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Author | : Jacques Derrida |
Publisher | : Columbia University Press |
Total Pages | : 93 |
Release | : 2017-09-19 |
Genre | : Philosophy |
ISBN | : 0231543700 |
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In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Mômo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums, while playing off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida . . . will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida—and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist.
Author | : Antonin Artaud |
Publisher | : ABRAMS |
Total Pages | : 178 |
Release | : 1996 |
Genre | : Art |
ISBN | : |
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Published to accompany exhibition held at the Museum of Modern Art, New York, 3/10/96 - 7/1/97.
Author | : Margit Rowell |
Publisher | : |
Total Pages | : 167 |
Release | : 1996 |
Genre | : Art and literature |
ISBN | : |
Download Antonin Artaud: Works on Paper Book in PDF, ePub and Kindle
Author | : Jacques Derrida |
Publisher | : Editions Galilée |
Total Pages | : 132 |
Release | : 2002 |
Genre | : Art criticism |
ISBN | : |
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Texte d'une conférence prononcée lors de la première exposition des peintures et dessins d'Antonin Artaud au Museum of modern art (le Moma) de New York en octobre 1996. Tente d'approcher, à travers ses oeuvres graphiques, celui que l'on surnomma Artaud le Mômo et s'interroge sur l'événement représenté par cette exposition dans l'un des plus grands musées du monde.
Author | : Christina Houstian |
Publisher | : |
Total Pages | : 8 |
Release | : 1996 |
Genre | : |
ISBN | : |
Download Antonin Artaud Book in PDF, ePub and Kindle
Author | : Alejandro A. Vallega |
Publisher | : State University of New York Press |
Total Pages | : 225 |
Release | : 2009-03-18 |
Genre | : Philosophy |
ISBN | : 1438424906 |
Download Sense and Finitude Book in PDF, ePub and Kindle
Takes Heidegger’s later thought as a point of departure for exploring the boundaries of post-conceptual thinking.
Author | : Antonin Artaud |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : French poetry |
ISBN | : 9783035802351 |
Download Artaud the Mômo Book in PDF, ePub and Kindle
Artaud the Mômo is Antonin Artaud's most extraordinary poetic work from the brief final phase of his life, from his return to Paris in 1946 after nine years of incarceration in French psychiatric institutions to his death in 1948. This work is an unprecedented anatomical excavation carried through in vocal language, envisioning new gestural futures for the human body in its splintered fragments. With black humor, Artaud also illuminates his own status as the scorned, Marseille-born child-fool, the "mômo" (a self-naming that fascinated Jacques Derrida in his writings on this work). Artaud moves between extreme irreligious obscenity and delicate evocations of his immediate corporeal perception and his sense of solitude. The book's five-part sequence ends with Artaud's caustic denunciation of psychiatric institutions and of the very concept of madness itself. This edition is translated by Clayton Eshleman, the acclaimed foremost translator of Artaud's work. This will be the first edition since the original 1947 publication to present the work in the spatial format Artaud intended. It also incorporates eight original drawings by Artaud--showing reconfigured bodies as weapons of resistance and assault--which he selected for that edition, after having initially attempted to persuade Pablo Picasso to collaborate with him. Additional critical material draws on Artaud's previously unknown manuscript letters written between 1946 and 1948 to the book's publisher, Pierre Bordas, which give unique insights into the work from its origins to its publication.
Author | : Antonin Artaud |
Publisher | : |
Total Pages | : 167 |
Release | : 1996 |
Genre | : |
ISBN | : |
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Author | : Jacques Derrida |
Publisher | : MIT Press (MA) |
Total Pages | : 184 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Download The Secret Art of Antonin Artaud Book in PDF, ePub and Kindle
This is the first English translation of two famous texts on Antonin Artaud's drawings and portraits. The book includes a series of haunting photographs of Artaud by Georges Pastier.
Author | : Edward Scheer |
Publisher | : Routledge |
Total Pages | : 221 |
Release | : 2014-04-04 |
Genre | : Performing Arts |
ISBN | : 1136480595 |
Download Antonin Artaud Book in PDF, ePub and Kindle
This resource collects for the first time some of the best criticism on Artaud's life and work from writers such as Jacques Derrida, Julia Kristeva, Maurice Blanchot, Herbert Blau, Leo Bersani and Susan Sontag. Antonin Artaud was one of the most brilliant artists of the twentieth century. His writing influenced entire generations, from the French post-structuralists to the American beatniks. He was a key figure in the European cinema of the 1920s and '30s, and his drawings and sketches have been displayed in some of the major art galleries of the Western world. Possibly best known for his concept of a 'theatre of cruelty', his legacy has been to re-define the possibilities of live performance. Containing some of the most intellectually adventurous and emotionally passionate writings on Artaud, this book is essential reading for Artaud scholars working in arts disciplines including theatre, film, philosophy, literature and fine art.