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Alone at the Altar

Alone at the Altar
Author: Brianna Leavitt-Alcántara
Publisher: Stanford University Press
Total Pages: 423
Release: 2018-01-09
Genre: History
ISBN: 150360439X

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By 1700, Guatemala's capital was a mixed-race "city of women." As in many other cities across colonial Spanish America, labor and migration patterns in Guatemala produced an urban female majority and high numbers of single women, widows, and female household heads. In this history of religious and spiritual life in the Guatemalan capital, Brianna Leavitt-Alcántara focuses on the sizeable population of ordinary, non-elite women living outside of both marriage and convent. Although officials often expressed outright hostility towards poor unmarried women, many of these women managed to position themselves at the forefront of religious life in the city. Through an analysis of over 500 wills, hagiographies, religious chronicles, and ecclesiastical records, Alone at the Altar examines how laboring women forged complex alliances with Catholic priests and missionaries and how those alliances significantly shaped local religion, the spiritual economy, and late colonial reform efforts. It considers the local circumstances and global Catholic missionary movements that fueled official collaboration with poor single women and support for diverse models of feminine piety. Extending its analysis past Guatemalan Independence to 1870, this book also illuminates how women's alliances with the Catholic Church became politicized in the Independence era and influenced the rise of popular conservatism in Guatemala.


Intacta María

Intacta María
Author: Pablo González Tornel
Publisher:
Total Pages: 452
Release: 2017
Genre: Art, Baroque
ISBN:

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The exhibition analyses the process through which devotion to the Immaculate conception was created and popularised in early modern Spain. While the Immaculate Conception only became dogma in 1854, as early as 1616 the Spanish Monarchy became a staunch supporter of the theory, turning its defence into a national priority. In the following years, the Immaculate Conception became Spain's most heartfelt devotion and a sign of national identity. Art played an important role in this process, amounting to what we may describe as a marketing campaign. This will be the focus of the Museo de Bellas Artes' forthcoming exhibition, featuring more than 50 paintings, sculptures, prints and books borrowed from notable Spanish museums and churches such as the Museo Nacional de Escultura de Valladolid, the Cathedral of Seville, the Biblioteca Nacional de España, and many others.