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| Author | : Philip J. C. Dark |
| Publisher | : University of Hawaii Press |
| Total Pages | : 286 |
| Release | : 1993-09-01 |
| Genre | : Art |
| ISBN | : 9780824815738 |
“The great value of [this work] is the uniformly high quality of papers and their revelation of contemporary trends in Oceanic art research.” —Ethnoarts
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : |
| Author | : Anita Herle |
| Publisher | : University of Hawaii Press |
| Total Pages | : 486 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780824825560 |
Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.
| Author | : Jolie Liston |
| Publisher | : ANU E Press |
| Total Pages | : 212 |
| Release | : 2011-11-01 |
| Genre | : Social Science |
| ISBN | : 1921862483 |
"This volume emerges from a ground-breaking conference held in the Republic of Palau on cultural heritage in the Pacific. It includes bold investigations of the role of cultural heritage in identity-making, and the ways in which community engagement informs heritage management practices. This is the first broad and detailed investigation of the unique and irreplaceable cultural heritage of the Pacific from a heritage management perspective. It identifies new trends in research and assesses relationships between archaeologists, heritage managers and local communities. The methods which emerge from these relationships will be critical to the effective management of heritage sites in the 21st century. A wonderful book which emerges from an extraordinary conference. Essential reading for cultural heritage managers, archaeologists and others with an interest in caring for the unique cultural heritage of the Pacific Islands".
| Author | : Martin-Gropius-Bau (Berlin, Germany) |
| Publisher | : Getty Publications |
| Total Pages | : 354 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1606060724 |
"This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."
| Author | : Moshe Rapaport |
| Publisher | : Bess Press |
| Total Pages | : 490 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 9781573060837 |
Academic survey of the Pacific Islands. Includes maps, photographs, tables, diagrams, atlas, and detailed index.
| Author | : Kathryn Bunn-Marcuse |
| Publisher | : University of Washington Press |
| Total Pages | : 344 |
| Release | : 2020-07-20 |
| Genre | : Art |
| ISBN | : 0295747145 |
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
| Author | : Jennifer Newell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9780714125909 |
The art of the Pacific Islands is exciting, varied, vibrant and ever-changing. Across the great breadth of the Pacific, artists have always employed a wide variety of materials and techniques to create objects for specific purposes. These have been central to the management of land and ocean, of political and spiritual power, and of connections to gods and ancestors. This book focuses on objects from the domestic to the sacred, from the elegantly simple to the sumptuously ornate, and from the historic to the contemporary. The author draws on striking and colourful examples from the Pacific's major cultural regions: Polynesia, Melanesia and Micronesia, beginning with an introduction asking 'What is Pacific art?' Each of the beautiful artworks is then explored further through close-ups, allowing intriguing comparisons between seemingly unrelated objects and media. Ideal as a spur to creative inspiration, this beautiful book offers a striking and unusual view of the wide array of Pacific art, evoking the skills of the most accomplished Pacific artists and craftworkers, past and present.
| Author | : Karen Stevenson |
| Publisher | : |
| Total Pages | : |
| Release | : 2017 |
| Genre | : |
| ISBN | : 9789820109506 |
The Festival of Pacific Arts, initially known as the South Pacific Arts Festival, has grown from the 1st edition with 1000 participants from 20 countries to the Festival of Pacific Arts with close to 3000 delegates from 27 countries. The concept for a regional festival originated from the Fiji Arts Council in 1965. They envisioned a festival put on by and for Pacific peoples; a festival built upon the tradition of both sharing and passing cultural knowledge from one generation to the next. Working to facilitate this vision, the Fiji Arts Council and the South Pacific Commission (now Pacific Community) combined their resources to host the 1st South Pacific Festival of Arts, in 1972. Since that time, twelve Festivals have taken place.
| Author | : Barry Craig |
| Publisher | : University of Hawaii Press |
| Total Pages | : 340 |
| Release | : 1999-12-01 |
| Genre | : Performing Arts |
| ISBN | : 9780824822835 |
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
