Article 45, Husband and wife, to Article 100, Work
Author | : Maryland |
Publisher | : |
Total Pages | : 1136 |
Release | : 1903 |
Genre | : Law |
ISBN | : |
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Author | : Maryland |
Publisher | : |
Total Pages | : 1136 |
Release | : 1903 |
Genre | : Law |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1134 |
Release | : 1888 |
Genre | : Law |
ISBN | : |
Author | : Maryland |
Publisher | : |
Total Pages | : 1356 |
Release | : 1904 |
Genre | : Law |
ISBN | : |
Author | : Maryland |
Publisher | : |
Total Pages | : 2600 |
Release | : 1904 |
Genre | : Law |
ISBN | : |
Author | : Laura H. Dale |
Publisher | : |
Total Pages | : 20 |
Release | : 1959 |
Genre | : Woman |
ISBN | : |
Author | : Kermitt E. Wheeler |
Publisher | : |
Total Pages | : 24 |
Release | : 1966 |
Genre | : Government publications |
ISBN | : |
Author | : Mrs. Jameson (Anna) |
Publisher | : |
Total Pages | : 572 |
Release | : 1892 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : American Bar Association. House of Delegates |
Publisher | : American Bar Association |
Total Pages | : 216 |
Release | : 2007 |
Genre | : Law |
ISBN | : 9781590318737 |
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Author | : Stephanie Lewthwaite |
Publisher | : University of Oklahoma Press |
Total Pages | : 305 |
Release | : 2015-10 |
Genre | : Art |
ISBN | : 0806152893 |
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Author | : Vivien Green Fryd |
Publisher | : University of Chicago Press |
Total Pages | : 326 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780226266541 |
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution. Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the widespread middle-class fears that the new urban, multidwelling homes would contribute to the breakdown of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman. Art and the Crisis of Marriage provides both a penetrating reappraisal of the interconnections between Georgia O'Keeffe's and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender, and sexuality transformed American society between the wars in ways that continue to shape it today.