of play.
Author | : Joy Hendry |
Publisher | : Oxford University Press |
Total Pages | : 246 |
Release | : 1993 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198280286 |
Wrapping Culture examines problems of intercultural communication and the possibilities for misinterpretation of the familiar in an unfamiliar context. Starting with an examination of Japanese gift-wrapping, Joy Hendry demonstrates how our expectations are often influenced by cultural factors which may blind us to an appreciation of underlying intent. She extends this approach to the study of polite language as the wrapping of thoughts and intentions, garments as body wrappings, constructions and gardens as wrapping of space. Hendry shows how this extends even to the ways in which people may be wrapped in seating arrangements, or meetings and drinking customs may be constrained by temporal versions of wrapping. Throughout the book, Hendry considers ways in which groups of people use such symbolic forms to impress and manipulate one another, and points out a Western tendency to underestimate such nonverbal communication, or reject it as mere decoration. She presents ideas that should be valid in any intercultural encounter and demonstrates that Japanese culture, so often thought of as a special case, can supply a model through which we can formulate general theories about human behavior.
Author | : Mika Ko |
Publisher | : Routledge |
Total Pages | : 241 |
Release | : 2013-05-13 |
Genre | : Social Science |
ISBN | : 1135238863 |
Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception. Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have ‘reflected’ more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of ‘otherness’ in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of ‘Japaneseness’. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism. By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.
Author | : John C. Maher |
Publisher | : Routledge |
Total Pages | : 332 |
Release | : 2012-11-12 |
Genre | : Social Science |
ISBN | : 1136160167 |
This is the first in-depth study of the "other" Japan - the diverse and complex culture that belies the conventional portrayal of Japan as a homogenous entity. Moving, fascinating and surprising, this book sets out the largely untold story of the cultural, ethnic and linguistic diversity found in Japan today, where members of marginal societal groups are ignored by the mainstream on the grounds of physical, ethnic, religious or other differences. Among them are the Ainu, Koreans, "Buraku", women, returnees and the deaf, for all of whom this work serves as a forum to give eloquent voice to their history and present situation. This unique study describes the existing plurality in Japan in order to start balancing the perspectives which currently exist in the non-Japanese literature about Japan; to challenge the myth of Japanese uniqueness by focusing on very common experiences that Japanese people share with peoples in other parts of the world; and above all, to counteract the common tendency to see complexity as a threat by illustrating the value to society as a whole of diversity and cultural plurality.
Author | : Perry Roy Hinton |
Publisher | : |
Total Pages | : 0 |
Release | : 2023 |
Genre | : Cultural relations |
ISBN | : 9781003082088 |
"This fascinating book is an insightful exploration of Western perceptions and representations of Japanese culture and society, drawing on social and cultural psychological ideas around stereotypes and intercultural relations. Hinton considers how the West views the Japanese as an ideologically different 'other', and proposes a cultural theory of stereotypes from which to explore Western observations of the Japanese. The book explores Western socio-cultural representations of the Japanese alongside Edward Said's well-known theory of Orientalism. It examines the West's intercultural relationship with Japan, and how this has changed over time, to show how the Japanese have been represented in the Western mind throughout history, to the present day. Hinton argues that our view of other cultures is based on our own cultural expectations, which involve complex issues of meaning making and perceived cultural differences. This book foregrounds this research through accounts of Westerners about the Japanese, to reveal how cultural representations can influence the ways in which people from different cultures communicate in interaction, and how intercultural understanding or misunderstanding can arise. By reflecting on the changing Western representations of the Japanese, and how and why these have emerged, this book will be of interest to students, academics, and general readers interested in stereotypes, cultural psychology, intercultural communication, and Japanese culture and history"--
Author | : Satoshi Toyosaki |
Publisher | : Taylor & Francis |
Total Pages | : 257 |
Release | : 2017-02-24 |
Genre | : Social Science |
ISBN | : 1315516926 |
Japan is heterogeneous and culturally diverse, both historically through ancient waves of immigration and in recent years due to its foreign relations and internationalization. However, Japan has socially, culturally, politically, and intellectually constructed a distinct and homogeneous identity. More recently, this identity construction has been rightfully questioned and challenged by Japan’s culturally diverse groups. This book explores the discursive systems of cultural identities that regenerate the illusion of Japan as a homogeneous nation. Contributors from a variety of disciplines and methodological approaches investigate the ways in which Japan’s homogenizing discourses are challenged and modified by counter-homogeneous message systems. They examine the discursive push-and-pull between homogenizing and heterogenizing vectors, found in domestic and transnational contexts and mobilized by various identity politics, such as gender, sexuality, ethnicity, foreign status, nationality, multiculturalism, and internationalization. After offering a careful and critical analysis, the book calls for a complicating of Japan’s homogenizing discourses in nuanced and contextual ways, with an explicit goal of working towards a culturally diverse Japan. Taking a critical intercultural communication perspective, this book will be of interest to students and scholars of Japanese Studies, Japanese Culture and Japanese Society.
Author | : Patrick W. Galbraith |
Publisher | : Duke University Press |
Total Pages | : 245 |
Release | : 2019-12-06 |
Genre | : Comics & Graphic Novels |
ISBN | : 147800701X |
From computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, “otaku” are imagining and creating alternative social worlds.