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Artistic Theory in Italy, 1450-1600

Artistic Theory in Italy, 1450-1600
Author: Anthony Blunt
Publisher: Oxford University Press, USA
Total Pages: 212
Release: 1962
Genre: Art
ISBN: 9780198810506

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Leonardo da Vinci - Alberti - Michelangelo - Vasari - Social position of the artist - Religious art - Minor writers of the High Renaissance - Later mannerists.


Artistic Theory in Italy

Artistic Theory in Italy
Author: Anthony Blunt
Publisher:
Total Pages: 216
Release: 1940
Genre: Aesthetics
ISBN:

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"This book seeks to broaden the comprehension of the student of Italian Renaissance painting by concentrating not on the works of art themselves, but on the various artistic theories which influenced them or were expressed by them. Taking Alberti's treatises as his starting-point, Anthony Blunt traces the development of artistic theory from Humanism to Mannerism. He discusses the writings of Leonardo, Savonarola, Michelangelo, and Vasari, examines the effect of the Council of Trent on religious art, and chronicles the successful struggle of the painters and sculptors themselves to elevate their status from craftsmen to creative artists."--Amazon


Artistic Theory in Italy

Artistic Theory in Italy
Author: Anthony Frederick Blunt
Publisher:
Total Pages: 0
Release: 1962
Genre:
ISBN:

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Artistic Theory in Italy

Artistic Theory in Italy
Author: Anthony Blunt
Publisher: Blunt Press
Total Pages: 200
Release: 2008-11
Genre: Art
ISBN: 1443727989

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... (6) Columns for Discount on Purchases and Discount on Notes on the same side of the Cash Book; (c) Columns for Discount on Sales and Cash Sales on the debit side of the Cash Book; (d) Departmental columns in the Sales Book and in the Purchase Book. Controlling Accounts.--The addition of special columns in books of original entry makes possible the keeping of Controlling Accounts. The most common examples of such accounts are Accounts Receivable account and Accounts Payable account. These summary accounts, respectively, displace individual customers' and creditors' accounts in the Ledger. The customers' accounts are then segregated in another book called the Sales Ledger or Customers' Ledger, while the creditors' accounts are kept in the Purchase or Creditors' Ledger. The original Ledger, now much reduced in size, is called the General Ledger. The Trial Balance now refers to the accounts in the General Ledger. It is evident that the task of taking a Trial Balance is greatly simplified because so many fewer accounts are involved. A Schedule of Accounts Receivable is then prepared, consisting of the balances found in the Sales Ledger, and its total must agree with the balance of the Accounts Receivable account shown in the Trial Balance. A similar Schedule of Accounts Payable, made up of all the balances in the Purchase Ledger, is prepared, and it must agree with the balance of the Accounts Payable account of the General Ledger." The Balance Sheet.--In the more elementary part of the text, the student learned how to prepare a Statement of Assets and Liabilities for the purpose of disclosing the net capital of an enterprise. In the present chapter he was shown how to prepare a similar statement, the Balance Sheet. For all practical...


Art, Theory, and Culture in Sixteenth-Century Italy

Art, Theory, and Culture in Sixteenth-Century Italy
Author: Robert Williams
Publisher: Cambridge University Press
Total Pages: 0
Release: 2011-02-17
Genre: Art
ISBN: 9780521184335

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Art, Theory and Culture in Sixteenth-Century Italy offers a critical overview of the literature on the visual arts produced during the High and Late Renaissance. Analyzing and interpreting texts by such writers as Vasari, Lomazzo, Zuccaro, and Tasso, Robert Williams demonstrates how these works offer insight into the experience of contemporary viewers, thus permitting a clearer view of the relationship between abstract thought and lived experience. By focusing on a heretofore neglected, but important body of literature, Williams shows how an understanding of it can transform our knowledge and appreciation of the Renaissance.