Artscribe International
Author | : |
Publisher | : |
Total Pages | : 620 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 620 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 608 |
Release | : 1985 |
Genre | : Art |
ISBN | : |
Author | : John Roberts |
Publisher | : Manchester University Press |
Total Pages | : 228 |
Release | : 1990 |
Genre | : Art, Modern |
ISBN | : 9780719032301 |
Met lit. opg. Met reg. The author argues that the rupture of post-modernism with the critical culture of modernism, realism and Marxism is in the ligt of the still determining power of many of the aims and concerns of the modernist and realist projects. Also included is a description of the production, distribution and criticism of the visual arts in Britain since the late 1970s and the rise of Thatcherism.
Author | : Sam Cooper |
Publisher | : Taylor & Francis |
Total Pages | : 196 |
Release | : 2016-08-25 |
Genre | : Literary Criticism |
ISBN | : 1317190807 |
This book tells, for the first time, the story of the Situationist International’s influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition — as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the ‘society of the spectacle.’ This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics.
Author | : Irving Sandler |
Publisher | : Routledge |
Total Pages | : 952 |
Release | : 2018-05-30 |
Genre | : Art |
ISBN | : 0429981821 |
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
Author | : John Zarobell |
Publisher | : Univ of California Press |
Total Pages | : 340 |
Release | : 2017-04-18 |
Genre | : Art |
ISBN | : 0520291522 |
Introduction : measuring the economy of the arts -- Museums in flux -- The exhibitionary complex -- Art and the global marketplace -- Conclusion : non-profits and artist collectives as market alternatives
Author | : Thomas Crow |
Publisher | : Yale University Press |
Total Pages | : 288 |
Release | : 1996-01-01 |
Genre | : Art |
ISBN | : 9780300076493 |
Hoofdstukken over kunstenaars en kunstuitingen vormen het uitgangspunt van deze Studie over de relatie tussen avant-garde kunst en de massacultuur
Author | : Ian Chilvers |
Publisher | : Oxford University Press, USA |
Total Pages | : 786 |
Release | : 2009 |
Genre | : Art |
ISBN | : 0199239657 |
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Author | : John Gray |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 360 |
Release | : 1993-05-30 |
Genre | : Art |
ISBN | : 0313387575 |
This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials dating from 1914 to 1992. Organized for maximum accessibility, the sources are also extensively cross-referenced and are indexed by artist, subject, title, and author. Three appendices identify reference works, libraries, and archives, and addenda material not found in the book text, and two others list artists by country and by group or collective.
Author | : |
Publisher | : |
Total Pages | : 554 |
Release | : 1986 |
Genre | : Art, Modern |
ISBN | : |
The independent voice of the visual arts.