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| Author | : Laura Dolp |
| Publisher | : Cambridge University Press |
| Total Pages | : 282 |
| Release | : 2017-07-13 |
| Genre | : History |
| ISBN | : 1107182891 |
The first substantial volume in English to explore the impact of Arvo Pärt on contemporary music and culture.
| Author | : Laura Dolp |
| Publisher | : Cambridge University Press |
| Total Pages | : 282 |
| Release | : 2017-07-13 |
| Genre | : Music |
| ISBN | : 1316872750 |
One of the most frequently performed contemporary composers, Arvo Pärt has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Pärt's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Pärt as a major cultural figure and reflect on the unprecedented impact of his music.
| Author | : Laura Dolp |
| Publisher | : |
| Total Pages | : |
| Release | : 2017 |
| Genre | : MUSIC |
| ISBN | : 9781316874431 |
One of the most frequently performed contemporary composers, Arvo Part has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Part's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Part as a major cultural figure and reflect on the unprecedented impact of his music.
| Author | : Victoria Meyers |
| Publisher | : Laurence King Publishing |
| Total Pages | : 152 |
| Release | : 2006 |
| Genre | : Architecture |
| ISBN | : 9781856694834 |
"In the first chapter of Designing with Light, Meyers summarizes recent developments in the science of light and their cultural impact, and then surveys the uses of light in contemporary visual art, theater, film, and even music. This overview reveals how the work of artists as diverse as videographer Bill Viola, stage director Robert Wilson, and composer John Cage can lend architects insight into the properties of light. Each of the following chapters is devoted to one aspect of light in contemporary architecture, beginning with Color and continuing with Lines, Form, Glass, Windows, Sky Frames, Shadows, and, finally, Reflections. Within these chapters, some two hundred vivid color photographs illustrate the myriad ways in which architects like Zaha Hadid, Herzog & de Meuron, Rem Koolhas, and John Pawson have employed light, internally and externally, in their recent commissions. Enriched with this abundance of images, as well as with numerous insights from Meyers's own architectural practice, Designing with Light will appeal to every student, practitioner, and enthusiast of contemporary architecture."--BOOK JACKET.
| Author | : Peter C. Bouteneff |
| Publisher | : Fordham University Press |
| Total Pages | : 261 |
| Release | : 2020-12-01 |
| Genre | : Music |
| ISBN | : 082328977X |
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.
| Author | : Andrew Shenton |
| Publisher | : Cambridge University Press |
| Total Pages | : 478 |
| Release | : 2012-05-17 |
| Genre | : Music |
| ISBN | : 1107495660 |
Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
| Author | : Paul Hillier |
| Publisher | : Clarendon Press |
| Total Pages | : 238 |
| Release | : 1997-04-24 |
| Genre | : |
| ISBN | : 0191590487 |
World-famous, Estonian-born composer Arvo P--auml--;rt is a unique voice in today's music. From his own extensive experience of working with P--auml--;rt, Paul Hiller here provides the first full-length study of the composer's music. - ;The music of the Estonian-born composer Arvo P--auml--;rt is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, P--auml--;rt created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate tranquillity of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of P--auml--;rt, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of P--auml--;rt's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to P--auml--;rt's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues. -
| Author | : Andrew Shenton |
| Publisher | : Cambridge University Press |
| Total Pages | : 312 |
| Release | : 2018-05-10 |
| Genre | : Music |
| ISBN | : 1108514863 |
Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Part's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.
| Author | : Andrew Shenton |
| Publisher | : Cambridge University Press |
| Total Pages | : 311 |
| Release | : 2018-05-10 |
| Genre | : Music |
| ISBN | : 1108505929 |
Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Pärt's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.
| Author | : Leopold Brauneiss |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Composers |
| ISBN | : 9781564787866 |
This collection of essays and interviews is an ideal guide to the work and thought of one of the world's greatest and most original living composers. In Enzo Restagno's extensive interview, P'rt gives an intimate description of his work and life in Soviet Estonia, his emigration, his artistic odyssey, and his worldview. Then, Arvo P'rt's compositional technique is the focus of a musicological essay by Leopold Brauneiss. Finally, Saale Kareda explores the spiritual aspects of the composer's approach to his works. Two acceptance speeches, delivered by P'rt on receiving major European prizes, complete this fascinating and illuminating portrait.
